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A literary figure often overshadowed by his famed wife, Sylvia Plath, and their troubled marriage, Ted Hughes was a brilliant poet in his own right who wrote some of the most important British poetry of the twentieth century. The first in-depth study of Hughes’s personal papers published after his death, The Laughter of Foxes, is here offered in a newly revised second edition. An intimate yet critical survey of Hughes’s work, The Laughter of Foxes is penned by an acclaimed scholar and one of Hughes’ closest friends. Keith Sagar probes all aspects of the poet's life and work, delving into the specifics of his life as revealed by his writings and correspondence. A wide array of topics—including the mythic imagination, the poetic relationship between Plath and Hughes, and a detailed analysis of Hughes’s poem “A Dove Came” through its evolving drafts—reveals fascinating new avenues of literary and biographical analysis in Hughes’s work. Augmenting the rich text in this edition are excerpts of letters from Hughes to Sagar, a detailed chronology of Hughes’s life by Ann Skea, and the first publication of the story "Crow." Sagar also revisits his original introduction in this new edition, expanding it with additional insights into Hughes’s poetry as well as a detailed account of Hughes’s version of Euripedes’ Alcestis. A compelling study that the Daily Telegraph called “invaluable for anyone interested in Hughes’ work,” The Laughter of Foxes unearths the man behind the myth who struggled to transform his imaginative life from pain into hope.
This study surveys Hughes's entire achievement, including Birthday Letters. It contains a great deal of new information, including extracts from Hughes's letters, and the first publication of the background story of Crow. There are chapters on the mythic imagination, on the poetic relationship of Hughes and Plath, and on the evolution of a Hughes poem through all its manuscript drafts. However, the main purpose is to attempt an adequate reading of his poetry, revealing the underlying quest which transformed his imagination, leading him by painful stages from a vision of a world made of blood to a vision of a world made of light.
Tucked away in Siberia, there are furry, four-legged creatures with wagging tails and floppy ears that are as docile and friendly as any lapdog. But, despite appearances, these are not dogs—they are foxes. They are the result of the most astonishing experiment in breeding ever undertaken—imagine speeding up thousands of years of evolution into a few decades. In 1959, biologists Dmitri Belyaev and Lyudmila Trut set out to do just that, by starting with a few dozen silver foxes from fox farms in the USSR and attempting to recreate the evolution of wolves into dogs in real time in order to witness the process of domestication. This is the extraordinary, untold story of this remarkable undertaking. Most accounts of the natural evolution of wolves place it over a span of about 15,000 years, but within a decade, Belyaev and Trut’s fox breeding experiments had resulted in puppy-like foxes with floppy ears, piebald spots, and curly tails. Along with these physical changes came genetic and behavioral changes, as well. The foxes were bred using selection criteria for tameness, and with each generation, they became increasingly interested in human companionship. Trut has been there the whole time, and has been the lead scientist on this work since Belyaev’s death in 1985, and with Lee Dugatkin, biologist and science writer, she tells the story of the adventure, science, politics, and love behind it all. In How to Tame a Fox, Dugatkin and Trut take us inside this path-breaking experiment in the midst of the brutal winters of Siberia to reveal how scientific history is made and continues to be made today. To date, fifty-six generations of foxes have been domesticated, and we continue to learn significant lessons from them about the genetic and behavioral evolution of domesticated animals. How to Tame a Fox offers an incredible tale of scientists at work, while also celebrating the deep attachments that have brought humans and animals together throughout time.
A 2019 Theodore Seuss Geisel Award Honoree NPR Best Books of the Year, New York Times Notable Children's Book, Boston Globe Best Book of the Year Join the dynamic, yet opposite duo as they learn to appreciate differences among friends: Fox and Chick don't always agree, but Fox and Chick are always friends. With sly humor and companionable warmth, Sergio Ruzzier deftly captures the adventures of these seemingly opposite friends. With spare text and airy images, this early chapter book is also accessible to a picture book audience. • Book teaches a lesson about accepting and cherishing our differences through sweet and funny characters as they embark on silly adventures • Luminous watercolor images showcased in comic-book panel form will entice emerging readers, keeping them engaged and wanting more • Sergio Ruzzier is a Sendak Fellow whose work has been lauded by the Society of Illustrators, Communication Arts, and the Society of Publication Designers "A subtle lesson, couched in humor: We can be friends with people who aren't just like us." — The New York Times • Great family and classroom read-aloud book • Books for kids ages 5-8 • Books for early and emergent readers
Best-selling poet and painter Richard Siken uses strong, bold strokes to reveal a world abstract, concrete, and exquisitely complex.
