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A young woman faces loneliness and alienation on a journey to find her own life outside of being a wife and mother in Nobel Prize-winning author Peter Handke’s The Left-Handed Woman. One evening, when Marianne and her husband, Bruno, are dining out together to celebrate his return from a business trip, Marianne listens to him speak and realizes suddenly yet finally that Bruno will leave her. Whether at that moment, or in years to come, she will be deserted. And instinctively Marianne knows she must fend for herself and her young son now, before that time comes. She sends Bruno away and settles down to a life alone, at first experiencing moments of panic, restlessly wandering in rooms grown stifling. The stillness of the house wears her down, and she starts taking long walks, or visiting with her close friend, Franziska. Gradually, what began as a selfish escape from the prospects of the future becomes in fact liberation. The environment she'd always hated--a no man's land of identical houses, with all curtains drawn--recedes; her relationships with those dear to her become less threatening, less necessary; and Marianne finds a new pattern for her life and the strength to go on alone. Handke adapted the novel himself into a film of the same name in 1978.
Enola Holmes is hiding from the world’s most famous detective—her own brother, Sherlock Holmes. But when she discovers a hidden cache of bold, brilliant charcoal drawings, she can’t help but venture out to find who drew them: young Lady Cecily, who has disappeared from her bedroom without a trace. Braving midnight streets where murderers roam, Enola must unravel the clues—a leaning ladder, a shifty-eyed sales clerk, political pamphlets—but in order to save Lady Cecily from a powerful villain, Enola risks revealing more than she should . . . In her follow-up to The Case of the Missing Marquess, which received four starred reviews, two-time Edgar Award winner Nancy Springer brings us back to the danger and intrigue of Victorian London as she continues the adventures of one of the wittiest and most exciting new heroines in today’s literature.
WINNER OF THE 2023 PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY A collection of essays from Judith Thurman, the National Book Award–winning biographer and New Yorker staff writer. Judith Thurman, a prolific staff writer at The New Yorker for more than two decades, has gathered a selection of her essays and profiles in A Left-Handed Woman. They consider our culture in all its guises: literature, history, politics, gender, fashion, and art, though their paramount subject is the human condition. Thurman is one of the preeminent essayists of our time—“a master of vivisection,” as Kathryn Harrison wrote in The New York Times. “When she’s done with a subject, it’s still living, mystery intact.”
A girl’s quest to find her father leads her to an extended family of magical fighting booksellers who police the mythical Old World of England when it intrudes on the modern world. From the bestselling master of teen fantasy, Garth Nix. In a slightly alternate London in 1983, Susan Arkshaw is looking for her father, a man she has never met. Crime boss Frank Thringley might be able to help her, but Susan doesn’t get time to ask Frank any questions before he is turned to dust by the prick of a silver hatpin in the hands of the outrageously attractive Merlin. Merlin is a young left-handed bookseller (one of the fighting ones), who with the right-handed booksellers (the intellectual ones), are an extended family of magical beings who police the mythic and legendary Old World when it intrudes on the modern world, in addition to running several bookshops. Susan’s search for her father begins with her mother’s possibly misremembered or misspelt surnames, a reading room ticket, and a silver cigarette case engraved with something that might be a coat of arms. Merlin has a quest of his own, to find the Old World entity who used ordinary criminals to kill his mother. As he and his sister, the right-handed bookseller Vivien, tread in the path of a botched or covered-up police investigation from years past, they find this quest strangely overlaps with Susan’s. Who or what was her father? Susan, Merlin, and Vivien must find out, as the Old World erupts dangerously into the New.
On a Dark Night I Left My Silent House is Nobel Prize winner Peter Handke's evocative, moving, often fantastic, short novel about one man's conflict with himself and his journey toward resolution. During one night shift, an unnamed, middle-aged pharmacist in Taxham, an isolated suburb of Salzburg, tells his story to a narrator. The pharmacist is known and well-respected, but lonely and estranged from his wife. He feels most comfortable wandering about in nature, collecting and eating hallucinogenic mushrooms. One day he receives a blow to the head that leaves him unable to speak, and the narrative is transformed from ironic description into a collection of sensual impressions, observations and reflections. The pharmacist, who is now called the driver, sets out on a quest, travelling into the Alps with two companions—a former Olympic skiing champion and a formerly famous poet--where he is beaten and later stalked by a woman. He drives through a tunnel and has a premonition of death, then finds himself in a surreal, foreign land. In a final series of bizarre, cathartic events, the driver regains his speech and is taken back to his pharmacy—back to his former life, but forever changed. A powerful, poetic exploration of language, longing and dislocation in the human experience, On a Dark Night I Left My Silent House reveals Handke at his magical best.
"A quest story to find the three pieces of a magical engine which can either win the War of 1812 ... or stop it altogether"--
In this “invaluable addition to any collection” (School Library Journal, starred review) high school senior Zephyr Doyle is swept off her feet—and into an intense and volatile relationship—by the new boy in school. His obsession. Her fall. Zephyr Doyle is focused. Focused on leading her team to the field hockey state championship and leaving her small town for her dream school, Boston College. But love has a way of changing things. Enter the new boy in school: the hockey team’s starting goaltender, Alec. He’s cute, charming, and most important, Alec doesn’t judge Zephyr. He understands her fears and insecurities—he even shares them. Soon, their relationship becomes something bigger than Zephyr, something she can’t control, something she doesn’t want to control. Zephyr swears it must be love. Because love is powerful, and overwhelming, and…terrifying? But love shouldn’t make you abandon your dreams, or push your friends away. And love shouldn’t make you feel guilty—or worse, ashamed. So when Zephyr finally begins to see Alec for who he really is, she knows it’s time to take back control of her life. If she waits any longer, it may be too late.
For a left-handed child in a right-friendly world, tasks that should come easily can seem confusing and frustrating. Parents of the more than 400,000 lefties born annually in the United States have had no resource that deals seriously with the learning difficulties their children face -- until now. Loving Lefties is the first ever guide to address all the issues pertinent to left-handedness: the biology, the physiology, and the psychological and practical effects of being a left-handed child. An essential aid for parents, teachers, and professionals, it covers the history and mythology of the left-handed brain, and offers sound advice on: • recognizing left-handedness in a child • making your child's home and school lefty-friendly • giving your child appropriate direction and encouragement • identifying the advantages of being left-handed • helping your child learn the skills his right-handed parents, instructors, and siblings consider basic. Filled with resource lists, guidelines, quick tips, answers to frequently asked questions, case studies, and anecdotes, Loving Lefties is the essential guide for raising a happy, healthy southpaw.
WINNER OF THE NOBEL PRIZE FOR LITERATURE 'One of Europe's great writers' Karl Ove Knausgaard One evening Marianne, a suburban housewife living in an identikit bungalow, is struck by the realization that her husband will leave her. Whether at that moment, or in years to come, she will be deserted. So she sends him away, knowing she must fend for herself and her young son. As she adjusts to her disorienting new life alone, what she thought was fear slowly starts to feel like freedom. 'Knifelike clarity of evocation ... Handke is a kind of nature poet, a romantic whose exacerbated nerves cling like pained ivy to the landscape' John Updike Translated by Ralph Manheim