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"My name is Jude. And because of Law, Hey and the Obscure, they thought I was a boy." Jude is twenty-one when she flies in a private plane to Sark, a tiny carless Channel Island and the last place in Europe to abolish feudalism. She's been hired for the summer to tutor a rich local boy named Pip. But when Jude arrives, the family is unsettling. Pip is awkward, overly literal, and adamant he doesn't need a tutor, and upstairs, his enigmatic mother Esmé casts a shadow over the house. Enter Sofi: the family's holiday cook, a magnetic, mercurial Polish girl with appalling kitchen hygiene, who sings to herself and sleeps naked. When the father of the family goes away on business, Pip's science lessons are replaced by midday rosé and scallop-smuggling, and summer begins. Soon something powerful starts to touch the three together. But those strange, golden weeks on Sark can't last forever. Later, in Paris, Normandy and London, they find themselves looking for the moment that changed everything.Compelling, sensual, and lyrical, The Last Kings of Sark by Rosa Rankin-Gee is a tale of complicated love, only children and missed opportunities, from an extraordinary new writer.
'My name is Jude. And because of Law, Hey and the Obscure, they thought I was a boy.' Jude is twenty-one when she flies in a private plane to Sark, a tiny carless Channel Island, the last place in Europe to abolish feudalism. She has been hired for the summer to give tuition to a rich local boy called Pip. But when she arrives, the family is unsettling- Pip is awkward, over-literal, and adamant he doesn't need a tutor, and upstairs, his enigmatic mother Esmé casts a shadow over the house. Enter Sofi: the family's holiday cook, a magnetic, mercurial Polish girl with appalling kitchen hygiene, who sings to herself and sleeps naked. When the father of the family goes away on business, Pip's science lessons are replaced by midday rosé and scallop-smuggling, and summer begins. Soon something surprising starts to touch the three together. But those strange, golden weeks cannot last forever. Later, in Paris, Normandy and London, they find themselves looking for the moment that changed everything. Compelling, dark and funny, The Last Kings of Sark is tale of complicated love, only children and missed opportunities, from an extraordinary new writer.
For fans of Children of Men, Years and Years & Station Eleven, a postcard from a future Britain that’s closer than we think. ‘A beautiful book: thought-provoking, eerily prescient and very witty.’ Brit Bennett, author of The Vanishing Half 'Water courses through its pages, as rising sea levels heighten inequalities, buoy populist politicians and wash away every certainty of civilisation. But there’s also the novel’s prose – its liquid grace and glinting sparkle – and the sheer irresistibility of a narrative that sweeps along with a force that feels tidal in its pull.' The Observer ''You said that you would come back. You looked me in the eye and said that. Well, if you had, this is what you would have seen: soft wood, black cracks, fridges in the road. The broken spines of old rides at Dreamland.' In the coastal resort of Margate, hotels lie empty and sun-faded ‘For Sale’ signs line the streets. The sea is higher – it’s higher everywhere – and those who can are moving inland. A young girl called Chance, however, is just arriving. Chance’s family is one of many offered a cash grant to move out of London - and so she, her mother Jas and brother JD relocate to the seaside, just as the country edges towards vertiginous change. In their new home, they find space and wide skies, a world away from the cramped bedsits they’ve lived in up until now. But challenges swiftly mount. JD’s business partner, Kole, has a violent, charismatic energy that whirlpools around him and threatens to draw in the whole family. And when Chance comes across Franky, a girl her age she has never seen before – well-spoken and wearing sunscreen – something catches in the air between them. Their fates are bound: a connection that is immediate, unshakeable, and, in a time when social divides have never cut sharper, dangerous. Set in a future unsettlingly close to home, against a backdrop of soaring inequality and creeping political extremism, Rankin-Gee demonstrates, with cinematic pace and deep humanity, the enduring power of love and hope in a world spinning out of control.
DigiCat Publishing presents to you this special edition of "Tam O'Shanter" by Robert Burns. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
If only she'd been born a boy, Tamsyn would never have been sent away to Uncle Gideon's the armourer's house when her grandmother died. She could have stayed by the wild sea that she loved with her Uncle Martin, the ship merchant. But instead, she is bound for busy, bustling Tudor London, and the armourer's house, far from the coast and far from her beloved ships. Homesick and lonely in the loud family of cousins, it isn't until she meets the strange old Wise Woman that Tamsyn is finally promised her "heart's desire".
THE FANTASY BOOKTOK SENSATION! For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking. Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure the kingdom of the dark magic infecting it. Except the highwayman just so happens to be the King’s own nephew, Captain of the Destriers…and guilty of high treason. He and Elspeth have until Solstice to gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to stop him.
Our Island Story is the "history" of England up to Queen Victoria's Death. Marshall used these stories to tell her children about their homeland, Great Britain. To add to the excitement, she mixed in a bit of myth as well as a few legends.
Winner of the Sherwood Anderson Foundation Fiction Award Honorable Mention for the PEN/Hemingway Award "F. Scott Fitzgerald meets Wes Anderson" (The Village Voice) in this inventive and witty debut about a young man’s quest to become a writer and the misadventures in life and love that take him around the globe—from the author of Why We Came to the City As early as he can remember, the narrator of this remarkable novel has wanted to become a writer. From the jazz clubs of Manhattan to the villages of Sri Lanka, Kristopher Jansma’s hopelessly unreliable—yet hopelessly earnest—narrator will be haunted by the success of his greatest friend and literary rival, the brilliant Julian McGann, and endlessly enamored with Evelyn, the green-eyed girl who got away. A profound exploration of the nature of truth and storytelling, this delightful picaresque tale heralds Jansma as a bold, new American voice.
STILL FRIENDS A DECADE ON? WHAT ARE THE CHANCES? For a while, Ian, Lauren and Paul shared the same friends, the same university, the same dreams and the same potential. Ten years on they are worlds apart. Call centres, charity shops and bedrooms that smell like cabbage were never part of the plan. The real world doesn't look quite like any of them imagined. But when Lauren, in a moment of nostalgia, cracks open a long-forgotten Hotmail account, she comes face to face with the people these three friends used to be . . . For two of them it will mean a new beginning to an old love story. Hilarious and heart-breaking, In Real Life paints a searingly honest portrait of a generation and captures a world where human connection is easier than ever before but where relationships remain just as tricky.
This book is intended to give the reader an account of the origin and history of Hallowe'en, how it absorbed some customs belonging to other days in the year,—such as May Day, Midsummer, and Christmas. The context is illustrated by selections from ancient and modern poetry and prose, related to Hallowe'en ideas. Those who wish suggestions for readings, recitations, plays, and parties, will find the lists in the appendix useful, in addition to the books on entertainments and games to be found in any public library. Special acknowledgment is made to Messrs. E. P. Dutton & Company for permission to use the poem entitled "Hallowe'en" from "The Spires of Oxford and Other Poems," by W. M. Letts; to Messrs. Longmans, Green & Company for the poem "Pomona," by William Morris; and to the Editors of The Independent for the use of five poems.