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Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
This is a new release of the original 1932 edition.
his three marriages included two romantic love-matches --
"This book is the authorized biography of Remy Schrijnen. Schrijnen first served as a messenger in the SS foreign volunteer legion (SS-Freiwilligen-Legion) 'Flandern' and later as a no. 1 gunner in an anti-tank gun unit of the SS foreign volunteer brigade (SS-Freiwilligen-Sturmbrigade) 'Langemarck.' Schrijnen was awarded Germany's highest decoration for bravery in battle, the Knight's Cross to the Iron Cross, for actions during the battles in the northern sector of the Eastern Front during the fateful summer of 1944. While the story indeed centers around the life and times of Remy Schrijnen, its primary purpose is to explain and detail the thoughts, motivations and experiences typical of all the Flemish volunteers who fought alongside the Germans against the Soviet Union in the Second World War"--Foreword.
NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • “A taut page-turner with all the hallmarks of a good historical thriller.”—Orlando Sentinel The gripping true story of the duel to end all duels in medieval France as a resolute knight defends his wife’s honor against the man she accuses of a heinous crime In the midst of the devastating Hundred Years’ War between France and England, Jean de Carrouges, a Norman knight fresh from combat in Scotland, returns home to yet another deadly threat. His wife, Marguerite, has accused squire Jacques Le Gris of rape. A deadlocked court decrees a trial by combat between the two men that will also leave Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris. What follows is the final duel ever authorized by the Parlement of Paris, a fierce fight with lance, sword, and dagger before a massive crowd that includes the teenage King Charles VI, during which both combatants are wounded—but only one fatally. Based on extensive research in Normandy and Paris, The Last Duel brings to life a colorful, turbulent age and three unforgettable characters caught in a fatal triangle of crime, scandal, and revenge. The Last Duel is at once a moving human drama, a captivating true crime story, and an engrossing work of historical intrigue with themes that echo powerfully centuries later.
Don Juan of Austria, one of history’s most triumphant and inspiring heroes, is reborn in this opulent novel by Louis de Wohl. Because of the circumstances of his birth, this last son of Emperor Charles the Fifth spent his childhood in a Spanish peasant’s hut. Acknowledged by King Philip as his half-brother, the attractive youth quickly became a central figure in a Court where intrigues and romances abounded. Don Juan’s intelligence, kindness and devout attachment to the Church enabled him to live in an environment of unscathed luxury, violence and treachery. De Wohl paints in brilliant color scenes at the Court of King Philip, Juan’s campaign against barbaric Moriscos in Andalusia and the climatic victory at Lepanto where he saved the Christian world from Islamic dominance. The Last Crusader abounds in vivid scenes and characters. Who can forget the sadisitic nature of the Prince of Asturias, the spirituality of Fray Juan de Calahorra, the scheming of beautiful Princess Ana of Eboli, the barbaric siege of Malta, or Emperor Charles the Fifth waiting for death, in his stygian throne room? Here is a novel of high adventure which brings to life the turbulence of the sixteenth century with its extremities of the wickedness and piety, its sins of pride and conquest, its seething heresies. With his strong talent for exciting historical narrative, Louis de Wohl adds another great dynamic novel to his already lustrous career.
Osprey's study of Teutonic Knights from 1190 to 1561. The Military Order of Teutonic Knights was one of the three most famous Crusading Orders; the others being the Templars and the Hospitallers. Like these two, the Teutonic Knights initially focused upon the preservation of the Crusader States in the Middle East. Wielding their swords in the name of their faith, the crusading knights set out to reclaim Jerusalem. Unlike the Templars they survived the crises of identity and purpose which followed the loss of the last Crusader mainland enclaves in the late thirteenth century and, like the Hospitallers, they managed to create a new purpose - and a new field of combat - for themselves. Whereas the Hospitallers focused their energies in the eastern Mediterranean battling against Muslim armies, the Teutonic Knights shifted their efforts to the Baltic, to the so-called Northern Crusades against pagan Prussians and Lithuanians and, to a lesser extent, against Orthodox Christian Russia. As a result the Order of Teutonic Knights became a significant power, not only in the Baltic but in north-central Europe as a whole. Paradoxically, however, it was their fellow Catholic Christian Polish neighbours who became their most dangerous foes, breaking the Order's power in the mid-fifteenth century. The Teutonic Knights lingered on in what are now Estonia and Latvia for another century, but this was little more than a feeble afterglow. This title will examine this fascinating military and religious order in detail, revealing the colourful history of the crusades within Europe itself which inexorably changed the future of the continent.
There may not be a more fascinating a historical period than the late fourteenth century in Europe. The Hundred Years' War ravaged the continent, yet gallantry, chivalry, and literary brilliance flourished in the courts of England and elsewhere. It was a world in transition, soon to be replaced by the Renaissance and the Age of Exploration -- and John of Gaunt was its central figure. In today's terms, John of Gaunt was a multibillionaire with a brand name equal to Rockefeller. He fought in the Hundred Years' War, sponsored Chaucer and proto-Protestant religious thinkers, and survived the dramatic Peasants' Revolt, during which his sumptuous London residence was burned to the ground. As head of the Lancastrian branch of the Plantagenet family, Gaunt was the unknowing father of the War of the Roses; after his death, his son usurped the crown from his nephew, Richard II. Gaunt's adventures represent the culture and mores of the Middle Ages as those of few others do, and his death is portrayed in The Last Knight as the end of that enthralling period.
Hilaire Belloc called "Lepanto" Chesterton's greatest poem and the greatest poem of his generation. But not only have English classes neglected this masterpiece of rhyme and meter, History classes have neglected the story of the pivotal battle upon which the poem is based. This book brings together the poem, the historical background of the famous battle, a riveting account of the battle itself, and a discussion of its historical consequences. The poem is fully annotated, and is supplemented with two interesting essays by Chesterton himself. Well-known Chesterton expert, Dale Ahlquist, has gathered together all the insightful commentaries and explanatory notes. Here is the story behind the modern conflict between Christianity and Islam, between Protestant and Catholic Europe, and the origin of the Feast of the Holy Rosary. A fascinating blend of literature, history, religion and romance! "A valuable reference book that isalso a great read!" —Therese Warmus, Literary Editor, Gilbert Magazine G.K. Chesterton was one of the most prolific and renowned literary writers of the 20th Century. Dale Ahlquist, author of G.K. Chesterton: Apostle of Common Sense, is the President of the American Chesterton Society.