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This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
First published by Wordsworth Editions 1999 and 2007. First published by Princeton University Press in 2016.
Johann Wolfgang von Goethe is often remembered only as a figure of literary genius, with little relevance to the way we live today. Yet Goethe was driven by much more than the desire for literary success- he wanted (much the same as us) to live life well. In Love, Life, Goethe, John Armstrong subtly and imaginatively explores the ways that we can learn from Goethe, whether in love, suffering, friendship or family. At the centre of this project is happiness- in an imperfect world, how can we live well with what we have, and accept what we haven't? From our lives at home, to our relationships, the politicians we choose, and our relationship with money, John Armstrong explores the main themes of our lives through the life of Goethe, and helps us learn how to live.
Contains a brief biography of Goethe, a collection of some of his best-known works, and a sampling of his personal correspondence. Includes his four major works, together with a selection of his finest letters and poems. The Sorrows of Young Werther is a story of self-destructive love that made its author a celebrity overnight at the age of twenty-five. Its exploration of the conflicts between ideas and feelings, between circumstance and desire, continues in his controversial novel probing the institution of marriage, Elective Affinities. The cosmic drama of Faust goes far beyond the realism of the novels in a poetic exploration of good and evil, while Italian Journey, written in the author's old age, recalls his youth in Italy and the effect of Mediterranean culture on a young northerner. Translators include W. H. Auden, Louise Bogan, David Constantine, Barker Fairley, and Elizabeth Mayer.
This new critical biography provides a complete picture of German novelist, playwright, and poet Johann Wolfgang von Goethe. Offering fresh, thought-provoking interpretations of all Goethe’s major works, including novels such as The Sorrows of Young Werther and The Elective Affinities, plays such as Egmont and Iphigenia in Tauris, and Goethe’s greatest work, Faust, Jeremy Adler also provides many original readings of Goethe’s poetry, beginning with the poems written in his early youth. Alongside Goethe’s work, Adler analyzes the incidents of his life, including his love affairs and his meetings with the luminaries of his age, such as Napoleon Bonaparte. Uniquely, Adler also shows how Goethe’s encyclopedic interest in literature, science, philosophy, law, and many other fields became important for a wide range of later scientists and thinkers. Among the figures he influenced were Charles Darwin and Albert Einstein, Karl Marx and Sigmund Freud, Émile Durkheim and Susan Sontag. Goethe has often been called the last Renaissance man. This biography shows that Goethe was in fact the first of the moderns—a maker of modernity.