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The anonymous novella 'The Life and Times of Mother Andrea' is an account of the life of the owner of a Madrid brothel. Probably written by a resident of Amsterdam, and following the picaresque mode of first person narrative, it details the amusing experiences of Mother Andrea and the prostitutes under her charge.
The daughter of former Atlanta mayor Andrew Young draws universal lessons from her mother's extraordinary life, weaving personal stories of Jean Young against a backdrop rich in the turbulent politics of our recent past. 15 photos.
Think of a mother cupping a child's face in her hands, and you have the shell of Mothershell, Andrea Potos' tender and luminous new collection. Yes, these are poems of loss: her mother's cancer and treatments, her death and the grief that follows, but these are also poems that celebrate the chord, "the unseen thread" that binds mothers and daughters forever. Potos imagines heaven as an eternal breakfast, mother and daughter drinking our coffee/black and filled to the top. Coffee without bitterness or sweet / but somewhere in the perfection / of the middle. Here are poems that celebrate the power of presence, poems of travel: Ireland, France, Italy, ekphrastic poems that illuminate paintings. In "What the Poem Did," Potos writes It became a spine/walked me upright/ into the day, and this is what this book does, walks with each of us and sustains us in the long journey of all of our ordinary days. Barbara Crooker, author of Some Glad Morning, and others In this stunning, new collection by Andrea Potos, we find beautiful windows into the life of abiding love-each poem steeped in elegant imagery and story. A simple moment of sharing eggs over-easy with her mother, or witnessing her daughter's essence igniting in the Italian light, is all we need, to know the deep connection this poet has to others. Potos offers up these poems as prayer and healing. This collection is a love letter to memory, hope, and presence. She brings memories to life so vividly, that we, too, can hear her mother's voice through glittering veins of stone. Gentle in their touch, these beautifully sculpted poems pay tribute to the quiet strength needed for the loss you know is coming and the spaces left behind. Cristina M. R. Norcross, editor of Blue Heron Review; author of Beauty in the Broken Places, Amnesia and Awakenings, and others In Mothershell, Andrea Potos uses light and color and sound as expertly as she did in her recent chapbook, Arrows of Light. In this new collection, visual and tactile arts expand metaphors even further, weaving rich phrases such as all of them spun and still spinning / with filaments of unstoppable light into a glorious, whole cloth that not only honors memories but recreates tangible moments with her mother and other loved ones. Potos explores relationships in deftly conveyed, universal allegories that touch our innermost understanding. As so aptly expressed in "Writing My Mother," Potos does her writing on the top of light, her hands passing / across brightness and slanting shadows. Every bit of light and shadow in Mothershell reflects a gifted writer's heart and mind. C. Ann Kodra, author of Under an Adirondack Moon
The second edition of Andrea Doucet's Do Men Mother? builds upon the award winning first edition to further illuminate fathers' candid reflections on caring and the intricate social worlds that men and women inhabit as they 'love and let go' of their children. Including interviews with over one hundred fathers - from truck drivers to insurance salesmen, physicians to artists - Doucet illustrates how men are breaking the mould of traditional parenting models. This edition expands her argument wider and deeper, building on changes to the theoretical work that informs the field, her own intellectual trajectory, and the fieldwork of revisiting six fathers and their partners a decade after her initial interviews. She continues to examine key questions such as: What leads fathers to trade earning for caring? How do fathers navigate through the 'maternal worlds' of mothers and infants? Are men mothering or are they redefining fatherhood? In asking and unravelling the question 'Do men mother?' this study tells a compelling story about Canadian parents radically re-envisioning child care and domestic responsibilities in the twenty-first century.
