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The Law and the Lady is a detective story, published in 1875 by Wilkie Collins. It is not quite as sensational in style as The Moonstone and The Woman in White.
The Law and the Lady is a detective story, published in 1875 by Wilkie Collins. It is not quite as sensational in style as The Moonstone and The Woman in White.
The recently married Valeria Brinton uncovers an unsettling truth about her new husband, including a false identity and the potential murder of his first wife. Valeria is determined to solve the mystery of her husband’s previous marriage and presumed guilt. Shortly after her wedding, Valeria Brinton learns her husband, Eustace Woodville, has been living a lie. His real name is Eustace Macallan and he was previously accused of murdering his first wife. Although he wasn’t convicted, the Scottish verdict “not proven” left plenty of room for speculation. Yet, Valeria is committed to her husband and believes he’s innocent. Despite the naysayers, she embarks on a journey to find the truth, clearing Eustace’s name once and for all. The Law and the Lady is one of Wilkie Collins classic detective novels. It’s a timeless tale of perseverance despite the looming judgement of nineteenth century society. The protagonist’s unwavering faith and inquisitive nature makes for a compelling read that captivates one’s spirit and imagination. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Law and the Lady is both modern and readable.
The Law and the Lady is a detective story, published in 1875 by Wilkie Collins.
The Law and the Lady is a detective story, published in 1875 by Wilkie Collins. It is not quite as sensational in style as The Moonstone and The Woman in White.Valeria Brinton marries Eustace Woodville despite objections from Woodville's family leading to disquiet for Valeria's own family and friends. Just a few days after the wedding, various incidents lead Valeria to suspect her husband is hiding a dark secret in his past and she discovers that he has been using a false name. He refuses to discuss it leading them to curtail their honeymoon and return to London where Valeria learns that he was on trial for his first wife's murder by arsenic. He was tried in a Scottish court and the verdict was 'not proven' rather than 'not guilty' implying his guilt but without enough proof for a jury to convict him. Valeria sets out to save their happiness by proving her husband innocent of the crime. In her quest, she comes across the disabled character Miserrimus Dexter, a fascinating but mentally unstable genius, and his devoted female cousin, Ariel. Dexter will prove crucial to uncovering the disturbing truth behind the mysterious death.General Wilkie Collins' earliest career attempt - to read for the bar - informed much of his later work, and he was particularly interested in the marriage, divorce and property laws of England and of Scotland - mysteries and miseries surrounding these laws serve as plot-points in many of his novels, such as the notorious trial of Madeleine Smith, who was accused of poisoning her paramour with arsenic (the verdict was "Not Proven"). In the novel, Collins attacks the Scottish courts for allowing these verdicts, by showing how the defendant's reputation is tarnished even though they were not found legally guilty.Though Collins is sometimes credited with inventing the detective story, others give that honor to Edgar Allan Poe, whose Murders in the Rue Morgue (1841) was 27 years earlier than Collins' The Moonstone. However, Collins almost certainly began the tradition of female sleuths continued by Agatha Christie with Miss Marple and, in more modern times, V. I. Warshawski, Sara Paretsky's private detective. William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868). The last is considered the first modern English detective novel. Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel, Antonina, was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins's works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on drama and fiction. Collins published his best known works in the 1860s, achieved financial stability and an international reputation. During that time he began suffering from gout. After taking opium for the pain, he developed an addiction. During the 1870s and 1880s the quality of his writing declined along with his health. Collins was critical of the institution of marriage and never married; he split his time between Caroline Graves, except for a two-year separation, and his common-law wife Martha Rudd, with whom he had three children.
Probably the first full-length novel with a woman detective as its heroine, The Law and the Lady (1875) is a fascinating example of Collins' later fiction. Valeria Valerie Woodville's first act as a married woman is to sign her name incorrectly in the marriage register; this slip is followedby a gradual disclosure of secrets about her husband's earlier life, each of which leads to another set of questions and enigmas. Developing many of the techniques at work in The Moonstone in bizarre and unexpected ways, and employing both Gothic and fantastic elements, The Law and the Lady adds asignificant dimension to the history of the detective novel.
Reprint of the original, first published in 1875.
Valeria Woodville's first act as a married woman is to sign her name in the marriage register incorrectly, and this slip is followed by the gradual disclosure of a series of secrets about her husband's earlier life, each of which leads on to another set of questions and enigmas. Her discoveries prompt her to defy her husband's authority, to take the law into into a labyrinthine maze of false clues and deceptive identities, in which the exploration of the tangled workings of the mind becomes linked to an investigation into the masquerades of femininity. Probably the first full-length novel with a woman detective as its heroine, The Law and the Lady is a fascinating example of Collins's later fiction. First published in 1875, it employs many of the techniques used in The Moonstone, developing them in bizarre and unexpected ways, and in its Gothic and fantastic elements The Law and the Lady adds a significant dimension to the history of detective fiction.
The Law and the Lady is a detective story, published in 1875 by Wilkie Collins. It is not quite as sensational in style as The Moonstone and The Woman in White.
Valeria Woodville's first act as a married woman is to sign her name in the marriage register incorrectly, and this slip is followed by the gradual disclosure of a series of secrets about her husband's earlier life, each of which leads on to another set of questions and enigmas. Her discoveries prompt her to defy her husband's authority, to take the law into into a labyrinthine maze of false clues and deceptive identities, in which the exploration of the tangled workings of the mind becomes linked to an investigation into the masquerades of femininity. Probably the first full-length novel with a woman detective as its heroine, The Law and the Lady is a fascinating example of Collins's later fiction. First published in 1875, it employs many of the techniques used in The Moonstone, developing them in bizarre and unexpected ways, and in its Gothic and fantastic elements The Law and the Lady adds a significant dimension to the history of detective fiction. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.