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Juke joints in the state of Mississippi used to be as plentiful as cotton fields and dirt roads.Unfortunately, they are being torn down at an alarming rate and we have scoured the state to photograph and sharer some information about the ones that we were able to find.
Outside of Merigold, Mississippi, off an unmarked dirt road, stands Po’ Monkey’s, perhaps the most famous house in Mississippi and the last rural juke joint in the state, now closed to the public. Before the death of the lounge’s owner, Willie Seaberry, in 2016, it was a mandatory stop on the constant blues pilgrimage that flows through the Delta. Seaberry ran Po’ Monkey’s Lounge for more than fifty years, opening his juke joint in the 1960s. A hand-built tenant home located on the plantation where Seaberry worked, Po’ Monkey’s was a place to listen to music and drink beer—a place to relax where everyone was welcomed by Seaberry’s infectious charm. In Po’ Monkey’s: Portrait of a Juke Joint, photographer Will Jacks captures the juke joint he spent a decade patronizing. The more than seventy black-and-white photographs featured in this volume reflect ten years of weekly visits to the lounge as a regular—a journal of Jacks’s encounters with other customers, tourists, and Willie Seaberry himself. An essay by award-winning writer Boyce Upholt on the cultural significance of the lounge accompanies the images. This volume explores the difficulties of preservation, historical context, community relations, and cultural tourism. Now that Seaberry is gone, the uncertainty of the future of his juke joint highlights the need for a historical record.
In this spectacular album of full-color photographs Birney Imes reveals a previously unexplored domain: the black juke joints of the Mississippi Delta. Imes transforms this phenomenon of Delta cultural life into something rich and strange. Introduced by Richard Ford.
In the swamps and juke joints of Holmes County, Mississippi, Edward Tillman Branch built his empire. Tillman's clubs were legendary. Moonshine flowed as patrons enjoyed craps games and well-known blues acts. Across from his Goodman establishment, prostitutes in a trysting trailer entertained men, including the married Tillman himself. A threat to law enforcement and anyone who crossed his path, Branch rose from modest beginnings to become the ruler of a treacherous kingdom in the hills that became his own end. Author Janice Branch Tracy reveals the man behind the story and the path that led him to become what Honeyboy Edwards referred to in his autobiography as the "baddest white man in Mississippi."
Although many bluesmen began leaving the Magnolia State in the early twentieth century to pursue fortune and fame up north, many others stayed home. These musicians remained rooted to the traditions of their land, which came to define a distinctive playing style unique to Mississippi. They didn't simply play the blues, they lived it. Travel through the hallowed juke joints and cotton fields with author Roger Stolle as he recounts the history of Mississippi blues and the musicians who have kept it alive. Some of these bluesmen remain to carry on this proud legacy, while others have passed on, but Hidden History of Mississippi Blues ensures none will be forgotten.
Live from the Mississippi Delta showcases a rare collection of photographs and stories about musicians from Robert Plant, B. B. King, and ZZ Top to local guitarists playing gigs on the weekend. Panny Flautt Mayfield, a lifelong Delta resident from Tutwiler and an award-winning journalist, documents multiple decades of blues and gospel music in her native land. Her first book collects over two hundred black-and-white and color photographs from a long career of photographing live music. Featuring text by Robert Plant in honor of Mayfield, the book opens with him addressing senior citizens gathered in Tutwiler to honor their town as the birthplace of blues. From there, the book proceeds throughout the Delta from juke joints and festivals to blues markers and museums. Mayfield presents images and tales of local icons such as Early Wright, Wade Walton, and the Jelly Roll Kings, as well as international celebrities. She shares intimate photos, including Garth Brooks and Bobby Rush charming elementary school kids in West Tallahatchie, along with insider stories and photos of B. B. King's Homecoming, the Governor's Awards, the Delta Blues Museum, the Sunflower and King Biscuit festivals, and a fascinating side trip to Norway's Notodden Blues Festival, which has a rich sister-city relationship with Clarksdale and the Sunflower Festival. Years ago volunteer tour guide Shirley Fair announced to visitors that there is a church or a juke joint on every corner in Clarksdale. Those demographics are still mostly accurate. Igniting a high-octane finale are photographs taken at iconic juke joints such as Smitty's Red Top, the Bobo Grocery, the Rivermount Lounge, Po' Monkey's, Hopson, Shelby's Dew Drop Inn, the Rose, Ground Zero, Sarah's Kitchen, Margaret's Blue Diamond, and Red's.
New Yorkers Grant and his girlfriend Mariah decided on a whim to buy an old plantation house in the Mississippi Delta. This is their journey of discovery to a remote, isolated strip of land, three miles beyond the tiny community of Pluto. They learn to hunt, grow their own food, and fend off alligators, snakes, and varmints galore. They befriend an array of unforgettable local characters, capture the rich, extraordinary culture of the Delta, and delve deeply into the Delta's lingering racial tensions. As the nomadic Grant learns to settle down, he falls not just for his girlfriend but for the beguiling place they now call home.
The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.
The Mississippi Delta blues run as deep and mysterious as the beautiful land from where the music originates. Blues legends B.B. King, Muddy Waters, John Lee Hooker, Howlin' Wolf, Sonny Boy Williamson, and countless other greats came from this region. The Delta blues, born as work songs in Mississippi cotton fields, was played on city street corners and in rural juke joints. With the Great Migration of African Americans in the first half of the 20th century, the Delta blues also made its way from Mississippi to Chicago. The sound of the blues would become the blueprint for the birth of rock and roll in Memphis in the 1950s. The era of the great Delta blues musicians is over, but their legacy remains an important chapter in American music. This book contains images of these important performers and the rich Delta landscapes that influenced their music.
At a crossroads in the Mississippi Delta, Robert Johnson is said to have sold his soul to the Devil so that he could become a guitar virtuoso and King of the Delta Blues. Blues Traveling: The Holy Sites of Delta Blues will tell you where that legendary deal was supposed to have been made and guide you to all the other hallowed grounds that nourished Mississippi's signature music. Johnson, Mississippi John Hurt, Memphis Minnie, Jimmie Rodgers, Bessie Smith, Muddy Waters, Mississippi Fred McDowell, Howlin' Wolf, B. B. King, Little Milton, Elvis Presley, Bobby Rush, Junior Kimbrough, R. L. Burnside-the list of great artists with Mississippi connections goes on and on. A trip through Mississippi blues sites is a pilgrimage every music lover ought to make at least once in a lifetime, to see the juke joints and churches, to visit the birthplaces and graves of blues greats, to walk down the dusty roads and over the levee, to eat some barbecue and greens, to sit on the bank of the Mississippi River, and to hear some down-home blues music. Blues Traveling is the first and only guidebook to Mississippi's musical places and blues history. With photographs, maps, easy-to-follow directions, and an informative, entertaining text, this book will lead you in and out of Clarksdale, Greenwood, Helena (Arkansas), Rolling Fork, Jackson, Natchez, Bentonia, Rosedale, Itta Bena, and dozens of other locales that generations of blues musicians have lived in, traveled through, and sung about. Stories, legends, and lyrics are woven into the text so that each backroad and barroom comes alive. Touring Mississippi with Blues Traveling is like having a knowledgeable and entertaining guide at your side. Even people with no immediate plans to visit Mississippi will enjoy reading the book for its photos, descriptions, and lore that will broaden their understanding and enhance their appreciation of the blues. Steve Cheseborough is an independent scholar and blues musician. His work has been published in Living Blues, Blues Access, Mississippi, and the Southern Register .