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A thorough interpretation of Schnitzler's dramas, published after World War I, shows a distinct development toward maturity. This can be seen in the complexity of his characters, especially women who manifest personal freedom of choice in their lives. The idea of equating «home or returning home» with «love» is new and indica- tive of the maturing process. The theme of age or aging is inter- preted differently. Recurring «Leitgestalten» and «Leitmotive» emphasize Schnitzler's process of ethical and moral revaluation in his late dramatic works. Contrary to common assumptions, these dramas continue to demonstrate the importance Schnitzler's as a dramatist.
First English publication of a recently rediscovered novella by one of the greatest European writers One seemingly ordinary evening, Eduard Saxberger arrives home to find the fulfilment of a long-forgotten wish in his sitting room: a visitor has come to tell him that the youth of Vienna have discovered his poetic genius. Saxberger has written nothing for thirty years, yet he now realises that he is more than merely an Unremarkable Civil Servant, after all: a Venerable Poet, for whom Late Fame is inevitable - if, that is, his new acolytes are to be believed... Arthur Schnitzler was one of the most admired, provocative European writers of the twentieth century. The Nazis attempted to burn all of his work, but his archive was miraculously saved, and with it, Late Fame. Never published before, it is a treasure, a perfect satire of literary self-regard and charlatanism. Arthur Schnitzler (b. 1862 in Vienna) was one of the most influential European writers of the twentieth century, perhaps best known here for his novellas Dream Story and Fräulein Else. He qualified as a doctor but was increasingly driven to a career in writing, resulting in several celebrated plays, novellas and novels which explore the great existential subjects of the modern age: relationships, love, sex, ageing and death. Because his work dealt with subjects considered taboo, he frequently attracted the hostility of the authorities, consequently losing his position as Chief Medic in the Reserve Army and being tried for disorderly conduct. Schnitzler was close friends with Stefan Zweig and Sigmund Freud, who both admired him greatly, and a member of the 'Young Vienna' circle of writers who regularly met at a café nicknamed 'Café Megalomania' - the very same clique and café he satirises so deliciously in Late Fame. Schnitzler died in 1931. Pushkin Press also publishes his novellas Fräulein Else, Dying and Casanova's Return to Venice.
Challenges the widespread notion that the work of Schnitzler (1862-1931), the leading German-language dramatist of his time, steadily declined in quality after his Professor Bernhardt in 1912. Examines seven subsequent plays to argue that they deal with enduring concerns and are as relevant in the late 20th century as they were after World War I. The excerpts are in German. No index. Annotation copyrighted by Book News, Inc., Portland, OR
A fresh collection of essays on the work of one of the leading figures of the Viennese fin de siècle.This volume of specially commissioned essays takes a fresh look at the Viennese Jewish dramatist and prose writer Arthur Schnitzler. Fascinatingly, Schnitzler''s productive years spanned the final phase of the Habsburg monarchy, World War I, the First Austrian Republic, and the rise of National Socialism, and he realized earlier than many of his contemporaries the threat that racist anti-Semitism posed to the then almost complete assimilation of Austrian Jews. His writings also reflect the irresolvable conflict between emerging feminism and the relentless "scientific" discourse of misogyny, and he chronicles the collapse of traditional social structures at the end of the Habsburg monarchy and the struggles of the newly founded republic. In the 1950s Schnitzler''s powerful literary record assumed model character for Viennese Jewish intellectuals born after the Shoah, and his portrayal of gender relations and role expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.e expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.e expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.e expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.n time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.
A new printing of the popular novel by Schnitzler.
This English translation of Arthur Schnitzler’s “Der Weg ins Freie” (1908) was first published in 1913 and is one of only two novels—the other being “Therese” (1928)—by the Viennese author, who was better known for his short stories and plays, including “Reigen” (“Round Dance”), known to most English-speaking readers as “La Ronde.” “The Road to the Open” tells the story of the aristocratic young composer Georg von Wergenthin-Recco who has talent but lacks the drive to get down to work and spends most of his time socializing with members of the assimilationist, artistically sensitive Jewish bourgeoisie of Vienna and other non-Jews like himself who enjoy their company. A love affair with a Catholic lower middle class girl, combined with the author’s authentic descriptions of the milieu, the arts, the psychology of love, and the anti-Semitism that was coming to dominate so much of life and politics in the Austria-Hungary of the time, make this novel a classic. “One of the most important, representative, revelatory works of Austria at the turn of the century....The best English version of the novel.”—Marc A. Weiner, Indiana University “In Arthur Schnitzler the two strands of Austrian fin-de-siècle culture, the moralistic and the aesthetic, were present in almost equal proportions. Small wonder that Freud hailed Schnitzler as a ‘colleague’ in the investigation of the ‘underestimated and much-maligned erotic.’”—Carl Schorske, author of Fin-de-Siècle Vienna
'Her fragrant body and burning red lips' A married couple reveal their darkest sexual fantasies to each other, in this erotic psychodrama of infidelity, transgression and decadence in early twentieth-century Vienna. Ten new titles in the colourful, small-format, portable new Pocket Penguins series
Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.