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The moral tale was foremost among the new genres of children's literature that emerged in Britain during the late eighteenth and early nineteenth centuries. Written expressly to impart moral lessons to their young readers, such tales had a profound impact on the generation we now know as the Victorians. In this original and discerning study, Patrick Fleming traces the rise and subsequent impact of the moral tale through the works of representative authors like Thomas Day, Maria Edgeworth, and Charles Dickens, who through Oliver Twist and later writings developed his own brand of experiential didacticism which clearly had roots in the moral tales he read as a child. Scholars studying Victorians' childhood reading have typically emphasized fairy tales and eighteenth-century novels rather than works especially written for children, while children's literature scholars have focused on the "Golden Age," which began around 1860 and is epitomized by such works as Lewis Carroll's Alice' Adventures in Wonderland. However, as The Legacy of the Moral Tale makes clear, children's literature began long before the Golden Age, and the moral tale was prominent among the genres the Victorians remembered. In revealing this long-overlooked connection, the book expands our understanding of the history of the novel and highlights the moral instruction to which nineteen-century readers were accustomed. -- from back cover.
James Rachels's philosophical writings address key questions of contemporary life and the classic dilemmas of moral philosophy. A leading figure in the development of applied ethics, James Rachels became an influential and sometimes controversial thinker on issues concerning animal rights, euthanasia, bioethics, and moral objectivity. This final collection of James Rachels's work brings together fourteen essays that best summarize Rachels's philosophical positions. The essays also shed new light on the depth and breadth of Rachels's work and its importance for contemporary philosophy. Written in Rachels's characteristically lucid, literary prose, these essays address the relationship between morality and reason, the duty to relieve both human and animal suffering, the independence of morality from religion, the rejection of relativism and egoism, and the role of ethics in a democratic society. Rachels offers an argument for vegetarianism, examines a controversial case involving a surrogate mother, and speculates on the ethics of political killing. Other essays range from Rachels's interpretation of Nietzsche's philosophy to his appreciation of movies. Rachels was a strong believer in the ability of moral philosophy to improve our lives. This collection, which brings these important works together for the first time, is a testament to both the value of moral philosophy in understanding our world and the richness of Rachels's contributions to this understanding.
In this elegant book, the Pulitzer Prize-winning writer explores the manifold ways in which the Civil War changed the United States forever. He confronts its costs, not only human (six hundred thousand men killed) and economic (beyond reckoning) but social and psychological. He touches on popular misconceptions, including some concerning Abraham Lincoln and the issue of slavery. The war in all its facets "grows in our consciousness," arousing complex emotions and leaving "a gallery of great human images for our contemplation."
Best Book of 2020 New York Times |NPR | New York Post "This hushed suspense tale about thwarted dreams of escape may be her best one yet . . . Its own kind of masterpiece." --Maureen Corrigan, The Washington Post "A new Tana French is always cause for celebration . . . Read it once for the plot; read it again for the beauty and subtlety of French's writing." --Sarah Lyall, The New York Times Cal Hooper thought a fixer-upper in a bucolic Irish village would be the perfect escape. After twenty-five years in the Chicago police force and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens. But when a local kid whose brother has gone missing arm-twists him into investigating, Cal uncovers layers of darkness beneath his picturesque retreat, and starts to realize that even small towns shelter dangerous secrets. "One of the greatest crime novelists writing today" (Vox) weaves a masterful, atmospheric tale of suspense, asking how to tell right from wrong in a world where neither is simple, and what we stake on that decision.
Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.
The archetypal story of Thomas Kendall, a self-torturing, struggling missionary in nineteenth century New Zealand, is also a remarkable history of cross-cultural experience. Posted to New Zealand in 1814, Kendall was immensely devout but entirely unprepared for dealing with Māori. He nonetheless helped produce the first Māori Grammar, but was hindered by rumours of an affair with a Māori chief’s daughter. Dismissed from his duties in 1823, he continued studying Māori culture until his death nearly a decade later. Long out of print, this work by a leading New Zealand historian tells an absorbing story of the difficulties and dangers of the evangelical mission.