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It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”
This book offers the first critical study of the architecture of the Roman triumph, ancient Rome's most important victory ritual. Through case studies ranging from the republican to imperial periods, it demonstrates how powerfully monuments shaped how Romans performed, experienced, and remembered triumphs and, consequently, how Romans conceived of an urban identity for their city. Monuments highlighted Roman conquests of foreign peoples, enabled Romans to envision future triumphs, made triumphs more memorable through emotional arousal of spectators, and even generated distorted memories of triumphs that might never have occurred. This book illustrates the far-reaching impact of the architecture of the triumph on how Romans thought about this ritual and, ultimately, their own place within the Mediterranean world. In doing so, it offers a new model for historicizing the interrelations between monuments, individual and shared memory, and collective identities.
The final volume in The Last Roman trilogy, set in the final years of the Roman Empire Sixth-century Byzantium: The emperor Justinian is determined to reunite the whole of the Roman Empire and his best general, Flavius Belisarius, is poised to invade Italy. Flavius and his men march north unopposed until the local senators of Naples refuse to surrender and a bloody assault ensues. Rome, hearing of the fate of Naples, yields the city to Flavius, but before long the Goths arrive and stage a brutal attack which Flavius’s army only just survives. Besieged and mired in a cesspit of corruption, Byzantium's greatest general must navigate a world rife with deceit and brutality where only the most cutthroat survive.
Sixth century Byzantium. The Emperor Justinian is determined to reunite the whole of the Roman Empire and his best general, Flavius Belisarius, is poised to invade Italy. Flavius and his men march north unopposed until the local senators of Naples refuse to surrender and a bloody assault ensues. Rome, hearing of the fate of Naples, yields the city to Flavius, but before long the Goths arrive and stage a brutal attack which Flavius’s army only just survives. Besieged and mired in a cesspit of corruption, Byzantium’s greatest general must navigate a world rife with deceit and brutality where only the most cut-throat survive.
Pompeii is the most famous archaeological site in the world, visited by more than two million people each year. Here, acclaimed historian Beard explores what kind of town it was, and what it can reveal about "ordinary" life there.
Why should we investigate the defeats of a society that almost never lost a war? In Triumph in Defeat, Jessica H. Clark answers this question by showing what responses to defeat can tell us about the Roman definition of victory. Triumph in Defeat traces Roman responses to the Second Punic War, showing the extent to which Rome's reputation as an inevitable military victor was constructed by political discourse.
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
“A genuinely bracing and innovative history of Rome.” —Times Literary Supplement The Triumph of Empire takes us into the political heart of imperial Rome and recounts the extraordinary challenges overcome by a flourishing empire. Roman politics could resemble a blood sport: rivals resorted to assassination as emperors rose and fell with bewildering speed, their reigns sometimes measured in weeks. Factionalism and intrigue sapped the empire from within, and imperial succession was never entirely assured. Michael Kulikowski begins with the reign of Hadrian, who visited the farthest reaches of his domain and created a stable frontier, and takes us through the rules of Marcus Aurelius and Diocletian to Constantine, who overhauled the government, introduced a new state religion, and founded a second Rome. Despite Rome’s political volatility, imperial forces managed to defeat successive attacks from Goths, Germans, Persians, and Parthians. “This is a wonderfully broad sweep of Roman history. It tells the fascinating story of imperial rule from the enigmatic Hadrian through the dozens of warlords and usurpers who fought for the throne in the third century AD to the Christian emperors of the fourth—after the biggest religious and cultural revolution the world has ever seen.” —Mary Beard, author of SPQR “This was an era of great change, and Kulikowski is an excellent and insightful guide.” —Adrian Goldsworthy, Wall Street Journal
An illustrated study of the Roman triumphal procession, Ida Ostenberg analyses the stories the Roman triumph told about the defeated and the ideas it transmitted about Rome itself.
Born and bred in what is now northern Spain to a family of olive-oil magnates, Hadrian was lucky enough to benefit from the patronage of his maternal cousin, Trajan, who would later become emperor, and who named Hadrian his successor on his death in AD 117. After suppressing the Jewish revolt that had started under Trajan (memorably depicted in Josephus' Jewish War), Hadrian brought years of turbulence to an end. He presided over Rome's expansion to its greatest extent, travelling all over his empire to fortify its borders and, notably, building a wall to demarcate its northern extreme in the island of Britain (as well as another in Germany). Hadrian also 'Hellenized' the cultural life of the empire, and left an extraordinary legacy, yet he remains one of the least-known of Rome's emperors. Using exhaustive research, Anthony Everitt unveils the private life and character of this most successful of emperors, in the most vivid and exciting retelling of his story to date.