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Colonial blacksmiths not only fashioned objects from iron, but they were also sometimes involved in other trades, such as veterinary medicine. Readers will follow a day in the life of a blacksmith in this graphic book. Based on the life of a real blacksmith of record.
Introduces the tools, activities, and importance of the blacksmith in colonial communities.
Describes the life of a blacksmith in colonial Maryland, including his daily work, some of the many things he made, and his importance to the town in which he worked.
A survey of the full range of ornamental and utilitarian ironwork used and made by Spanish colonial people in California, Arizona, New Mexico and Texas.
Born from fire and forge, Blacksmith is an exploration into the life and practices of the modern smith, and the history and folklore of this ancient art. Alex Pole guides the uninitiated on a journey from apprentice to master. Celebrating tools and traditions, from the humble nail to the history of the axe, he shares his passion and wealth of knowledge as a blacksmith to allow you a glimpse behind the steam- and smoked-filled scenes of life at the forge. Through sparks, fire and heat, delve into fascinating detail about the technique and skill that is required to master this age-old trade, and in the process discover a new appreciation of everyday objects and the people who bring them into existence. Beautifully designed and richly illustrated, Blacksmith is an essential guide to this timeless craft.
Colonial Wrought Iron is a photographic survey of early wrought iron work in America with 506 photographs from the Sorber Collection. The colonial period in America was centered around the blacksmith who was the maker and creator of these items. The informational text explains the characteristics and the conditions of the period in which the iron was forged. Colonial Wrought Iron is an invaluable resource tool for the blacksmith involved making reproduction hardware and related items, as well as an inspiration for merging form and function. In this book you will find the commonplace and the ornate but they all reflect the hand of fine craftsmanship. The work displayed in Colonial Wrought Iron is from the collection of Jim Sorber. Jim, now in his eighties, has been an avid collector for 70 years. This collection is a result of a life steeped in an enduring appreciation for the skills of his ancestors. Even as a child he was interested in their hand tools and the wonderful things they made. That interest soon grew into a passion. A unique aspect of Jims collection is that it reflects a certain ethnic influence. Much of his collecting has been done near his home in the counties of Berks, Chester, Lancaster, Lebanon, Lehigh, Montgomery and Schuylkill. This area has been settled by German immigrants since the mid-to-late 17th century. Jims collection, many pieces of which are signed and dated, reflects an iron chronicle of the Pennsylvania Dutch migration westward from the Philadelphia area.
Introduces the history of blacksmithing and discusses the techniques, products, well-known blacksmiths, and commercial importance of this trade in colonial America.
Describes the shops, working methods, and products of the different types of tradesmen and craftsmen who shaped the early American economy.
Wigs were both a fashion statement and a status symbol in colonial times. Who made and powdered these famous wigs? Find out the answer in this graphic history book that looks at a day in the life of an acutal colonial wigmaker.
In 1752 an enslaved Pennsylvania ironworker named Ned purchased his freedom and moved to Virginia on the upper James River. Taking the name Edward Tarr, he became the first free black landowner west of the Blue Ridge. Tarr established a blacksmith shop on the Great Wagon Road from Philadelphia to the Carolinas and helped found a Presbyterian congregation that exists to this day. Living with him was his white, Scottish wife, and in a twist that will surprise the modern reader, Tarr’s neighbors accepted his interracial marriage. It was when a second white woman joined the household that some protested. Tarr’s already dramatic story took a perilous turn when the predatory son of his last master, a Charleston merchant, abruptly entered his life in a fraudulent effort to reenslave him. His fate suddenly hinged on his neighbors, who were all that stood between Tarr and a return to the life of a slave. This remarkable true story serves as a keyhole narrative, unlocking a new, more complex understanding of race relations on the American frontier. The vividly drawn portraits of Tarr and the women with whom he lived, along with a rich set of supporting characters in Pennsylvania, South Carolina, and Virginia, provide fascinating insight into the journey from slavery to freedom, as well as the challenges of establishing frontier societies. The story also sheds light on the colonial merchant class, Indian warfare in southwest Virginia, and slavery’s advent west of the Blue Ridge. Contradicting the popular view of settlers in southern Virginia as poor, violent, and transient, this book--with its pathbreaking research and gripping narrative--radically rewrites the history of the colonial backcountry, revealing it to be made up largely of close-knit, rigorously governed communities.