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The first comprehensive scholarly biography of the Tudor playwright, poet, musician, singer, proverb-collector, and satirist, John Heywood.
Follows the life of John Heywood during the 16th century from his early life, to court entertainer, Catholic exile, and his dramatic and non-dramatic works.
"Does theology have any relevance to the problem of life and death?" According to John Heywood Thomas the answer is an unequivocal yes. A largely personal expression of this conviction precedes the argument's exposition, which is then stated first of all quite generally--that nothing human is alien to theology's concern. Three main issues are considered: the unborn life, death as an event in life, and the possibility of global death. The issue of a life before birth is a complex problem, requiring an awareness of philosophical issues as of the empirical factors. The same kind of multifaceted thinking is needed in confronting the issue of death, an inescapable topic for theology. If death is an event in life what does it reveal about the meaning of life? And what of the very human action of the funeral? After a discussion of the complex issues involved the argument returns to the global reference of theology. Two areas of concern are singled out to show that the theologian can offer guidance in debate: the environmental crisis and the threat of nuclear war.
The series is performing an important service by providing fully annotated editions of Tudor humanists and playwrights in the original Tudor English, with glossaries and listing of textual variants and doubtful readings. COMPARATIVE DRAMA `A first-rate edition that substantially advances the cause of scholarship.' COMPARATIVE DRAMA First complete and fully annotated collection of John Heywood's plays in the original language. It makes possible a reevaluation ofhis remarkable achievement as actor-playwright and an appreciation of his lively contribution to the English language. In all their experimental variety the comedies are seen to have the stamp of an idiosyncratic, theatricalintelligence coupled with a surprising seriousness and Heywood emerges as a resourceful apologist for traditional Catholic doctrine in a time of Reformation. In arguing for a new chronology, the editors suggest that Henry VIII'sservant and entertainer was capable of refreshing irreverence and political daring. Contents: Witty and Witles, Johan Johan, The Pardoner and theFrere, The Foure PP, A Play of Love, The Play of the Wether. Notes.Appendices: Verses from a lost Play of Reason, Translation of . RICHARD AXTON is a Fellow of Christ's College, Cambridge, and University lecturer in English. PETER HAPPÉis the former Principal of Barton PeverilSixth-Form College.
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