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Born just a few years after Mozart died, Franz Schubert had a lot in common with the famous composer. Schubert was also a gifted child who astonished adults with his musical ability. As a teen, Schubert was taught by one of Mozart s rivals. And like Mozart, Schubert s life ended prematurely and was filled with struggle. Still, while Mozart was celebrated across Europe, Schubert was almost completely unknown until just a few years before his death. The challenges of Schubert s life inspired his artmusic which is today performed across the world. Schubert s life, his challenges, and his compositions are all reasons he is considered one of the greatest composers.
This searching biography takes a fresh look at this elusive and misunderstood genius.
In his short, tumultuous life, Franz Schubert (1797-1828) produced an astonishing amount of music. Symphonies, chamber music, opera, church music, and songs (more than 600 of them) poured forth in profusion. His "Trout" Quintet, his "Unfinished" Symphony, the last three piano sonatas, and above all his song cycles Die Schone Mullerin and Winterreise have come to be universally regarded as belonging to the very greatest works of music? Who was the man who composed this amazing succession of masterpieces, so many of which were either entirely ignored or regarded as failures during his lifetime? In this new biography, Elizabeth McKay paints a vivid portrait of Schubert and his world. She explores his family background, his education and musical upbringing, his friendships, and his brushes and flirtations with the repressive authorities of Church and State. She discusses his experience of the arts, literature, and theater, and his relations with the professional and amateur musical world of his day. She traces the way Schubert's manic-depression became an increasingly significant influence in his life, responsible at least in part for social inadequacies, professional ineptitude, and idiosyncrasies in his music. And she examines Schubert's decline after he contracted syphilis, looking at its effect on his music and emotional life.
Discusses the life and career of the eighteenth-century Austrian composer.
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Hans von Bulow's career unfolded in at least six directions simultaneously. He was a renowned concert pianist; the first virtuoso orchestral conductor; a respected (and sometimes feared) teacher; an influential editor of works by Bach, Mendelssohn, Chopin, and above all of Beethoven, in the performance of whose music he had no rival; a scourge as a music critic; and lastly, he was himself also a composer of music. In Hans von Bulow: A Life and Times, Alan Walker, the acclaimed author of numerous award-winning books on the era's iconic composers, provides the first full-length English biography of this remarkable musical figure.
This book/CD package guides readers and listeners on a journey through Franz Schubert's Winterreise song cycle, in which the composer set the poetry of Wilhelm Muller to music. The complete text of the 24 poems is presented in both German and English, with 116 b&w photographs of winter scenes on the facing pages. An introductory essay by Susan Youens (musicology, U. of Notre Dame) offers a critical examination of the song cycle. The music CD features a new recording of Winterreise, performed by baritone Paul Rowe and pianist Martha Fischer. Oversize: 10.25x10.25". Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Clarity of outline, conciseness, and formal beauty are excellent things in musical works, but an exquisite fancy, a noble imagination, and a lofty poetic spirit are of infinitely greater account; and no one ever possessed these inestimable gifts in greater measure than Franz Schubert. This new edition of Henry Frost's 1892 biography of Franz Schubert has been edited and revised. The original references to pieces by Opus number have been replaced with the more commonly used D numbers. Many illustrations of places and people have been added throughout the text, and a complete catalog of Schubert's works has been included. Contents 1 Introduction and overview by William Henry Hadow. 2 - Schubert's unique position among composers. - Birth and parentage. - Early instruction in music, and evidence of extraordinary talent. - Admission to the Imperial Chapel and Stadtconvict. - School experiences and first compositions. - Salieri. - Symphony No. 1 in D. - He decides to leave the Convict. 3 - Schubert's experience as a school teacher. - Friendship with Mayrhofer. - Works from 1814; Des Teufels Lustschloss, Mass in F, etc. - Extraordinary productiveness in 1815. - Operas, symphonies, masses, and songs. - Characteristics of Schubert's Lieder. - Diary kept in 1816. - Der Erlkönig. - Cantatas and symphonies. - He applies for a position. - Franz von Schober. - He leaves his father's school. 4 - Johann Michael Vogl. - Josef Huttenbrenner. - Piano sonatas. - Overtures in Italian style. - He becomes music teacher to the Esterhazy family. - His residence with Mayrhofer. - Excursion in upper Austria. - Rossini. - Goethe. - His first commissions for the stage. - Die Zwillingsbruder. - Die Zauberharfe. - Contemporary criticism. - The oratorio Lazarus. - The Fantasia in C. 5 - The first publications. - Enthusiasm of his friends. - Schubertiaden. - The symphony in E. - Schubert and Beethoven. - Alfonso and Estrella; performance at Weimar. - The mass in A flat. - The unfinished symphony in B minor. - Schubert and Weber. - Rosamunde. - Fierabras. - Die Verschwornen, or Der hauslicne Krieg. - Die schone Mullerin. - Publications in 1823. 6 - Schubert's temporary depression. - Diary and letters. - Second visit to Zelesz. - Love for Caroline Esterhazy. - Compositions; the duet sonata in C. - Travels in Steyr. - Restored cheerfulness. - Efforts to gain employment. - Schindler's singular story. - Negotiations with foreign publishers. - Present from the Musikfreunde. - Beethoven's funeral. - Visit to the Pachlers at Gratz. - Failing health. - Rochlitz and Der Erste Ton 7 - Great productiveness in 1828. - Symphony in C. - Mass in E flat. - Schwanengesang. - Last sonatas. - Disappointments. - His last illness and death. 8 - Posthumous honours. - Personal qualities. - Schubert's position in music. - General survey of works
The composer Franz Schubert (1797-1828) was not bereft of early advocates, from Schumann, Liszt, and Mahler to Sir George Grove. Brahms famously heralded Schubert as "the true successor to Beethoven." Nevertheless, it was not until the end of the twentieth century that Schubert's major instrumental works finally and fully emerged from Beethoven's shadow. Critics and scholars began to reinterpret Schubert's departures from Beethoven's formal and stylistic characteristics, and to see these departures not as flaws but as strengths and hallmarks of a new paradigm. Schubert's alternate constructions of "masculine subjectivities," first described by Schumann in 1838, parallel a developing appreciation for lyricism, melody, and song-traits historically regarded as feminine. Consequently, Schubert's approach is increasingly viewed as innovative and divergent rather than defective and deviant. Schubert's Reputation from His Time to Ours tells the story of how and why this has happened.