Caldecott Medal Winner Newbery Honor Book APALA Award Winner A story about the power of sharing memories—including the painful ones—and the way our heritage stays with and shapes us, even when we don’t see it. New England Book Award Winner A New York Times Best Children’s Book of the Year A Boston Globe-Horn Book Honor Book While driving through Ohio in an old Pontiac, a young girl's Chinese immigrant parents spot watercress growing wild in a ditch by the side of the road. They stop the car, grabbing rusty scissors and an old paper bag, and the whole family wades into the mud to gather as much as they can. At first, she's embarrassed. Why can't her family just get food from the grocery store, like everyone else? But when her mother shares a bittersweet story of her family history in China, the girl learns to appreciate the fresh food they foraged—and the memories left behind in pursuit of a new life. Together, they make a new memory of watercress. Author Andrea Wang calls this moving, autobiographical story “both an apology and a love letter to my parents.” It’s a bittersweet, delicate look at how sharing the difficult parts of our histories can create powerful new moments of family history, and help connect us to our roots. Jason Chin’s illustrations move between China and the American Midwest and were created with a mixture of traditional Chinese brushes and western media. The dreamy, nostalgic color palette brings this beautiful story to life. An endnote from the author describes her personal connection to the story, and an illustrator’s note touches on both the process of the painting, and the emotional meaning brought to the work. New England Book Award Winner A New York Times Best Children’s Book of the Year A Wall Street Journal Best Children's Book of the Year A Boston Globe Best Children's Book of the Year A Washington Post Best Children's Book of the Year A Boston Globe-Horn Book Honor Book Winner of the Cybils Award An SCBWI Crystal Kite Award Winner A New York Public Library Best Book of the Year A Chicago Public Library Best Book of the Year An ALSC Notable Children's Book Named a best book of the year by Publishers Weekly, BookPage, School Library Journal, Kirkus Reviews, Publishers Lunch, Shelf Awareness , and more! A CBC/NCSS Notable Social Studies Trade Book An NPR 'Book We Love!' A Junior Library Guild Gold Standard Selection!
“The little girl I was would have been thrilled to encounter Meilan... having found a character who embraces the complexity of being both Chinese and American, I would have been able to echo her words: 'I am not alone.'” —New York Times Book Review by Jean Kwok A family feud before the start of seventh grade propels Meilan from Boston's Chinatown to rural Ohio, where she must tap into her inner strength and sense of justice to make a new place for herself in this resonant debut. Meilan Hua's world is made up of a few key ingredients: her family's beloved matriarch, Nai Nai; the bakery her parents, aunts, and uncles own and run in Boston's Chinatown; and her favorite Chinese fairy tales. After Nai Nai passes, the family has a falling-out that sends Meilan, her parents, and her grieving grandfather on the road in search of a new home. They take a winding path across the country before landing in Redbud, Ohio. Everything in Redbud is the opposite of Chinatown, and Meilan's not quite sure who she is--being renamed at school only makes it worse. She decides she is many Meilans, each inspired by a different Chinese character with the same pronunciation as her name. Sometimes she is Mist, cooling and invisible; other times, she's Basket, carrying her parents' hopes and dreams and her guilt of not living up to them; and occasionally she is bright Blue, the way she feels around her new friend Logan. Meilan keeps her facets separate until an injustice at school shows her the power of bringing her many selves together. The Many Meanings of Meilan, written in stunning prose by Newbery Honor-winning author Andrea Wang, is an exploration of all the things it's possible to grieve, the injustices large and small that make us rage, and the peace that's unlocked when we learn to find home within ourselves.
