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Excerpt from The Life and Letters of Lady Dorothy Nevill Be this as it may, the name of Dorothy certainly brought good luck to my mother who cherished the cult of her beautiful ancestress all through the long and happy life which, four years before the death of George IV, began at No. II Berkeley Square - the eighteenth - century mansion in which had lived her kinsman, Horace Walpole. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This Is A New Release Of The Original 1919 Edition.
This Is A New Release Of The Original 1919 Edition.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Through an analysis of the marriage patterns of thousands of aristocratic women as well as an examination of diaries, letters, and memoirs, this book demonstrates that the sense of rank identity as manifested in these women's marriages remained remarkably stable for centuries, until it was finally shattered by the First World War.
Excerpt from The Reminiscences of Lady Dorothy Nevill I AM writing these few lines to beg the kindly reader to remember the many difficulties to be encountered in the writing down of the recollections of a long life. Many of these must of necessity be devoid of interest, whilst much well worth chronicling eludes all memory. As far as possible, I have attempted to recall to mind anything likely to appear amusing or curious about the many clever and delightful people whom it has been my good fortune to meet, and who, alas! Have now for the most part passed away. Many of my reminiscences, I fear, are but trivial and even commonplace, but I have done my best, and therefore feel sure that no unduly harsh criticism will be meted out to one who has lived from the day of the post-chaise into that of the motor-car - a form of locomotion, by the way, to which I am by no means averse. One or two of my friends have rendered invaluable assistance by reviving memories of past days - to these I tender my sincere thanks; and now, with every hope that this book will receive a lenient reception, I say good-bye. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Leaves from the Notebooks of Lady Dorothy Nevill" is the second volume of five memoirs by the great English writer, hostess, horticulturist, and plant collector. Her society evenings attracted numerous intellectuals and artists of her time, including James McNeill Whistler, Richard Cobden, and Joseph Chamberlain, and her interest in exotic plants made her friends with Charles Darwin.
What kind of property is art? Is it property at all? Jordanna Bailkin's The Culture of Property offers a new historical response to these questions, examining ownership disputes over art objects and artifacts during the crisis of liberalism in the United Kingdom. From the 1870s to the 1920s, Britons fought over prized objects from ancient gold ornaments dug up in an Irish field to a portrait of the Duchess of Milan at the National Gallery in London. They fought to keep these objects in Britain, to repatriate them to their points of origin, and even to destroy them altogether. Bailkin explores these disputes in order to investigate the vexed status of property within modern British politics as well as the often surprising origins of ongoing institutional practices. Bailkin's detailed account of these struggles illuminates the relationship between property and citizenship, which has constituted the heart of liberal politics as well as its greatest weakness. Drawing on court transcripts, gallery archives, exhibition reviews, private correspondence—and a striking series of cartoons and photographs—The Culture of Property traverses the history of gender, material culture, urban life, colonialism, Irish and Scottish nationalism, and British citizenship. This fascinating book challenges recent scholarship in museum studies in light of ongoing culture wars. It should be required reading for cultural policy makers, museum professionals, and anyone interested in the history of art and Britain.