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Effie Gray, a beautiful and intelligent young socialite, rattled the foundations of England's Victorian age. Married at nineteen to John Ruskin, the leading art critic of the time, she found herself trapped in a loveless, unconsummated union after Ruskin rejected her on their wedding night. On a trip to Scotland she met John Everett Millais, Ruskin's protégé, and fell passionately in love with him. In a daring act, Effie left Ruskin, had their marriage annulled and entered into a long, happy marriage with Millais. Suzanne Fagence Cooper has gained exclusive access to Effie's previously unseen letters and diaries to tell the complete story of this scandalous love triangle. In Cooper's hands, this passionate love story also becomes an important new look at the work of both Ruskin and Millais with Effie emerging as a key figure in their artistic development. Effie is a heartbreakingly beautiful book about three lives passionately entwined with some of the greatest paintings of the pre-Raphaelite period.
To most people, technology has been reduced to computers, consumer goods, and military weapons; we speak of "technological progress" in terms of RAM and CD-ROMs and the flatness of our television screens. In Human-Built World, thankfully, Thomas Hughes restores to technology the conceptual richness and depth it deserves by chronicling the ideas about technology expressed by influential Western thinkers who not only understood its multifaceted character but who also explored its creative potential. Hughes draws on an enormous range of literature, art, and architecture to explore what technology has brought to society and culture, and to explain how we might begin to develop an "ecotechnology" that works with, not against, ecological systems. From the "Creator" model of development of the sixteenth century to the "big science" of the 1940s and 1950s to the architecture of Frank Gehry, Hughes nimbly charts the myriad ways that technology has been woven into the social and cultural fabric of different eras and the promises and problems it has offered. Thomas Jefferson, for instance, optimistically hoped that technology could be combined with nature to create an Edenic environment; Lewis Mumford, two centuries later, warned of the increasing mechanization of American life. Such divergent views, Hughes shows, have existed side by side, demonstrating the fundamental idea that "in its variety, technology is full of contradictions, laden with human folly, saved by occasional benign deeds, and rich with unintended consequences." In Human-Built World, he offers the highly engaging history of these contradictions, follies, and consequences, a history that resurrects technology, rightfully, as more than gadgetry; it is in fact no less than an embodiment of human values.
Includes two of John Ruskin's famous essays: "The Nature of the Gothic" and "The Work of Iron" from his book The Stones of Venice. Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass-production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
" If origin, if early training and habits of life, if tastes, and character, and associations, fix a man's nationality, then John Ruskin must be reckoned a Scotsman. He was born in London, but his family was from Scotland. He was brought up in England, but the friends and teachers, the standards and influences of his early life, were chiefly Scottish. The writers who directed him into the main lines of his thought and work were Scotsmen from Sir Walter and Lord Lindsay and Principal Forbes to the master of his later studies of men and the means of life, Thomas Carlyle. The religious instinct so conspicuous in him was a heritage from Scotland; thence the combination of shrewd common-sense and romantic sentiment; the oscillation between levity and dignity, from caustic jest to tender earnest; the restlessness, the fervour, the impetuosity all these are the tokens of a Scotsman of parts, and were highly developed in John Ruskin. P. 13In the days of auld lang syne the Rhynns of Galloway that hammer- headed promontory of Scotland which looks towards Belfast Lough was the home of two great families, the Agnews and the Adairs. The Agnews, of Norman race, occupied the northern half, centring about their island-fortress of Lochnaw, where they became celebrated for a long line of hereditary sheriffs and baronets who have played no inconsiderable part in public affairs. The southern half, from Portpatrick to the Mull of Galloway, was held by the Adairs (or, as formerly spelt, Edzears) who took their name from Edgar, son of Dovenald, one of the two Galloway leaders at the Battle of the Standard. Three hundred years later Robert Edzear who does not know his descendant and namesake, Robin Adair? settled at Gainoch, near the head of Luce Bay; and for another space of 300 years his children kept the same estate, in spite of private feud, and civil war, and religious persecution, of which they had more than their share..."
Who was John Ruskin? What did he achieve--and how? Where is he today? One possible answer: almost everywhere. Ruskin was the Victorian age's best-known and most controversial intellectual and polymath--an artist, scientist, critic, polemicist, social crusader, philanthropist, and early environmentalist. Two hundred years since his birth in 1819, his ideas have a fierce modern relevance. In Ruskinland, Andrew Hill, the award-winning Financial Times columnist, builds on Ruskin's pin-sharp appreciation of art and architecture, his extraordinary draughtsmanship, and his insistence that to see and draw the world is the best way to understand it better. The book lays out how Ruskin envisaged radical solutions to social inequality, excessive executive pay, flawed economic orthodoxy, advancing automation, environmental disaster, and meaningless work. It explains the importance of his prescient view of our fragile, interconnected world, and shows how Ruskin's radical ideas can still help us run our governments, our museums, our galleries, our companies, and our lives. Part travelogue, part quest, part unconventional biography, Ruskinland retraces Ruskin's steps, telling his exceptional and tragic life story, unearthing his influence, talking to people and visiting places--from Venice to Florida's Gulf coast--where Ruskin's foresighted ideas are, sometimes unexpectedly, alive today.