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The Brahan Seer is a legendary figure known throughout Scotland and the Scottish Diaspora and indeed anywhere there is an interest in looking into the future. This book traces the legend of the Seer between the sixteenth and twenty-first centuries. It considers the seer figure in relation to aspects of Scottish Highland culture and society that shaped its development during this period. These include the practice and prosecution of witchcraft, the reporting and scientific investigation of instances of second sight, and the perennial belief in and use of prophecy as a means of predicting events. In so doing the book provides a set of historicised contexts for understanding the genesis of the legend and how it changed over time through a synthesis of historical events, oral tradition, folklore and literary Romanticism. It makes a contribution to the debates not only about witchcraft, second sight and prophecy but also about the relationship between 'popular' and 'elite' culture in Scotland. By taking the Brahan Seer as a case study it argues that 'popular' culture is not antithetical to 'elite' culture but rather in constant (and complex) interaction with it.
From the Wolfson Prize-winning author of God's Architect: Pugin and the Building of Romantic Britain Between the fall of the Bastille in 1789 and the opening of the Great Exhibition in 1851, history changed. The grand narratives of the Enlightenment, concerned with kings and statesmen, gave way to a new interest in the lives of ordinary people. Oral history, costume history, the history of food and furniture, of Gothic architecture, theatre and much else were explored as never before. Antiquarianism, the study of the material remains of the past, was not new, but now hundreds of men - and some women - became antiquaries and set about rediscovering their national history, in Britain, France and Germany. The Romantic age valued facts, but it also valued imagination and it brought both to the study of history. Among its achievements were the preservation of the Bayeux Tapestry, the analysis and dating of Gothic architecture, and the first publication of Beowulf. It dispelled old myths, and gave us new ones: Shakespeare's birthplace, clan tartans and the arrow in Harold's eye are among their legacies. From scholars to imposters the dozen or so antiquaries at the heart of this book show us history in the making.
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. Great Shakespeareans will be an essential resource for students and scholars in Shakespeare studies.
Transatlantic studies, especially during the enlightenment period, is of increasing critical interest amongst scholars. But was there an Atlantic Enlightenment? This interdisciplinary collection harnesses the work of some of the most prominent figures in the fields of literature; intellectual, cultural, and social history; geography; and political science to examine the emergence of the Atlantic as one of the key conceptual paradigms of eighteenth century studies. In this spirit, the contributors offer new insights into the conditions that generated a major transatlantic genre of writing; addressing questions of race, political economy, and the transmission of Enlightenment ideas in literary, political, historical, and religious contexts. Whether examining John Witherspoon's evolution from Calvinist theologian to Revolutionary theorist, or Adam Smith's reception in the antebellum United States, the essays remind us that the transatlantic traffic in ideas moved from west to east, from east to west, and in patterns that both complicate and enrich what we thought we knew about the vectors of transmission in this pivotal period.
Muaicum Books presents to you this meticulously edited and formatted collection by Dr. Eliot: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton's Prose, Browne V. 4 Complete Poems by John Milton V. 5: Essays & English Traits by Emerson V. 6: Poems and Songs by Robert Burns V. 7: The Confessions of Saint Augustine & The Imitation of Christ V. 8: Nine Greek Dramas V. 9: Letters & Treatises of Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Lives of the Noble Grecians and Romans V. 13: Aeneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: Stories from the Thousand and One Nights V. 17: Folklore & Fable: Aesop, Grimm & Andersen V. 18: Modern English Drama V. 19: Goethe & Marlowe: Faust... V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke: French Revolution... V. 25: J. S. Mill & T. Carlyle: Autobiography, Essays.. V. 26: Continental Drama V. 27: English Essays: Sidney to Macaulay V. 28: Essays: English and American V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prefaces and Prologues to Famous Books V. 40: English Poetry 1: from Chaucer to Gray V. 41: English Poetry 2: from Collins to Fitzgerald V. 42: English Poetry 3: from Tennyson to Whitman V. 43: American Historical Documents V. 44: Sacred Writings 1: Confucian, Hebrew & Christian V. 45: Sacred Writings 2: Christian, Buddhist, Hindu & Mohammedan V. 46: Elizabethan Drama 1: Marlowe & Shakespeare V. 47: Elizabethan Drama 2: Dekker, Jonson, Webster, Massinger, Beaumont and Fletcher V. 48: Thoughts, Letters & Minor Works of Pascal V. 49: Epic and Saga V. 50: The Editor's Introduction & Reader's Guide V. 51: Lectures