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The Restoration era of the British monarchy covers the reigns of Charles II (1660-85) and James II (1685-8). This publication focuses on the art and culture of the Restoration court at this time, including the development of an 'English baroque' and the use of court ritual and art (especially decorative art) by both monarchs. This sumptuously illustrated book showcases the replacement crown jewels made for the coronation of Charles II in 1661, his collection of Italian Old Master paintings, drawings by Leonardo da Vinci and the spectacular furnishings of the palaces of Whitehall and St James's.
The first comprehensive account of the Lords and politics in the reign of Charles II.
Following a youth of poverty and bitter exile after his father's execution, the ousted king first challenged, then made his magnificent escape from, Cromwell's troops before he was eventually restored to his throne in triumph in 1660. Spanning his life both before and after the Restoration, Antonia Fraser's lively and fascinating biography captures all the vitality of the man and the expansiveness of the age.
'A superb biography, which paints a vivid picture of the times and of her subject' Daily Telegraph 'Fascinating, compelling, outrageous and ultimately tragic' Simon Sebag Montefiore 'It is the best royal biography I have read in years' A.N. Wilson From the Duff Cooper Prize-winning author of The Restless Republic, a remarkable biography of one of the most intriguing figures of the Restoration era. James, Duke of Monmouth, the favoured illegitimate son of Charles II, was born in exile the year his grandfather Charles I was executed and the English monarchy abolished. Abducted from his mother on his father's orders, he emerged from a childhood in the backstreets of Rotterdam to command the ballrooms of Paris, the brothels of Covent Garden and the battlefields of Flanders. Such was his appeal that when the monarchy itself came under threat, the cry was for Monmouth to succeed Charles II as king. He inspired both delight and disgust, adulation and abhorrence and, in time, love and loyalty. Louis XIV was his mentor, Nell Gwyn his protector, D'Artagnan his lieutenant, William of Orange his confidant, John Dryden his censor and John Locke his comrade. In The Last Royal Rebel, Anna Keay matches rigorous scholarship with a storyteller's gift to enrapturing effect. She paints a vivid portrait of the warm, courageous and handsome Duke of Monmouth, a man who by his own admission 'lived a very dissolute and irregular life', but who was ultimately prepared to risk everything for honour and justice. His story, culminating in his fateful invasion, provides a sweeping chronicle of the turbulent decades in which England as we know it was forged.