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When William Henry Hunt married Ida Alexander Gibbs in the spring of 1904, their wedding was a dazzling Washington social event that joined an Oberlin-educated diplomat's daughter and a Wall Street veteran who could trace his lineage to Jamestown. Their union took place in a world of refinement and privilege, but both William and Ida had mixed-race backgrounds, and their country therefore placed severe restrictions on their lives because at that time, "one drop of colored blood" classified anyone as a Negro. This "stain" of melanin pushed the couple's achievements to the margins of American society. Nonetheless, as William followed a career in the foreign service, Ida (whose grandfather was probably Richard Malcolm Johnson, a vice president of the United States) moved in intellectual and political circles that included the likes of Frederick Douglass, J. Pierpont Morgan, Booker T. Washington, Paul Laurence Dunbar, and Mary Church Terrell. Born into slavery, William had an adventurous youth, including a brief career as a jockey and an interlude at Williams College; ultimately he succeeded Ida's father as consul. The diplomat's "expatriate" life provided him with a distinguished career and a stage on which to showcase his talents throughout the world, as well as an escape from racial stigmas back home. Free of the diplomatic hindrances her husband faced, Ida advocated openly against race and gender inequities, and was a major participant in W. E. B. Du Bois's post-World-War I Pan-African Congresses which took her to stimulating European capitals that were largely free of racial oppression. In this, William and Ida's unique dual biography, Adele Logan Alexander gracefully traces an extraordinary partnership with a historian's skills and insights. She also presents a nuanced account of the complex impact of race in the early twentieth-century world.
Startling revelations from the OSS, the CIA, and the Nixon White house Think you know everything there is to know about the OSS, the Cold War, the CIA, and Watergate? Think again. In American Spy, one of the key figures in postwar international and political espionage tells all. Former OSS and CIA operative and White House staffer E. Howard Hunt takes you into the covert designs of Presidents Eisenhower, Kennedy, Johnson, and Nixon: His involvement in the CIA coup in Guatemala in 1954, the Bay of Pigs invasion, and more His work with CIA officials such as Allen Dulles and Richard Helms His friendship with William F. Buckley Jr., whom Hunt brought into the CIA The amazing steps the CIA took to manipulate the media in America and abroad The motives behind the break-in at Daniel Ellsberg's psychiatrist's office Why the White House "plumbers" were formed and what they accomplished The truth behind Operation Gemstone, a series of planned black ops activities against Nixon's political enemies A minute-by-minute account of the Watergate break-in Previously unreleased details of the post-Watergate cover-up Complete with documentation from audiotape transcripts, handwritten notes, and official documents, American Spy is must reading for anyone who is fascinated by real-life spy tales, high-stakes politics, and, of course, Watergate.
In the last days of World War II, a thousand year-old trove of artworks and manuscripts, worth $200 million, disappeared from a mineshaft in Germany. Among the missing items were the world-famous Samuhel Gospels, a spectacular gold, silver and jewel encrusted ninth-century manuscript given to the Quedlinburg cloister by Germany's first King and hidden away by Heinrich Himmler in the last days of the Reich. Forty-five years later, in an odyssey that stretched from the insular New York art world, to the quaint medieval town of Quedlinburg in central Germany, to a desolate Texas ghost town, New York Times reporter William Honan uncovered the clues that cracked the biggest and longest unsolved art theft of the century. Now he tells the complete story of how he tracked the thief--a compulsive kleptomaniac American G.I.--along a trail that had grown cold after almost half a century, leading him to the lost art in a small Texas farm town. It is a detective story filled with thrills, chills and laughs; a real-life mystery about the desperate search for the lost treasure, and the scores of art dealers, collectors, lawyers and officials all too easily corrupted by contact with it.
This is a fundamental reassessment of the work of William Holman Hunt, and the first critical text to reproduce his pictures in color and set him on an international stage. Lavishly illustrated and engagingly written, this book answers the longstanding lack of any monograph on Hunt and will make compelling reading for undergraduate and graduate students of History of Art, Victorian Studies, English Literature and Religious Studies, as well as curators, conservators and the artist's many admirers.
A father’s last confession to his son about the CIA, Watergate, and the plot to assassinate President John F. Kennedy, this is the remarkable true story of St. John Hunt and his father E. Howard Hunt, the infamous Watergate burglar and CIA spymaster. In Howard Hunt's near-death confession to his son St. John, he revealed that key figures in the CIA were responsible for the plot to assassinate JFK in Dallas, and that Hunt himself was approached by the plotters, among whom included the CIA’s David Atlee Phillips, Cord Meyer, Jr., and William Harvey, as well as future Watergate burglar Frank Sturgis. An incredible true story told from an inside, authoritative source, this is also a personal account of a uniquely dysfunctional American family caught up in two of the biggest political scandals of the 20th century.
Two French Protestant refugees in eighteenth-century Amsterdam gave the world an extraordinary work that intrigued and outraged readers across Europe. In this captivating account, Lynn Hunt, Margaret Jacob, and Wijnand Mijnhardt take us to the vibrant Dutch Republic and its flourishing book trade to explore the work that sowed the radical idea that religions could be considered on equal terms. Famed engraver Bernard Picart and author and publisher Jean Frederic Bernard produced The Religious Ceremonies and Customs of All the Peoples of the World, which appeared in the first of seven folio volumes in 1723. They put religion in comparative perspective, offering images and analysis of Jews, Catholics, Muslims, the peoples of the Orient and the Americas, Protestants, deists, freemasons, and assorted sects. Despite condemnation by the Catholic Church, the work was a resounding success. For the next century it was copied or adapted, but without the context of its original radicalism and its debt to clandestine literature, English deists, and the philosophy of Spinoza. Ceremonies and Customs prepared the ground for religious toleration amid seemingly unending religious conflict, and demonstrated the impact of the global on Western consciousness. In this beautifully illustrated book, Hunt, Jacob, and Mijnhardt cast new light on the profound insight found in one book as it shaped the development of a modern, secular understanding of religion.
In Evil and Many Worlds: A Free-Will Theodicy, William Hunt presents a unique approach to explaining how God and evil can coexist despite the abundance of moral and natural evils blighting our world, which imply that an omnibenevolent God is unlikely to exist. This theodicy is based upon Huw Everett III's many-worlds interpretation of quantum mechanics, whereby reality is not what it intuitively seems; instead, it is a multiverse comprising a vast number of universes, and we simultaneously exist in many of them. This multiplicity of existence results in a balance of moral good and evil across the multiverse, and through this, the expression of free will—an attribute valued by both persons and God— flourishes. The theodicy explains the coexistence of God and natural evil through the necessity of an evolutionary process that ensures the emergence of free-willed persons. Notwithstanding this universal perspective of Creation, a resurrection possibility would mitigate individual suffering resulting from this divine holistic strategy. Hunt examines this possibility in light of the many-worlds interpretation.