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One of the greatest loves of all time-between Elizabeth I and Robert Dudley-comes to life in this vivid novel. They were playmates as children, impetuous lovers as adults-and for thirty years were the center of each others' lives. Astute to the dangers of choosing any one man, the Virgin Queen could never give her "Sweet Robin" what he wanted most-marriage- yet she insisted he stay close by her side. Possessive and jealous, their love survived quarrels, his two disastrous marriages to other women, her constant flirtations, and political machinations with foreign princes. His Last Letter tells the story of this great love... and especially of the last three years Elizabeth and Dudley spent together, the most dangerous of her rule, when their passion was tempered by a bittersweet recognition of all that they shared-and all that would remain unfulfilled.
Despite widespread interest in Robert Devereux, 2nd Earl of Essex, little has been written about him in decades past. In Elizabeth I's Last Favourite, Sarah-Beth Watkins brings the story of his life, and death, back into the public eye. In the later years of Elizabeth I's reign, Robert Devereux became the ageing queen's last favourite. The young upstart courtier was the stepson of her most famous love, Robert Dudley, Earl of Leicester. Although he tried, throughout his life, to live up to his stepfather's memory, Essex would never be the man he was. His love for the queen ran in tandem with undercurrents of selfishness and greed. Yet, Elizabeth showered him with affection, gifts and the tolerance only a mother could have for an errant son. In return, for a time, Essex flattered her and pandered to her every whim. But, one disastrous commission after another befell the earl, from his military campaigns, to voyages seeking treasure, to his stint as spymaster. Ultimately, his relationship with the queen would suffer and his final act of rebellion would force Elizabeth I to ensure her last favourite troubled her no more.
This book is the first comprehensive survey of aristocratic art collecting and patronage in Elizabethan England, as seen through the activities of Robert Dudley, Earl of Leicester (ca. 1532-1588). One of the most fascinating and controversial people of his day, Leicester was also the most important patron of painters at the Elizabethan court. He amassed a substantial art collection, including commissioned works by Nicholas Hilliard, Paolo Veronese, and Federico Zuccaro; helped foster the birth of an English vernacular discourse on the visual arts; and was an early exponent, in England, of the Italian Renaissance view of the painter as the practitioner of a liberal art and, thus, fit company for the educated and well-born. Although Leicester’s picture collection and personal papers were widely dispersed after his death, this volume’s pioneering research reconstructs his lost world and, with it, a turning point in the history of British art. Some of the paintings featured here are little-known images from private collections, never before reproduced in color.
View our feature on Sarah Gristwood’s Elizabeth & Leicester.Though the story has been told on film—and whispered in historic gossip—this is the first book in almost fifty years to solely explore the great queen’s attachment to her beloved Robert Dudley, the Earl of Leicester. Fueled by scandal and intrigue, their relationship set the explosive connection between public and private life in sixteenth-century England in bold relief. Why did they never marry? How much of what seemed a passionate obsession was actually political convenience? Elizabeth and Leicester reignites this 400- year-old love story in a book for anyone interested in Elizabethan literature.