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Recipient of the 2018 Special Achievement Award from the Mississippi Institute of Arts and Letters and Recipient of a 2018 Heritage Award for Education from the Mississippi Heritage Trust The perfect book for every Mississippian who cares about the state, this is a mammoth collaboration in which thirty subject editors suggested topics, over seven hundred scholars wrote entries, and countless individuals made suggestions. The volume will appeal to anyone who wants to know more about Mississippi and the people who call it home. The book will be especially helpful to students, teachers, and scholars researching, writing about, or otherwise discovering the state, past and present. The volume contains entries on every county, every governor, and numerous musicians, writers, artists, and activists. Each entry provides an authoritative but accessible introduction to the topic discussed. The Mississippi Encyclopedia also features long essays on agriculture, archaeology, the civil rights movement, the Civil War, drama, education, the environment, ethnicity, fiction, folklife, foodways, geography, industry and industrial workers, law, medicine, music, myths and representations, Native Americans, nonfiction, poetry, politics and government, the press, religion, social and economic history, sports, and visual art. It includes solid, clear information in a single volume, offering with clarity and scholarship a breadth of topics unavailable anywhere else. This book also includes many surprises readers can only find by browsing.
Reprint of the original, first published in 1865. Adapted to North America. With a view to the improvement of country residences. Comprising historical otices and general principles of the art, directions for laving out grounds and arranging plantations, the description and cultivation of hardy trees, decorative accompaniments of the house and grounds, the formation of pieces of artificial water, flower gardens, etc., with Remarks on Rural Architecture. Seventh edition.
6 volume supplement (numbered 13-18) to: McGraw-Hill encyclopedia of world biography published in 1973 by McGraw-Hill; covering people of the 20th century and including a study guide and index (vol. 16)
The history of anthropology at Harvard is told through vignettes about the people, famous and obscure, who shaped the discipline at Harvard College and the Peabody Museum. The role of amateurs and private funders in the early growth of the field is highlighted, as is the participation of women and of students and scholars of diverse ethnicities.
First published in 1961, Early Midwestern Travel Narratives records and describes first-person records of journeys in the frontier and early settlement periods which survive in both manuscript and print. Geographically, it deals with the states once part of the Old Northwest Territory-Ohio, Indiana, Michigan, Illinois, Wisconsin, and Minnesota-and with Missouri, Iowa, Kansas, and Nebraska. Robert Hubach arranged the narratives in chronological order and makes the distinction among diaries (private records, with contemporaneously dated entries), journals (non-private records with contemporaneously dated entries), and "accounts," which are of more literary, descriptive nature. Early Midwestern Travel Narratives remains to this day a unique comprehensive work that fills a long existing need for a bibliography, summary, and interpretation of these early Midwestern travel narratives.
After beginning his career as an architect in London, Calvert Vaux (1824-1895) came to the Hudson River valley in 1850 at the invitation of Andrew Jackson Downing, the reform-minded writer on houses and gardens. As Downing's partner, and after Downing's death in 1852, Vaux designed country and suburban dwellings that were remarkable for their well-conceived plans and their sensitive rapport with nature. By 1857, the year he published his book Villas and Cottages, Vaux had moved to New York City. There he asked Frederick Law Olmsted to join him in preparing a design for Central Park. He spent the next 38 years defending and refining their vision of Central Park as a work of art. After the Civil War, he and Olmsted led the nascent American park movement with their designs for parks and parkways in Brooklyn, Buffalo, and many other American cities. Apart from undertakings with Olmsted, Vaux cultivated a distinguished architectural practice. Among his clients were the artist Frederic Church, whose dream house, Olana, he helped create; and the reform politician Samuel Tilden, whose residence on New York's Gramercy Park remains one of the country's outstanding Victorian buildings. A pioneering advocate for apartment houses in American cities, Vaux designed buildings that mirrored the advance of urbanization in America, including early model housing for the poor. He planned the original portions of the Metropolitan Museum of Art and the American Museum of Natural History and conceived a stunning proposal for a vast iron and glass building to house the Centennial Exhibition in Philadelphia. Especially notable are the many bridges and other charming structures that he designed for Central Park. Vaux considered the Park's Terrace, decorated by J. W. Mould, as his greatest achievement. An active participant in the cultural and intellectual life of New York, Vaux was an idealist who regarded himself as an artist and a professional. And while much has been written on Olmsted, comparatively little has been published about Vaux. The first in-depth account of Vaux's career, Country, Park, and City should be of great interest to historians of art, architecture, and urbanism, as well as preservationists and other readers interested in New York City's past and America's first parks.
Extraordinarily wealthy and influential, Stephen Duncan (1787–1867) was a landowner, slaveholder, and financier with a remarkable array of social, economic, and political contacts in pre-Civil War America. In this, the first biography of Duncan, Martha Jane Brazy offers a compelling new portrait of antebellum life through exploration of Duncan's multifaceted personal networks in both the South and the North. Duncan grew up in an elite Pennsylvania family with strong business ties in Philadelphia. There was little indication, though, that he would become a cosmopolitan entrepreneur who would own over fifteen plantations in Mississippi and Louisiana, collectively owning more than two thousand slaves. With style and substance, Martha Jane Brazy describes both the development of Duncan's businesses and the lives of the slaves on whose labor his empire was constructed. According to Brazy, Duncan was a hybrid, not fully a southerner or a northerner. He was also, Brazy shows, a paradox. Although he put down deep roots in Natchez, his sphere of influence was national in scope. Although his wealth was greatly dependent on the slaves he owned, he predicted a clash over the issue of slave ownership nearly three decades before the onset of the Civil War. Perhaps more than any other planter studied, Duncan contradicts historians' definition of the southern slaveholding aristocracy. By connecting and contrasting the networks of this elite planter and those he enslaved, Brazy provides new insights into the slaveocracy of antebellum America.