Counting from one to ten has never been so thrilling in this Ezra Jack Keats New Illustrator Honor Book and recipient of the Mathical Book Prize from Kate Read! One hungry fox with two sly eyes is on the prowl . . . three plump hens had better watch out! Rich and colorful illustrations plunge the reader into a dramatic and exciting story set in a moonlit farmyard. With something different to count on each page, this gripping tale introduces page-turning tension to young readers in an age-appropriate way. Great for early education and read alouds, this fun numbers introduction has a hugely satisfying ending that’s sure to delight! Pluck up this one up for your little math enthusiast today and check out the available activity kit online. Also by Kate Read: Hey! A Colorful Mystery, a perfect selection on color vocabulary for budding artists. "Stunning... Count on requests for many readings." —School Library Journal, STARRED REVIEW Ezra Jack Keats New Illustrator Honor Book Recipient of the Mathical Book Prize Charlotte Zolotow Award (Highly Commended) Parents’ Choice Gold Award Recipient An ALSC Notable Children’s Book A Capitol Choices Noteworthy Book for Children and Teens Cybils (Fiction Picture Books) A Bank Street Best Children's Book of the Year A NYPL Best Book for Kids A CCBC Choice
The environmental challenges facing humanity in the twenty-first century are not only acute and grave, they are also unprecedented in kind, complexity and scope. Nonetheless, or therefore, the political response to problems such as climate change, biodiversity loss and widespread pollution continues to fall short. To address these challenges it seems clear that we need new ways of thinking about the relationship between humans and nature, local and global, and past, present and future. One place to look for such new ideas is in poetry, designed to contain multiple levels of meaning at once, challenge the imagination, and evoke responses that are based on something more than scientific consensus and rationale. This ecocritical book traces the environmental sensibilities of two Anglophone poets; Nobel Prize-winner Seamus Heaney (1939-2013), and British Poet Laureate Ted Hughes (1930-1998). Drawing on recent and multifarious developments in ecocritical theory, it examines how Hughes's and Heaney's respective poetics interact with late twentieth century developments in environmental thought, focusing in particular on ideas about ecology and environment in relation to religion, time, technology, colonialism, semiotics, and globalisation. This book is aimed at students of literature and environment, the relationship between poetry and environmental humanities, and the poetry of Ted Hughes or Seamus Heaney
A spellbinding animal story from War Horse author and former Children's Laureate, Michael Morpurgo.
This book argues that there are deep connections between ‘poetic’ thinking and the sensitive recognition of creaturely others. It explores this proposition in relation to four poets: Marianne Moore, Elizabeth Bishop, Ted Hughes, and Les Murray. Through a series of close readings, and by paying close attention to issues of sound, rhythm, simile, metaphor, and image, it explores how poetry cultivates a special openness towards animal others. The thinking behind this book is inspired by J. M. Coetzee’s The Lives of Animals. In particular, it takes up that book’s suggestion that poetry invites us to relate to animals in an open-ended and sympathetic manner. Poets, according to Elizabeth Costello, the book’s protagonist, ‘return the living, electric being to language’, and, doing so, compel us to open our hearts towards animals and the claims they make upon us. There are special affinities, for her, between the music of poetry and the recognition of others. But what might it mean to say that poets to return life to language? And why might this have any bearing on our relationship with animals? Beyond offering many suggestive starting points, Elizabeth Costello says very little about the nature of poetry’s special relationship with the animal; one aim of this study, then, is to ask of what this relationship consists, not least by examining the various ways poets have bodied forth animals in language.
Reema runs to remember the life she left behind in Syria. Caylin runs to find what she's lost. Under the grey Glasgow skies, twelve-year-old refugee Reema is struggling to find her place in a new country, with a new language and without her brother. But she isn't the only one feeling lost. Her Glasgwegian neighbour Caylin is lonely and lashing out. When they discover an injured fox and her cubs hiding on their estate, the girls form a wary friendship. And they are more alike than they could have imagined: they both love to run. As Reema and Caylin learn to believe again, in themselves and in others, they find friendship, freedom and the discovery that home isn’t a place, it’s the people you love. Heartfelt and full of hope, The Fox Girl and the White Gazelle is an uplifting story about the power of friendship and belonging. Inspired by her work with young asylum seekers, debut novelist Victoria Williamson's stunning story of displacement and discovery will speak to anyone who has ever asked 'where do I belong?'