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The Life and Times of I. Garland Penn is the first biography of a man who was a major contributor to the study of Afro-American journalism, progress in education and social uplift of the Black community in the era 1880-1930. Penn was instrumental in the founding and financial support of many colleges and universities in America, among which are the following: Bethune/Cookman, Meharry Medical College and Clark University. He brought together Black Americans for many historic meetings and conventions. One of the most unique meetings was The Negro Young People's Congress, a yearly gathering of Black youth and their adult supporters from all across America in the early years of the 20th century. As a journalist, I. Garland Penn authored The Afro-American Press and Its Editors which to this day is a source authority in research in this area. Penn was editor of The Laboring Man in his early adult years in Lynchburg, Virginia. The Afro-American Press and Its Editors surveys the work of his predecessors and contemporaries in journalism. Because Dr. Penn tended to assume supportive background roles, he is not as well known today as many of his contemporaries who have become household names in Black history. He worked with such well-known people as Frederick Douglass, Ida B. Wells and Booker T. Washington. It is the goal of this biography to finally give this great man his just recognition.
After slavery was abolished, how far would white America go toward including African Americans as full participants in the country's institutions? Conventional historical timelines mark the end of Reconstruction in the year 1877, but the Methodist Episcopal Church continued to wrestle with issues of racial inclusion for decades after political support for racial reform had receded. An 1844 schism over slavery split Methodism into northern and southern branches, but Union victory in the Civil War provided the northern Methodists with the opportunity to send missionaries and teachers into the territory that had been occupied by the Methodist Episcopal Church, South. To a remarkable degree, the M.E. Church succeeded in appealing to freed slaves and white Unionists and thereby built up a biracial membership far surpassing that of any other Protestant denomination. A Long Reconstruction details the denomination's journey with unification and justice. African Americans who joined did so in a spirit of hope that through religious fellowship and cooperation they could gain respect and acceptance and ultimately assume a position of equality and brotherhood with whites. However, as segregation gradually took hold in the South, many northern Methodists evinced the same skepticism as white southerners about the fitness of African Americans for positions of authority and responsibility in an interracial setting. The African American membership was never without strong white allies who helped to sustain the Church's official stance against racial caste but, like the nation as a whole, the M.E. Church placed a growing priority on putting their broken union back together.
The journalism and personal writings of the great American abolitionist and reformer Frederick Douglass Launching the fourth series of The Frederick Douglass Papers, designed to introduce readers to the broadest range of Frederick Douglass's writing, this volume contains sixty-seven pieces by Douglass, including articles written for North American Review and the New York Independent, as well as unpublished poems, book transcriptions, and travel diaries. Spanning from the 1840s to the 1890s, the documents reproduced in this volume demonstrate how Douglass's writing evolved over the five decades of his public life. Where his writing for publication was concerned mostly with antislavery advocacy, his unpublished works give readers a glimpse into his religious and personal reflections. The writings are organized chronologically and accompanied by annotations offering biographical information as well as explanations of events mentioned and literary or historical allusions.
Focusing on Black Americans' participation in world’s fairs, Emancipation expositions, and early Black grassroots museums, Negro Building traces the evolution of Black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W. E. B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the Black cities of Chicago and Detroit became the sites of major Black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.
At the turn of the twentieth century, as African Americans struggled against white social and political oppression, Black women devised novel approaches to the fight for full citizenship. In opposition to white-led efforts to restrict their freedom of movement, Black women used various exercises—calisthenics, gymnastics, athletics, and walking—to demonstrate their physical and moral fitness for citizenship. Black women's participation in the modern exercise movement grew exponentially in the first half of the twentieth century and became entwined with larger campaigns of racial uplift and Black self-determination. Black newspapers, magazines, advice literature, and public health reports all encouraged this emphasis on exercise as a reflection of civic virtue. In the first historical study of Black women's exercise, Ava Purkiss reveals that physical activity was not merely a path to self-improvement but also a means to expand notions of Black citizenship. Through this narrative of national belonging, Purkiss explores how exercise enabled Black women to reimagine Black bodies, health, beauty, and recreation in the twentieth century. Fit Citizens places Black women squarely within the history of American physical fitness and sheds light on how African Americans gave new meaning to the concept of exercising citizenship.
“A ground-breaking analysis of the intertwined political, racial, and religious dynamics” in the early twentieth century Methodist Church (Wendy J. Deichmann Edwards, United Theological Seminary, Dayton Ohio). In 1939, America’s three major Methodist Churches sent delegates to Kansas City, Missouri, for what they called the Uniting Conference. They formed the largest, and arguably the most powerful, Protestant church in the country. Yet this newly “unified” denomination was segregated to its core. In The Methodist Unification, Morris L. Davis examines this unification process, and how it came to institutionalize racism and segregation in unprecedented ways. Davis shows that Methodists in the early twentieth century—including high-profile African American clergy—were very much against integration. Many feared that mixing the races would lead to interracial marriages and threaten the social order of American society. The Methodist Unification illuminates the religious culture of Methodism, Methodists' self-identification as the primary carriers of “American Christian Civilization,” and their influence on the crystallization of whiteness during the Jim Crow Era as a legal category and cultural symbol.
