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A red squirrel stows away on a canoe to fulfill his dream of joining a group of voyageurs--men who paddle canoes filled with goods to a trading post thousands of miles away. A Finalist for the Minnesota Book Award It is 1792 and unbeknownst to a group of voyageurs traveling from Montreal to Grand Portage, an intrepid squirrel, Jean Pierre Petit Le Rouge, sneaks onto their canoe. Le Rouge is soon discovered because he can't contain his excitement--mon dieu he is so enthusiastic. The smells! The vistas! The comradery! The voyageurs are not particularly happy to have him, especially because Le Rouge rides, but he does not paddle. He eats, but he does not cook. He doesn't even carry anything on portages--sometimes it is he who has to be carried. He also has a terrible singing voice. What kind of voyageur is that? When they finally arrive at the trading post Le Rouge is in for a terrible shock--the voyageurs have traveled all those miles to collect beaver pelts. With the help of Monique, a smart and sweet flying squirrel, Le Rouge organizes his fur-bearing friends of the forest to ambush the men and try and convince them to quit being voyageurs. Written by a Newbery honor author, the book has over 20 black-and-white illustrations.
Voyageur is the French word for "traveler," but in the Great Lakes region during the seventeenth century it described those men who made their living trading furs and goods along water routes. Traveling by canoe, these voyageurs helped to establish north woods trading posts and settlements, opening up the West to future exploration. Young Jacques's father is such a voyageur. He works long hours in bitterly cold weather, absent from home for weeks at a time. As he awaits his father's return from a season of trading, Jacques dreams of the day he will hold the canoe paddle and join the ranks of voyageurs.Author Kathy-jo Wargin is known for her many stories celebrating Great Lakes lore and north woods history including the 2001 IRA Children's Choice Award winner, The Legend of the Loon. She lives with her family in Petoskey, Michigan. David Geister's body of work with Sleeping Bear Press continues to grow and includes The Legend of Minnesota, also written by Kathy-jo Wargin. He specializes in historic art and has a background in commercial art. David lives with his family in Minneapolis, Minnesota.
Enormous Big and tiny Little, two adorable dogs, go over and under, deep and shallow, in and out in pursuit of a butterfly. A simple book that introduces the important concept of opposites to the very youngest readers. Loveable Big and effervescent Little opposite in size--and the way they see and navigate the world--as they follow a butterfly. Their journey is told entirely through pairs of opposite words and gentle artwork, and it's full of surprises, including an unexpected run-in with a cranky bear. Fortunately, Big and Little get from here to there and safely home again, just in time for a well-earned rest. The charming narrative arc that runs throughout the story really sets this book apart from other "opposites" books.
?Frenchmen were far ahead of Englishmen in the early Far West, not only prior in time but greater in numbers and in historical importance,? writes Janet Lecompte in her introduction to French Fur Traders and Voyageurs in the American West. They were the first to navigate the Mississippi and its tributaries, and they founded St. Louis and New Orleans. Though France lost her North American possessions in 1763, thousands of her natives remained on the continent. Many of them were voyageurs for Hudson?s Bay Company, whose descendants would join American fur trade companies plying the trans-Mississippi West. ø This volume documents the fact that in the nineteenth century Frenchmen dominated the fur trade in the United States. Twenty-two biographies, collected from LeRoy R. Hafen?s classic ten-volume The Mountain Men and the Fur Trade of the Far West, represent a variety of origins and social classes, types of work, and trading areas. Here are trappers who joined John Jacob Astor?s ill-fated fur venture on the Pacific, St. Louis traders who hauled goods to Spanish New Mexico along the Santa Fe Trail, and those who traded with Indians in the western plains and mountains.
A red squirrel stows away on a canoe to fulfill his dream of joining a group of voyageurs--men who paddle canoes filled with goods to a trading post thousands of miles away. A Finalist for the Minnesota Book Award It is 1792 and unbeknownst to a group of voyageurs traveling from Montreal to Grand Portage, an intrepid squirrel, Jean Pierre Petit Le Rouge, sneaks onto their canoe. Le Rouge is soon discovered because he can't contain his excitement--mon dieu he is so enthusiastic. The smells! The vistas! The comradery! The voyageurs are not particularly happy to have him, especially because Le Rouge rides, but he does not paddle. He eats, but he does not cook. He doesn't even carry anything on portages--sometimes it is he who has to be carried. He also has a terrible singing voice. What kind of voyageur is that? When they finally arrive at the trading post Le Rouge is in for a terrible shock--the voyageurs have traveled all those miles to collect beaver pelts. With the help of Monique, a smart and sweet flying squirrel, Le Rouge organizes his fur-bearing friends of the forest to ambush the men and try and convince them to quit being voyageurs. Written by a Newbery honor author, the book has over 20 black-and-white illustrations. A Junior Library Guild Selection
9 x 12 256 pgs 650 color photos index bibliography
Following the success of "The Snowflake: Winter's Secret Beauty", this companion gift book features new, super-detailed photographs of snowflakes, detailed captions containing the science behind their beauty, and literary quotes relating to snow and nature.
For more than 200 years, voyageur canoes charged across the waters from Quebec to British Columbia, and north to Hudson Bay. The voyageurs spent many months away from home. Their days were long and hard. They braved dangerous storms and swirling rapids, and carried their canoes over rough terrain. The voyageurs were a special brand of tough, rugged adventurers.
Brian, his mom, and his sister Jennie have left their Manhattan home for a canoe trip in Northern Quebec in order to scatter the ashes of Brian's father, whose most cherished memories were of his childhood summers spent at a boy scout camp. Although the trip starts out well enough, it soon becomes clear that the 3 are in over their heads-literally, in Brian's case-when they take a wrong turn into rapids! It is only the quick action of an old man named Pierre that saves Brian from drowning. Seeing just how ill-equipped the family is to complete their journey safely, Pierre kindly offers to guide them to their destination. Along the way Brian faces his grief and his deepest fears of life without his father while developing a friendship with Pierre, who turns out to be somebody far more important than Brian could have imagined...
When Pulp Fiction was released in theaters in 1994, it was immediately hailed as a masterpiece. The New York Times called it a “triumphant, cleverly disorienting journey,” and thirty-one-year-old Quentin Tarantino, with just three feature films to his name, became a sensation: the next great American director. Nearly twenty years later, those who proclaimed Pulp Fiction an instant classic have been proven irrefutably right. In Pulp Fiction: The Complete Story of Quentin Tarantino’s Masterpiece, film expert Jason Bailey explores why Pulp Fiction is such a brilliant and influential film. He discusses how the movie was revolutionary in its use of dialogue (“You can get a steak here, daddy-o,” “Correct-amundo”), time structure, and cinematography—and how it completely transformed the industry and artistry of independent cinema. He examines Tarantino’s influences, illuminates the film’s pop culture references, and describes its phenomenal legacy. Unforgettable characters like Jules Winnfield (Samuel L. Jackson), Vincent Vega (John Travolta), Butch Coolidge (Bruce Willis), and Mia Wallace (Uma Thurman) are scrutinized from all-new angles, and memorable scenes—Christopher Walken’s gold watch monologue, Vince’s explanation of French cuisine—are analyzed and celebrated. Much like the contents of Marcellus Wallace’s briefcase, Pulp Fiction is mysterious and spectacular. This book explains why. Illustrated throughout with original art inspired by the film, with sidebars and special features on everything from casting close calls to deleted scenes, this is the most comprehensive, in-depth book on Pulp Fiction ever published.