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The new gripping mystery following City of Dreadful Night. A man impaled on the South Downs. Another skinned alive. A skeleton found beneath the West Pier, its feet encased in concrete. Brighton has been invaded. But this is no mere power struggle between rival mobsters; the motives for the killings stretch back through the decades, to an explosive forty-year-old secret Brighton's crime king John Hathaway would rather forget. But someone else remembers, and that someone has decided that revenge is a dish best served cold...
A man is impaled. Another is skinned alive. Brighton has been invaded. But this is no mere power struggle between rival mobsters; the motives for the killings stretch back to an explosive 40-year-old secret Brighton's crime king John Hathaway would rather forget.
Bestselling author Douglas Century reveals the untold story of the epic rise and fall of Boris Nayfeld, also known as Biba, one of the most notorious Russian mob bosses of our era. Boris Nayfeld, a.k.a. “Biba,” is the last living boss of the old-school Russian mob in America, and he’s survived to tell it all. Filled with sex, drugs, and murder, Biba’s story is a mind-boggling journey that took him from petty street crime in the USSR to billion-dollar embezzlement in America. Born in Soviet-era Belarus, abandoned by his parents in infancy, Biba’s brutal upbringing left him hungry for more—more power, control, and money. Taking advantage of the rampant corruption in the Soviet Union, Biba’s teenage hooliganism quickly turned into bolder “black cash” rackets, making him, by Soviet standards, a very rich young man. When authorities took notice and threatened him with “the supreme measure”— execution by firing squad—he managed to get out of the USSR just in time. Within months of landing in America, his intimidating presence and street smarts quickly made him legendary in the Soviet émigré community of Brighton Beach, Brooklyn, and launched him to the top of New York’s Russian Jewish mob, one of the world’s most inventive, powerful and violent criminal organizations. After decades as a globe-trotting boss, and three stints in U.S. federal prisons he remains unbroken and unrepentant, even as his entire life has unraveled around him. Now seventy-four years old, Biba is a lion in winter. Douglas Century vividly brings the notorious gangster to life in these pages, telling not only his epic journey but also the history of the Russian mob in America.
"Be prepared for a long night. Guttridge combines period mystery, police procedure and noir in a fascinating tale whose only blemish is that you'll have to wait for the next in the series in its resolution” ― Kirkus Reviews, (Starred Review) The first gripping mystery in the Brighton Trilogy. July 1934. A woman's torso is found in a trunk at Brighton railway station's lost luggage office. Her identity is never established, her killer never caught. But someone is keeping a diary... July 2009. Ambitious radio journalist Kate Simpson hopes to solve the notorious Brighton Trunk Murder, and she enlists the help of ex-Chief Constable Robert Watts, whose role in the recent botched armed-police operation in Milldean, Brighton's notorious no-go area, cost him his job. But it's only a matter of time before past and present collide...
In the kingdom of Brighton, a President-turned-King offers poor teens the chance to join KEY, the King's Education for Youth. Seventeen-year-old Reina Torres jumps at the chance to be of service to her country, wanting to learn more about Brighton's history and future through the Media industry. The King himself takes an interest in Reina, offering private interviews; he soon commands her to marry his cruel son. Reina, however, cannot ignore her growing feelings for Iris, a fellow KEY student, despite knowing the laws. Reina discovers refusal means punishment much worse than death, and why King Magnus hasn't aged in decades, thanks to his KEY program.
From the New York Times bestselling author of Churchill and Napoleon The last king of America, George III, has been ridiculed as a complete disaster who frittered away the colonies and went mad in his old age. The truth is much more nuanced and fascinating--and will completely change the way readers and historians view his reign and legacy. Most Americans dismiss George III as a buffoon--a heartless and terrible monarch with few, if any, redeeming qualities. The best-known modern interpretation of him is Jonathan Groff's preening, spitting, and pompous take in Hamilton, Lin-Manuel Miranda's Broadway masterpiece. But this deeply unflattering characterization is rooted in the prejudiced and brilliantly persuasive opinions of eighteenth-century revolutionaries like Thomas Paine and Thomas Jefferson, who needed to make the king appear evil in order to achieve their own political aims. After combing through hundreds of thousands of pages of never-before-published correspondence, award-winning historian Andrew Roberts has uncovered the truth: George III was in fact a wise, humane, and even enlightened monarch who was beset by talented enemies, debilitating mental illness, incompetent ministers, and disastrous luck. In The Last King of America, Roberts paints a deft and nuanced portrait of the much-maligned monarch and outlines his accomplishments, which have been almost universally forgotten. Two hundred and forty-five years after the end of George III's American rule, it is time for Americans to look back on their last king with greater understanding: to see him as he was and to come to terms with the last time they were ruled by a monarch.
