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Shortly after the Soviet Army occupied Estonia in 1940, a boy's beloved father is arrested and sent to prison in Siberia, never to be seen again by his son. Soon the Germans will roll across the border . . . This gripping memoir of life in World War Two-era Europe gives eloquent testimony to the realities of being caught in the fighting between the armies of two ruthless dictators, Hitler and Stalin. Through the eyes of the observant young man he once was, the author vividly recounts events large and small, the intensely personal and the geopolitically significant. We feel the deprivations and uncertainties of foreign occupation, existence upended by forces impossible to anticipate. We feel the visceral fear of totalitarian authority, where home and person can be searched at any time and families deported to the desolate steppes of Siberia. Along with the author we experience devastating bomb attacks and two hazardous and thrilling escapes from the Red Army, one in Estonia, the other in Germany at the end of the war. We also learn how the author coped with the challenges of living in displaced persons camps in post-war Germany before immigrating to America. The Last Train from Estonia is a story of survival, of resilience and ingenuity, of love and luck, lives changed forever by hard choices made under extraordinary circumstances. This compelling account, written with long perspective, is more than mere witness to history. In its parallels to present-day conflicts in Eastern Europe, it serves as a timely warning to all who love freedom.
As Russia rattles its sabres in the Baltic, Neil Taylor reconsiders the history of Estonia and its struggle to achieve statehood.
A fond remembrance of a love affair that began in the suburbs of Chicago in the 1950's, and found new life as the two lovers found each other again.
Some people have said this book is romantic and maybe it is: a young lost American college grad falls in love with an intriguing European journalist and embarks on a journey that restores his faith in himself and the world. Sure, it is romantic. But it was never easy. A foreigner arrives in the middle of a dark winter and must survive in Estonia, the "least fortunate Scandinavian country," a land where people eat blood sausage and jellied meat, drink warm bread, and are always on time; a place where every family is haunted by the past and is struggling to catch up to the present. Over the course of one year, so much happens in this tiny northern land that it stops being foreign. Estonia and the college grad turned journalist become intimately acquianted. Inseparable. And in the end, he comes to love it, even when they do not want to let him back into their country.
During World War II, the French National Railways Corporation (SNCF) deported 75,000 people to Nazi death camps. Last Train to Auschwitz delves into the many roles of the French railways during the Holocaust. Poignant stories of survivors mixed with contemporary legal debates illuminate a company's amends for human rights violations.
Any journey with Alexander Theroux is an education. Possessed of a razor-sharp and hyperliterate mind, he stands beside Thomas Pynchon as one of the sharpest cultural commentators of our time. So when he decided to accompany his wife ― the artist Sarah Son-Theroux ― on her Fulbright Scholarship to Estonia, it occasioned this penetrating examination of a country that, for many, seems alien and distanced from the modern world. For Theroux, the country and its people become a puzzle. His fascination with their language, manners, and legacy of occupation and subordination lead him to a revelatory examination of Estonia’s peculiar place in European history. All the while, his trademark acrobatic allusions, quotations, and digressions ― which take us fromHamlet through Jean Cocteau to Married… with Children ― render his travels as much internal and psychical as they are external and physical. Through these obsessive references to Western culture, we come to appreciate how insular the country has become, yet also marvel at its fierce individuality and preternatural beauty ― such is the skill of Theroux’s gaze. This travelogue of his nine months abroad also brims with anecdotes of Theroux’s encounters with Estonian people and ― in some of its most bitterly comedic episodes ― his fellow Americans whom he at times feels more alienated from than the frosty, humorless Europeans. Estonia: A Ramble Through the Periphery is as biting and satirical as it is witty and urbane; as curious and lyrical as it is brash and irreverent. It marks a new highlight in an already stellar career and a book that continues Fantagraphics’ exceptional line of prose works.
The aftermath of World War II sent thousands of Estonian refugees into Europe. The years of Estonian independence (1917-1940) had given them a taste of freedom and so relocation to displaced person (DP) camps in post-war Germany was extremely painful. One way in which Estonians dealt with the chaos and trauma of WWII and its aftermath was through choral singing. Just as song festivals helped establish national identity in 1869, song festivals promoted cultural cohesiveness for Estonians in WWII displaced person camps. A key turning point in hope for the Estonian DPs was the 1947 Augsburg Song Festival, which is the center point of this book. As Estonian DPs dispersed to Australia, Canada, Europe, and the United States these choirs and song festivals gave Estonians the resilience to retain their identity and to thrive in their new homes. This history of Estonian WWII DP camp choirs and song festivals is gathered from the stories of many courageous individuals and filled with the tenacious spirit of the Estonian singing culture. This work contributes to an understanding of immigration, identity, and resilience and is particularly important within the field of music regarding music and healing, music and identity, historical musicology, ethnomusicology, and music and politics.
Estonia and the Estonians provides the first compendious survey in any language of Estonian history, from prehistoric times to the twenty-first century. Estonia's strategic geopolitical location—a crossroads where the major powers of northeastern Europe have struggled for influence—and the small number of ethnic Estonians are crucial factors that have shaped the history of the area and its inhabitants. The book emphasizes the period since the mid-nineteenth century, when a national movement calling for Estonian cultural and political autonomy began to emerge. During the two world wars, Estonia gained and lost political self-determination. Yet a modern Estonian culture was firmly established, and a strong sense of national identity survived the Soviet era.
From the internationally bestselling author of the “fascinating epic” (Associated Press) Between Love and Honor comes a rich, sweeping tale based on the captivating true story of the Mata Hari of Russia, featuring a beautiful aristocrat fighting for survival during the deadly upheaval of the Russian Revolution. Born into Russian aristocracy, wealth, and security, Moura never had any reason to worry. But in the upheaval of the Bolshevik Revolution, her entire world crumbles. As her family and friends are being persecuted by Vladimir Lenin’s ruthless police, she falls into a passionate affair with British secret agent Sir Robert Bruce Lockhart. But when he’s abruptly and mysteriously deported from Russia, Moura is left alone and vulnerable. Now, she must find new paths for her survival, even if it means shedding her past and taking on new identities. Some will praise her tenderness and undying loyalty. Others will denounce her lies. But all will agree on one point: Moura embodies Life. Life at all cost. Set against the volatile landscape of 20th-century Russia, The Woman of a Thousand Names brings history to vivid life in a captivating tale about an extraordinary woman caught in the waves of change—with only her wits to save her.
In this groundbreaking book, Andrey Makarychev approaches populism through a critical biopolitical lens and shows that populist narratives are grounded intrinsically in corporeality, sexuality, health, bodily life and religious practices. The author demonstrates that populism is a phenomenon deeply rooted in mass culture. He compares three countries -- Estonia, Ukraine and Russia--that all share post-Soviet experiences offering a broad spectrum of populist discourses. The three case studies display the interconnection between biopower and populism through references to culture, media, art, theatrical performances and literature, raising new questions and directions for understanding traditional accounts of populism. This work was supported by European Union’s Horizon 2020 research and innovation programme under grant agreement No. 822682: "Populist rebellion against modernity in 21st-century Eastern Europe: neo-traditionalism and neo-feudalism – POPREBEL".