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THE LAUGHING CHRIST is about Jesus the Christ. It emphasizes the joyousness of his nature, describes his birth, infancy, and childhood. It also details countries to which he traveled between the ages of twelve and thirty - the years about which Holy Scripture is silent.
'The Laughing Jesus' presents a no-holds-barred deconstruction of orthodox establishment religion. Tim Freke and Peter Gandy are also authors of 'The Jesus Mysteries' and 'Jesus and the Goddess'.
“Agony and hilarity,” said Norman MacLean, “are both necessary for salvation.” We Christians seem to know a lot about the agony part, but what about hilarity? Why do we have to remind ourselves so often that the Bible is full of funny and ridiculous stories and situations? Why do so few of the pictures we’ve drawn of Jesus show him laughing? Because we’ve forgotten the redemptive power of humor, that’s why. In Jesus Laughed, Robert Darden–senior editor of The Wittenburg Door, the world’s oldest, largest, and pretty much only religious satire magazine–draws on his years of experience deflating religious pomposity and making the faithful laugh to show why humor is so central to the faith, and how to make it a big part of your daily walk with God. Click here to listen to Terri Gross's interview with Robert Darden on NPR's Fresh Air about the Black Gospel Music Restoration Project. Darden runs the project at Baylor University where he is a journalism professor. The purpose of the project is to identify, acquire, preserve, record, and catalogue the most at-risk music from the black gospel music tradition, primarily between 1945 and 1970. Robert Darden is Associate Professor of Journalism at Baylor University in Waco, Texas. He served for 12 years as Gospel Music Editor for Billboard magazine, and since 1988 has been Senior Editor of The Wittenburg Door, the world’s oldest, largest, and “pretty much only” religious satire magazine. He is the author of more than 25 books, including the definitive People Get Ready! A New History of Black Gospel Music, which has been featured on National Public Radio, and Reluctant Prophets and Clueless Disciples, also published by Abingdon Press.
Why Were the Teachings of the Original Christians Brutally Suppressed by the Roman Church? • Because they portray Jesus and Mary Magdalene as mythic figures based on the Pagan Godman and Goddess • Because they show that the gospel story is a spiritual allegory encapsulating a profound philosophy that leads to mythical enlightenment • Because they have the power to turn the world inside out and transform life into an exploration of consciousness Drawing on modern scholarship, the authors of the international bestseller The Jesus Mysteries decode the secret teachings of the original Christians for the first time in almost two millennia and theorize about who the original Christians really were and what they actually taught. In addition, the book explores the many myths of Jesus and the Goddess and unlocks the lost secret teachings of Christian mysticism, which promise happiness and immortality to those who attain the state of Gnosis, or enlightenment. This daring and controversial book recovers the ancient wisdom of the original Christians and demonstrates its relevance to us today.
For 1,600 years its message lay hidden. When the bound papyrus pages of this lost gospel finally reached scholars who could unlock its meaning, they were astounded. Here was a gospel that had not been seen since the early days of Christianity, and which few experts had even thought existed–a gospel told from the perspective of Judas Iscariot, history’s ultimate traitor. And far from being a villain, the Judas that emerges in its pages is a hero. In this radical reinterpretation, Jesus asks Judas to betray him. In contrast to the New Testament Gospels, Judas Iscariot is presented as a role model for all those who wish to be disciples of Jesus and is the one apostle who truly understands Jesus. Discovered by farmers in the 1970s in Middle Egypt, the codex containing the gospel was bought and sold by antiquities traders, secreted away, and carried across three continents, all the while suffering damage that reduced much of it to fragments. In 2001, it finally found its way into the hands of a team of experts who would painstakingly reassemble and restore it. The Gospel of Judas has been translated from its original Coptic to clear prose, and is accompanied by commentary that explains its fascinating history in the context of the early Church, offering a whole new way of understanding the message of Jesus Christ.
NEW YORK TIMES BESTSELLER Featured as One of Summer’s most anticipated reads by the Los Angeles Times, Vogue, Vulture, Entertainment Weekly, ELLE, Buzzfeed, and Bitch Media. From the author of I Don’t Want to Die Poor and in the style of New York Times bestsellers You Can’t Touch My Hair, Bad Feminist, and I'm Judging You, a timely collection of alternately hysterical and soul‑searching essays about what it is like to grow up as a creative, sensitive black man in a world that constantly tries to deride and diminish your humanity. It hasn’t been easy being Michael Arceneaux. Equality for LGBTQ people has come a long way and all, but voices of persons of color within the community are still often silenced, and being Black in America is…well, have you watched the news? With the characteristic wit and candor that have made him one of today’s boldest writers on social issues, I Can’t Date Jesus is Michael Arceneaux’s impassioned, forthright, and refreshing look at minority life in today’s America. Leaving no bigoted or ignorant stone unturned, he describes his journey in learning to embrace his identity when the world told him to do the opposite. He eloquently writes about coming out to his mother; growing up in Houston, Texas; being approached for the priesthood; his obstacles in embracing intimacy that occasionally led to unfortunate fights with fire ants and maybe fleas; and the persistent challenges of young people who feel marginalized and denied the chance to pursue their dreams. Perfect for fans of David Sedaris, Samantha Irby, and Phoebe Robinson, I Can’t Date Jesus tells us—without apologies—what it’s like to be outspoken and brave in a divisive world.
“Between Heaven and Mirth will make any reader smile. . . . Father Martin reminds us that happiness is the good God’s own goal for us.” —Timothy M. Dolan, Archbishop of New York From The Colbert Report’s “official chaplain” James Martin, SJ, author of the New York Times bestselling The Jesuit Guide to (Almost) Everything, comes a revolutionary look at how joy, humor, and laughter can change our lives and save our spirits. A Jesuit priest with a busy media ministry, Martin understands the intersections between spirituality and daily life. In Between Heaven and Mirth, he uses scriptural passages, the lives of the saints, the spiritual teachings of other traditions, and his own personal reflections to show us why joy is the inevitable result of faith, because a healthy spirituality and a healthy sense of humor go hand-in-hand with God's great plan for humankind.
The Humor of Christ inspires Christians to redraw their pictures of Christ and to add a persistent biblical detail, the note of humor. Throughout the Gospels, Christ employed humor for the sake of truth and many of his teachings, when seen in this light, become brilliantly clear for the first time. Irony, satire, paradox, even laughter itself help clarify Christ's famous parables, His brief sayings, and important events in His life.
In Painting the Psalms, artist Cherie Burbach shares original, mixed-media paintings that contain a positive, faith-filled message. Each painting contains inspiration from the Psalms in some way, through the imagery, words, or emotion contained within the verses. Cherie uses a variety of mediums and techniques to create art that is filled with depth and whimsy. It is her hope that this book will inspire you to look at the Psalms in a new way so you can celebrate your faith and believe in the message. Some of the paintings were created during Cherie’s popular “Painting the Psalms” series of ecourses, where she demonstrates step-by-step progress from start to finish, including all the small details that make mixed media paintings come alive with texture and color.
"The Diary of Jesus Christ is a bold attempt to understand the person whom in excess of two billion people claim as their savior. These entries are not a gospel; they are something far more personal-not a third-, but a first-person account of the life of Jesus Christ"--