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In the thirteenth century a young Dominican friar, Jacobus de Voragine, compiled the book that came to be known as the Legenda aurea, a collection of medieval lore about the saints and holidays of the church. Through the centuries this noted book has had a conspicuously uneven reputation: enormous popularity in the late Middle Ages, a precipitous decline during the Renaissance, and a gradual rehabilitation in the modern era. Sherry L. Reames's study of the Legenda aurea offers the first comprehensive account of the book's history and of the qualities that differentiate it from earlier and less controversial works about the saints. The fresh perspective introduced by this study will provide new insights and challenge old myths for historians, literary critics, theologians, and students concerned with medieval culture and hagiography.
How The Golden Legend shaped the medieval imagination It is impossible to understand the Middle Ages without grasping the importance of The Golden Legend, the most popular medieval collection of saints' lives. Assembled in the thirteenth century by Genoese archbishop Jacobus de Voragine, the book became the medieval equivalent of a bestseller. In Search of Sacred Time is the first comprehensive history and interpretation of this crucial book. Jacques Le Goff, who was one of the world's most renowned medievalists, provides a lucid and compelling account that shows how The Golden Legend Christianized time itself, reconciling human and divine temporality. Authoritative, eloquent, and original, In Search of Sacred Time is a major reinterpretation of a book that is central to comprehending the medieval imagination.
This is volume I of the first scholarly edition of the Golden Legend, the largest and most elaborate production of the first printer in English, William Caxton. It is an English translation of Jacobus de Voragine's Legenda aurea (ca. 1267), a collection of legends for the feasts of saints (the Sanctorale) and other major days of the liturgical year (the Temporale). The Legenda aurea was one of the most popular and influential books in the later medieval Western world; it circulated widely, and was repeatedly translated into many vernacular languages. This volume reproduces Caxton's original text of the Temporale with modern punctuation and capitalization, notes on content, syntax and lexis, a detailed glossary, and an index of proper names. Caxton's complex combination of sources is given particular attention: the principal one was a little-known reworking of the French translation made by Jean de Vignay, but he also used the Latin original and a previous English translation, the Gilte Legende, and made some personal additions. The Introduction considers the structure of the entire book that Caxton created, but focuses on the Temporale and the set of Old Testament legends that will follow in volume 2. It discusses their sources and language, highlighting the differences between the first two volumes and the notable number of new words and senses. It also gives a detailed bibliographic account of this printing in its historical context and descriptions of all surviving copies.
In 1484, William Caxton, the first publisher of English-language books, issued The Golden Legend, a translation of the most well-known collection of saints’ lives in Europe. This study analyzes the molding of the Legenda aurea into a book that powerfully attracted the English market. Modifications included not only illustrations and changes in the arrangement of chapters, but also the addition of lives of British saints and translated excerpts from the Bible, showing an appetite for vernacular scripture and stories about England’s past. The publication history of Caxton’s Golden Legend reveals attitudes towards national identity and piety within the context of English print culture during the half century prior to the Henrician Reformation.
This book is a prose translation of a selection of women saints' lives from the Gilte Legende, the Middle English version of Jacobus de Voragine's Legenda Aurea, one of the most influential books to come from the middle ages. Because of its popularity and subject matter, the Gilte Legende was widely read and used as a model for everyday life, including the education of women through examples set by early Christian martyrs. Many of the women saints spoke passionately about their convictions and defended their faith and their bodies to the death. For over 400 years, these amazing vernacular stories have been inaccessible to a wider audience. This book divides the lives of female saints into: the "ryght hooly virgins", who vocally defend their bodies against Roman persecution; "holy mothers", who give up their traditional role to pursue a life of contemplation; the 'repentant sinners', who convert and voice their defiance against a society that demanded silence in women; and the "holy transvestites", who cast off their gender identity to find absolution and salvation. Their lives reach through the ages to speak to a modern audience, academic and non-academic, forcing a re-examination of women's roles in the medieval period. LARISSA TRACY is Adjunct Assistant Professor of English at Georgetown University and George Mason University. Series editor JANE CHANCE
Hagiography and the History of Latin Christendom, 500–1500 shows the historical value of texts celebrating saints—both the most abundant medieval source material and among the most difficult to use. Hagiographical sources present many challenges: they are usually anonymous, often hard to date, full of topoi, and unstable. Moreover, they are generally not what we would consider factually accurate. The volume’s twenty-one contributions draw on a range of disciplines and employ a variety of innovative methods to address these challenges and reach new discoveries about the medieval world that extend well beyond the study of sanctity. They show the rich potential of hagiography to enhance our knowledge of that world, and some of the ways to unlock it. Contributors are Ellen Arnold, Helen Birkett, Edina Bozoky, Emma Campbell, Adrian Cornell du Houx, David Defries, Albrecht Diem, Cynthia Hahn, Samantha Kahn Herrick, J.K. Kitchen, Jamie Kreiner, Klaus Krönert, Mathew Kuefler, Katherine J. Lewis, Giovanni Paolo Maggioni, Charles Mériaux, Paul Oldfield, Sara Ritchey, Catherine Saucier, Laura Ackerman Smoller, and Ineke van ‘t Spijker. See inside the book.
The cult of St Ursula and the 11,000 virgins was one of the most popular and relic-rich of all saints’ cults in the medieval period. This volume constitutes the first interdisciplinary collection of essays in English to explore the development and transmission of the legend of St Ursula in detail, considering a wealth of different sources including physical remains, literary texts, artistic representations and medieval music.
This fascinating study reconstructs the tradition of the Legend of the True Cross in text and image, from its tentative beginnings in 4th-century Jerusalem to the culminating expression of its multi-layered cosmic content in 14th and 15th-century monumental cycles in Germany and Italy.