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Biography yields to no other species of composition, in interest and instruction. More especially is this true, when the subjects of which it treats are the struggles and vicissitudes of a life devoted to the pursuits of literature. There is a pleasure of the purest kind in observing the gradual development of thought and refinement of expression in one, who, smitten with a love of the good and the beautiful, and desirous to leave something behind him less perishable than his tombstone, has "scorned delights and loved laborious days." No one can read these Memoirs of Sir Walter Scott, so long and so anxiously expected, without feeling this pleasure, and without deriving from them that instruction which might not be received from the perusal of less interesting works. In our judgment, not the least important lesson which these memoirs teach, is the advantage, or rather the necessity, which there is of having some profession less precarious than that of literature, upon which the child of genius can fall back for comfort or support in the hour when adversity clouds the lights which hope hung up in the uncertain future. This is volume 7 out of 7 of one of the best and most extensive Scott biographies ever and it covers the years 1816 through 1820.
This celebrated seven-volume biography (1837-8) draws on personal accounts of Sir Walter Scott (1771-1832), correspondence and autobiographical sketches.
John Macrone, who wrote this life of Scott in 1832-3, was admirably suited to the task; for, while he had never met Scott, his friends and associates included Cunningham, Galt, and Hogg, who wrote his Anecdotes of Scott for publication in Macrone's book. A quarrel with Lockhart, however, put a stop to the project, and nothing more was heard of it until the recent discovery of an autograph manuscript, here edited and published for the first time. A well-written and carefully-researched narrative, it increases our knowledge of Scott's life and work as perceived by his contemporaries, as well as enabling us to read Hogg's Anecdotes in their original context. The editor's introduction draws extensively on uncollected and unpublished material to illuminate Macrone's career, in the course of which he became the friend and publisher of Dickens, Thackeray, and Moore.
Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.