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Written by a Newbery Honor-winning author, this is the story of a princess who longs for freedom. Jahanara is the daughter of a rich emperor in India. While she is showered with many riches, she is also confined by her strict religion and the rules of the palace.
The present study deals with the royal Mughal ladies in details and is concerned with their achievements and contributions which till today form a part of rich cultural heritage. It provides a detailed account of the life and contributions of the royal Mughal ladies from the times of Babar to Aurangzeb's, with special emphasis on the most prominent among them.
This volume delves into the literary lives of four Muslim women in pre-modern India. Three of them, Gulbadan Begam (1523-1603), the youngest daughter of Emperor Babur, Jahanara (1614-1681), the eldest daughter of Emperor Shah Jahan, and Zeb-un-Nissa (1638-1702), the eldest daughter of Emperor Aurangzeb, belonged to royalty. Thus, they were inhabitants of the Mughal 'zenana', an enigmatic liminal space of qualified autonomy and complex equations of gender politics. Amidst such constructs, Gulbadan Begam’s 'Humayun-Nama' (biography of her half-brother Humayun, reflecting on the lives of Babur’s wives and daughters), Jahanara’s hagiographies glorifying Mughal monarchy, and Zeb-un-Nissa’s free-spirited poetry that landed her in Aurangzeb’s prison, are discursive literary outputs from a position of gendered subalternity. While the subjective selves of these women never much surfaced under extant rigid conventions, their indomitable understanding of ‘home-world’ antinomies determinedly emerge from their works. This monograph explores the political imagination of these Mughal women that was constructed through statist interactions of their royal fathers and brothers, and how such knowledge percolated through the relatively cloistered communal life of the 'zenana'. The fourth woman, Habba Khatoon (1554-1609), famously known as ‘the Nightingale of Kashmir’, offers an interesting counterpoint to her royal peers. As a common woman who married into royalty (her husband Yusuf Shah Chak was the ruler of Kashmir in 1579-1586), her happiness was short-lived with her husband being treacherously exiled by Emperor Akbar. Khatoon’s verse, which voices the pangs of separation, was that of an ascetic who allegedly roamed the valley, and is famed to have introduced the ‘lol’ (lyric) into Kashmiri poetry. Across genres and social positions of all these writers, this volume intends to cast hitherto unfocused light on the emergent literary sensibilities shown by Muslim women in pre-modern India.
Critically acclaimed author Indu Sundaresan picks up where she left off in The Twentieth Wife and The Feast of Roses, returning to seventeenth-century India as two princesses struggle for supremacy of their father’s kingdom. Trapped in the shadow of the magnificent tomb their grief-stricken father is building for his beloved deceased wife, the emperor’s daughters compete for everything: control over the imperial harem, their father’s affection, and the future of their country. They are forbidden to marry and instead choose to back different brothers in the fight for ultimate power over the throne. But only one of the sisters will succeed. With an enthusiasm for history and a flair for rich detail, Indu Sundaresan brings readers deep into the complicated lives of Indian women of the time period and highlights the profound history of one of the most celebrated works of architecture in the world, the Taj Mahal.
Epics of history are rare and The Peacock Throne is one of them. No royal lineage offers such a spectacle of high drama as the Mogul Dynasty of India which created the world`s most famous monument-the Taj Mahal. Not since Greek tradedy has there been so stark a revelation of the excesses of human behavior: incest, fratricide sons revolting continuously against fathers and the madness of uncontrolled aggression. These are the forces animating The Peacock Throne which brings India to both Eastern and Western readers as never before.
These studies in Elizabethan and Jacobean travel literature, informed by a scholarly and sympathetic but, very properly, unsentimental approach to ten significant English travellers in India between 1579 and 1630, throw considerable light on the India of the great Mughals and reveal the many strands which are interwoven into the ties that have bound and still, in many ways, bind the great and ancient civilisations of the Indian sub-continent with the smaller and shorter civilisations of the British Isles. Professor Ram Chandra Prasad combines the skills and resources of the historian, the literary critic and the student of comparative literature and languages to demonstrate what we may learn of these two countries from the often idiosyncratic but always rich prose of Englishmen abroad in the ages of Queen Elizabeth I and King James I. Professor Prasad has chosen for study Thomas Stephens, Ralph Fitch, John Mildenhall, William Hawkins, Thomas Roe, Thomas Coryat, William Finch, Nicholas Withington, Edward Terry, and Henry Lord. He makes just enough reference to non-English travellers, such as Manucci, to keep his readers in the general picture of western exploration , while at the same time he concentrates on his chosen field. The author's practice of quoting long extracts in the original language has a twofold advantage: it makes his narrative more vivid, and it facilitates the determination of what one traveller owes to another. This new, completely revised edition of Early English Travellers in India will continue to fill a long-felt gap in Indo-Anglian literature and it will be greeted as an important achievement by the scholar and the general reader alike.