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This collection of essays provides a series of fresh approaches to a fascinating subject: Jacobitism. The contributors focus on issues of identity and memory among Jacobites in Scotland, Ireland, England and Europe. They examine Jacobitism as an integral aspect of culture and society in the British Isles and beyond during the century after 1688.
This is an exploration of William Robertson, a leading figure in the eighteenth-century Enlightenment.
This innovative book revises many standard assumptions in both literary and sociological fields. Approaching English Romanticism through sociological theory, Hewitt argues that Wordsworth and Coleridge tested hypotheses about social organization and (inter)action in their poetry. She analyzes their achievements in representative works and looks at ways in which Byron, Shelley, and Keats modified the older poets' endeavor. She also describes the context for "poetic" sociology within the intellectual systems of the poets' day, comparing it to the context in which "scientific" sociology was later institutionalized. Hewitt's work offers a timely reevaluation of the Romantic poets as socially engaged thinkers. Moreover, her reconstruction of a "poetic" sociology identifies an alternative field of knowledge that contemporary scholars might still explore.
This book — written by Dr John Bastin, a leading authority on the study of Sir Stamford Raffles — offers an alternative biographical account of Raffles, as seen through his relationship with some of his closest friends and contemporaries.The people featured include the naturalists Joseph Arnold, Thomas Horsfield and Nathaniel Wallich, who received support from Raffles in carrying on their scientific research, and the orientalist John Leyden, who influenced Raffles's study of Malay and Malay customs.Examining Raffles and his social circle presents an original perspective of the man and of the colonial world in which he lived, and his correspondence with his friends and scientific colleagues reflects his attitude and opinions on a range of issues, including his desire to extend the benefits of education. The book is a highly original contribution to the study of Raffles in the bicentenary year of his founding of Singapore.
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.