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Now with a new introduction by David Rieff, "The Lawless Roads" is the result of Graham Greenes expedition to Mexico in the late 1930s to report on how the inhabitants had reacted to the brutal anticlerical purges of President Calles. His journey took him through the tropical states of Chiapas and Tabasco, places where all the churches had been destroyed or closed and the priests driven out or shot. The experience provided Greene with the setting and theme for one of his greatest novels, "The Power and the Glory,"
This eyewitness account of religious and political persecution in 1930s Mexico inspired the British novelist’s “masterpiece,” The Power and the Glory (John Updike). In 1938, Graham Greene, a burgeoning convert to Roman Catholicism, was commissioned to expose the anticlerical purges in Mexico by President Plutarco Elías Calles. Churches had been destroyed, peasants held secret masses in their homes, religious icons were banned, and priests disappeared. Traveling under the growing clouds of fascism, Greene was anxious to see for himself the effect it had on the people—what he found was a combination of despair, resignation, and fierce resilience. Journeying through the rugged and remote terrain of Chiapas and Tabasco, Greene’s emotional, gut response to the landscape, the sights and sounds, the fears, the oppressive heat, and the state of mind under “the fiercest persecution of religion anywhere since the reign of Elizabeth” makes for a vivid and candid account, and stands alone as a “singularly beautiful travel book” (New Statesman). Hailed by William Golding as “the ultimate chronicler of twentieth-century man’s consciousness and anxiety,” Greene would draw on the experiences of The Lawless Roads for one of his greatest novels, The Power and the Glory.
A pair of revelatory travel memoirs from “a superb storyteller . . . [who] had a talent for depicting local color” (The New York Times). “One of the finest writers of any language,” British author Graham Greene embarked on two awe-inspiring and eye-opening journeys in the 1930s—to West Africa and to Mexico (The Washington Post). Greene would find himself both shaken and inspired by these trips, which would go on to inform his novels. Journey Without Maps: When Graham Greene set off from Liverpool in 1935 for what was then an Africa unmarked by colonization, it was to leave the known transgressions of his own civilization behind for those unknown. First by cargo ship, then by train and truck through Sierra Leone, and finally on foot, Greene embarked on a dangerous and unpredictable 350-mile, four-week trek through Liberia with his cousin and a handful of servants and bearers into a world where few had ever seen a white man. For Greene, this odyssey became as much a trip into the primitive interiors of the writer himself as it was a physical journey into a land foreign to his experience. “One of the best travel books [of the twentieth] century.” —The Independent The Lawless Roads: This eyewitness account of religious and political persecution in 1930s Mexico inspired The Power and the Glory, the British novelist’s “masterpiece” (John Updike). In 1938, Greene, a burgeoning convert to Roman Catholicism, was commissioned to expose the anticlerical purges in Mexico. Churches had been destroyed, peasants held secret masses in their homes, religious icons were banned, and priests disappeared. Traveling under the growing clouds of fascism, Greene was anxious to see for himself the effect it had on the people. Journeying through the rugged and remote terrain of Chiapas and Tabasco, Greene’s emotional, gut response to the landscape; the sights and sounds; the oppressive heat; and the people’s fear, despair, resignation, and fierce resilience makes for a vivid and powerful chronicle. “[A] singularly beautiful travel book.” —New Statesman
In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity
Part gonzo misadventure, part cultural history, "God's Middle Finger" explores a fascinating land--the Sierra Madre mountains of Mexico--where few outsiders are foolish enough to venture.
With a Foreword by Director John Hillcoat Based on the true story of Matt Bondurant’s grandfather and two granduncles, Lawless is a gripping tale of brotherhood, greed, and murder. The Bondurant Boys were a notorious gang of roughnecks and moonshiners who ran liquor through Franklin County, Virginia, during Prohibition and in the years after. When Sherwood Anderson, the journalist and author of Winesburg, Ohio, was covering a story there, he christened it the “wettest county in the world.” Anderson finds himself driving along dusty red roads, piecing together the clues linking the brothers to “The Great Franklin County Moonshine Conspiracy,” and breaking open the silence that shrouds Franklin County. In vivid, muscular prose, Matt Bondurant brings these men—their dark deeds, their long silences, their deep desires—to life. His understanding of the passion, violence, and desperation at the center of this world is both heartbreaking and magnificent.
Now with a new introduction by David Rieff, "The Lawless Roads" is the result of Graham Greenes expedition to Mexico in the late 1930s to report on how the inhabitants had reacted to the brutal anticlerical purges of President Calles. His journey took him through the tropical states of Chiapas and Tabasco, places where all the churches had been destroyed or closed and the priests driven out or shot. The experience provided Greene with the setting and theme for one of his greatest novels, "The Power and the Glory,"
There are many ways to die in the Sierra Madre, a notorious nine-hundred-mile mountain range in northern Mexico where AK-47s are fetish objects, the law is almost non-existent and power lies in the hands of brutal drug mafias. Thousands of tons of opium and marijuana are produced there every year. Richard Grant thought it would be a good idea to travel the length of the Sierra Madre and write a book about it. He was warned before he left that he would be killed. But driven by what he calls 'an unfortunate fascination' for this mysterious region, Grant sets off anyway. In a remarkable piece of investigative writing, he evokes a sinister, surreal landscape of lonely mesas, canyons sometimes deeper than the Grand Canyon, hostile villages and an outlaw culture where homicide is the most common cause of death and grandmothers sell cocaine. Finally his luck runs out and he finds himself fleeing for his life, pursued by men who would murder a stranger in their territory 'to please the trigger finger'.