As an age of empire and industry dawned in the wake of American Civil War, Southerners grappled with what it meant to be modern. The fair expositions popular at this time allowed Southerners to explore this changing world on their own terms. On a local, national, and global stage, African Americans, New South boosters, New Women, and Civil War soldiers presented their dreams of the future to prove to the world how rapidly the South had embraced and, in the words of Henry Grady in 1890, built "from pitiful resources a great and expanding empire." Nowhere was this more apparent than at the Atlanta and Nashville world's fairs held at the close of the nineteenth century. Here, Southerners presented themselves as modern and imperial citizens ready to spread the South's culture and racial politics across the globe. Unlike the World's Columbian Exposition held in Chicago in 1893, the Southern expositions also gave African Americans an opportunity to present their own vision of modernity within the fairs' "Negro Buildings." At the fairs, southern African Americans defined themselves as both a separate race and a modern people, as "New Negroes." In Dream of the Future, Cardon explores these assertions of Southern identity and culture, critically placing them within the wider context of imperialism and industrialization.
Award-winning journalist and New York Times bestselling author Gerald Posner reveals the heroes and villains of the trillion-dollar-a-year pharmaceutical industry and delivers “a withering and encyclopedic indictment of a drug industry that often seems to prioritize profits over patients (The New York Times Book Review). Pharmaceutical breakthroughs such as anti­biotics and vaccines rank among some of the greatest advancements in human history. Yet exorbitant prices for life-saving drugs, safety recalls affecting tens of millions of Americans, and soaring rates of addiction and overdose on pre­scription opioids have caused many to lose faith in drug companies. Now, Americans are demanding a national reckoning with a monolithic industry. “Gerald’s dogged reporting, sets Pharma apart from all books on this subject” (The Washington Standard) as we are introduced to brilliant scientists, incorruptible government regulators, and brave whistleblowers facing off against company exec­utives often blinded by greed. A business that profits from treating ills can create far deadlier problems than it cures. Addictive products are part of the industry’s DNA, from the days when corner drugstores sold morphine, heroin, and cocaine, to the past two decades of dangerously overprescribed opioids. Pharma also uncovers the real story of the Sacklers, the family that became one of America’s wealthiest from the success of OxyContin, their blockbuster narcotic painkiller at the center of the opioid crisis. Relying on thousands of pages of government and corporate archives, dozens of hours of interviews with insiders, and previously classified FBI files, Posner exposes the secrets of the Sacklers’ rise to power—revelations that have long been buried under a byzantine web of interlocking companies with ever-changing names and hidden owners. The unexpected twists and turns of the Sackler family saga are told against the startling chronicle of a powerful industry that sits at the intersection of public health and profits. “Explosively, even addictively, readable” (Booklist, starred review), Pharma reveals how and why American drug com­panies have put earnings ahead of patients.
The definitive biography of a pivotal figure in American literary history A major poet, Paul Laurence Dunbar (1872–1906) was one of the first African American writers to garner international recognition in the wake of emancipation. In this definitive biography, the first full-scale life of Dunbar in half a century, Gene Andrew Jarrett offers a revelatory account of a writer whose Gilded Age celebrity as the “poet laureate of his race” hid the private struggles of a man who, in the words of his famous poem, felt like a “caged bird” that sings. Jarrett tells the fascinating story of how Dunbar, born during Reconstruction to formerly enslaved parents, excelled against all odds to become an accomplished and versatile artist. A prolific and successful poet, novelist, essayist, playwright, and Broadway librettist, he was also a friend of such luminaries as Frederick Douglass and Orville and Wilbur Wright. But while audiences across the United States and Europe flocked to enjoy his literary readings, Dunbar privately bemoaned shouldering the burden of race and catering to minstrel stereotypes to earn fame and money. Inspired by his parents’ survival of slavery, but also agitated by a turbulent public marriage, beholden to influential benefactors, and helpless against his widely reported bouts of tuberculosis and alcoholism, he came to regard his racial notoriety as a curse as well as a blessing before dying at the age of only thirty-three. Beautifully written, meticulously researched, and generously illustrated, this biography presents the richest, most detailed, and most nuanced portrait yet of Dunbar and his work, transforming how we understand the astonishing life and times of a central figure in American literary history.
An 8-volume reference set containing over 4,000 entries written by distinguished scholars, 'The African American National Biography' is the most significant and expansive compilation of black lives in print today.