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Retold in simple language, underlining importance of each Purana, with a lucid summary.
This is a scriptural commentary of Lahiri Mahasaya on Linga Puran, In The Light Of Kriya. When the body trembles, it is medium Pranayam. When the body levitates, it is Super Pranayam. Seeing the inner Visions is called Darsan. The Kriyanwit, holding onto the After-effect-poise of Kriya in Samadhi, stays like a corpse. The Yogi becomes extremely powerful and inward when he holds onto the After-effect-poise of Kriya for a whole year. His sperm become golden. He becomes Omniscient and generates good Seed. His arms reach out in ten directions, and he may accept whatever he wants to. The eyes of one who holds onto the After-effect-poise of Kriya do not blink (nimes). That is why he is called Animes. Those who walk on the earth and who fly in the sky, like renunciates and energetic beings, all are holding eight kinds of powers through earth, water, fire, air and ether. At the After-effect-poise (Turiya) of Kriya, one does not like to speak. He is Kapali, that is, He holds the air in the forehead (Kapal). He stays at Kailash Mountain, that is, at the head, at the After-effect-poise (Turiya) of Kriya like the ultimate Self. He is Guhavashi. That is, in the Star in between the eyebrows there is a cave where He lives. He is Kulahari. That is, He snatches away the energy of Kulakundalini. This body is the sound of OM or Pranava. Prana makes all beings tranquil by the practice of Kriya in this body. That is why it is called Pranava. This very breath is spread over in all bodies. That is why Mahadeva is all pervading and everywhere in all beings.
Puranas are almost like an encyclopedia listing the hitman achievements in this part of the world till the time they were edited or compiled. In every cycle of time the master editor called Veda vyas emerges to edit, vet and compile these records. Their significance is enormous even in the present, as they give a peep into the distant past of Hindus when the world was evolving and the psyche of the race was being formed. These Puranas record the arguments that make us to decide as to what is holy and what is vile; what is good and what is had. By going through them we can compare our present day jurisprudence vis-a-vis the ancient norms. Apart from that, they are a huge store-house of information conceiving every subject under the sun. It is with the view of unearthing these gems that the present series of the puranas has been planned.
Vishnu Puran is believed to be one of the most important Puranas, if not the most valuable ancient record of the faith called Sanatan Dharma. Its stories reveal about the various exploits of Vishnu incarnations. In rendering this holy text into English, the attention has been paid to put only those details that have certain fundamental truths of life. Hence, in this work those details have been deliberately omitted which may appear rather confusing or uninteresting to the reader not having the initiation in the sacred love. The main thrust of this attempt has been to show a clear glimpse of our ancient hermitage.
The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. "Origins" contains myths relating to creation, time, and space. "Seers, Kings and Supernaturals" relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in three separate chapters: Krsna, Visnu, and Siva. The chapter The Goddess presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names are given the original. The editors have provided a thorough glossary to make these names accessible.
One of the three great gods of Hinduism, Siva is a living god. The most sacred and most ancient book of India, The Rg Veda, evokes his presence in its hymns; Vedic myths, rituals, and even astronomy testify to his existence from the dawn of time. In a lively meditation on Siva--based on original Sanskrit texts, many translated here for the first time--Stella Kramrisch ponders the metaphysics, ontology, and myths of Siva from the Vedas and the Puranas. Who is Siva? Who is this god whose being comprises and transcends everything? From the dawn of creation, the Wild God, the Great Yogi, the sum of all opposites, has been guardian of the absolute. By retelling and interweaving the many myths that keep Siva alive in India today, Kramrisch reveals the paradoxes in Siva's nature and thus in the nature of consciousness itself.
The Puranas are not merely history books in the accepted sense of the term but they do give a mine of information about the ancient life or the time when our values were taking roots. Since they record not only history and geography, but also the essence of our jurisprudence and subjects of practical value and its relevance, it perhaps never wanes. In order to help the gen-next know and appreciate the span of our achievement, it is essential for it to have a comprehensive version of our Puranas. The language and style of narration have been kept as near to the modern parlance so as to help the reader get the crux of the text. This Skanda Purana is an important to me of the series as it contains varied descriptions of our ancient heritage. Curiously enough, the now widely popular story: the ‘Satyanarayan Katha’ owes its origin to this very Purana. It is hoped our discerning readers would accord a warm welcome to Skanda Purana as they did to the earlier Puranas of the present series. We would welcome any suggestion from our readers to make the present series more relevant and meaningful.