A bloody death of an actress during a theatre show has DI Gilchrist and DS Heap investigate . . . but was it a bizarre accident or a deliberate attack? During a theatre performance Detective Inspector Sarah Gilchrist is reluctantly attending, blood begins soaking through a curtain startling one actor into falling to his death from the stage. The source of the blood: Elvira Wright, the lead actress, has been bludgeoned by a lead weight used for opening the curtain. Meanwhile former Hollywood actress Nimue Grace is attracting attention from a notorious gangster. When she stumbles across something horrific in the aptly named Butcher's Wood, she interprets it as a vicious message left for her. As Gilchrist and Detective Sergeant Bellamy Heap investigate, they find themselves running in circles. All the actors were disgruntled with the director of the play, Cat Pinter, and the way it was produced, but why would any of them target Elvira? And what is the meaning of the horrible discovery in Butcher's Wood?
DI Sarah Gilchrist and DS Bellamy Heap are called in when the body of a man is found floating in a lake belonging to a reclusive ex-Hollywood actress. When Major Richard Rabbitt, owner of a large estate in Sussex, is found floating in a lake belonging to Nimue Grace, a charismatic former Hollywood actress, DI Sarah Gilchrist and DS Bellamy Heap are called in to investigate - and quickly discover Rabbitt was a notoriously difficult man to deal with. Rabbitt was hated by his estranged wife, had several rivalries with residents of the area, and was involved in a number of deals with other shady businessmen . . . such as Said Farzi, a ‘criminal’ according to many, and the corrupt politician William Simpson – the father of Heap’s girlfriend. With numerous suspects and many refusing to cooperate, Gilchrist and Heap must stay on their toes to unravel all the connections. Who stood to gain the most from Rabbitt’s demise, and who can be trusted?
The gripping new thriller in Peter Guttridge's highly acclaimed Brighton series. The truth will out. Thriller writer Victor Tempest is dead and his son, the disgraced ex-Chief Constable Bob Watts, is discovering what really happened in the unsolved Brighton Trunk Murder of 1934. At the same time, Detective Sergeant Sarah Gilchrist has a lead that may establish the truth about the Milldean Massacre. If she can stay alive long enough to follow it... Jimmy Tingley, once Special Air Service, now avenging angel, is in Europe on the trail of the Balkan gangsters who wreaked bloody havoc in Brighton. He's armed for World War III, but is that enough when he's his own most dangerous enemy?
The Brighton series continues and “takes a turn towards the occult” with “well-wrought prose, an appealing new character . . . and a deadly climax” (Booklist). Something strange is in the Brighton air. Everywhere newly-promoted Sarah Gilchrist looks, unsettling things are happening. A Wicker Man is burned on the beach at dawn with a body inside; a painting titled The Devil’s Altar is stolen from the Brighton Museum; a vicar who casts out demons goes missing; and a rare medieval manuscript of the occult Key of Solomon is stolen from the Jubilee Library. Then Gilchrist’s flatmate, Kate Simpson, discovers that acts of sacrilege and grave robbing have been routinely taking place in Brighton and the surrounding villages. And ex-Chief Constable Bob Watts is puzzling over inscriptions in his late father’s books. Specifically, books by occult writers Dennis Wheatley, Colin Pearson—and the feared Aleister Crowley, cremated in Brighton in 1947. Old Religion and New Age collide and the body count mounts as the Devil’s Moon slowly rises . . . “Guttridge’s fourth dispatch from Brighton features many of the same characters as the first three but is more cerebral and slower paced. In its own different way, however, it’s just as literate and exciting.” —Kirkus Reviews