For fans of Johanna Basford's Secret Garden and Enchanted Forest comes a hip, gorgeous doodle coloring book about all things hair. Unlike other adult coloring books, which depict nature scenes and cityscapes, this title celebrates strong, confident women with a passion for style, design, and fashion. Revel in the mesmerizing patterns and intricate details of Andrea Pippins's delicate pen-and-ink illustrations, ready for you to color, complete, and embellish. Lose yourself in page after page of bold hairstyles and accessories, from rows of braids, to Mohawks, to sweeping updos, to cascades of ribbons and beads. Be transported to another world as you ink in Medusa's slithering coiffure, Cleopatra's elaborate headdress, and Marie Antoinette's towering bouffant. Perfect for experienced color-inners and newcomers alike. Coloring enthusiasts of all ages will love this empowering and stylish book. So go ahead--let your hair down, grab some pens or pencils, and add some color to your life. "Pippins's imaginative images will inspire your inner artist and fashionista." --The Huffington Post "The girl power stress-reliever we all needed." --Bustle
PULITZER PRIZE WINNER • A “vivid and devastating” (The New York Times) portrait of an indomitable girl—from acclaimed journalist Andrea Elliott “From its first indelible pages to its rich and startling conclusion, Invisible Child had me, by turns, stricken, inspired, outraged, illuminated, in tears, and hungering for reimmersion in its Dickensian depths.”—Ayad Akhtar, author of Homeland Elegies ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times • ONE OF THE BEST BOOKS OF THE YEAR: The Atlantic, The New York Times Book Review, Time, NPR, Library Journal In Invisible Child, Pulitzer Prize winner Andrea Elliott follows eight dramatic years in the life of Dasani, a girl whose imagination is as soaring as the skyscrapers near her Brooklyn shelter. In this sweeping narrative, Elliott weaves the story of Dasani’s childhood with the history of her ancestors, tracing their passage from slavery to the Great Migration north. As Dasani comes of age, New York City’s homeless crisis has exploded, deepening the chasm between rich and poor. She must guide her siblings through a world riddled by hunger, violence, racism, drug addiction, and the threat of foster care. Out on the street, Dasani becomes a fierce fighter “to protect those who I love.” When she finally escapes city life to enroll in a boarding school, she faces an impossible question: What if leaving poverty means abandoning your family, and yourself? A work of luminous and riveting prose, Elliott’s Invisible Child reads like a page-turning novel. It is an astonishing story about the power of resilience, the importance of family and the cost of inequality—told through the crucible of one remarkable girl. Winner of the J. Anthony Lukas Book Prize • Finalist for the Bernstein Award and the PEN/John Kenneth Galbraith Award
God, Life, love, gratitude, and the joys, pains, and mysteries of relationships-not necessarily in that order-make up the spice and essence of life, and felt in varying degree by each human inhabitant of Earth. "Dear Life, Here I Am. Sincerely, Andrea Lynn Samuels" exults in all of these, seemingly as a confirmation and celebration of life, no matter how complex it appeals to anyone. Aside from ably crafting an intelligent yet emotional body of prose, Andrea manages to express her love and gratitude to one of the persons who made such impact in her life: her dad, whose works of art also appear here. "Dear Life, Here I Am." is a treasure trove, a lush collection of works of art from the mind and heart of two persons whose lives are closely interconnected not just by blood, but something else beyond. Andrea Lynn Samuels was born and raised in New York City. She attended and graduated from A. Philip Randolph Campus High School in Manhattan, formerly the Fiorello H. LaGuardia High School of Music and Art where her dad attended growing up, now located at Lincoln Center. She is an alumnus of South Carolina State University in Orangeburg, South Carolina, where she majored in marketing. Andrea has been reciting poetry since the age of four. She has taken some of the poetry that she has secretly written over the span of thirty years, and has honored the memory of her beloved dad, cancer warrior Calvin H. Samuels, by weaving some of his paintings into her book. Now living in Charlotte, North Carolina, Andrea enjoys spending time with her son, mother, family, and friends. She loves connecting with other people through her extensive volunteer work in her community. Always ready with encouraging words and scripture, she helps others in their journeys in life, just as she and her family have been helped.
"More Than Tongue Can Tell is the one-hundred-year saga (1885-1985) of screen beauty and film star Andrea King, and her equally indomitable, cigar-smoking mother, Belle McKee. Throughout their lives, and a century of change and turmoil unlike any other, these two women possessed a bond that endured. They love each other 'more than tongue can tell'.--P. [4] of cover.