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The author delves deeply into the latest incarnation of "sin city," charting the death of the old Vegas under the watchful eye of the detonators who blew up the old casinos and the re-emergence of the new glass pyramid, Disney-like Vegas.
“Nothing short of a masterpiece.” —NPR Books A New York Times Bestseller and a Washington Post Notable Book of the Year In the most ambitious one-volume American history in decades, award-winning historian Jill Lepore offers a magisterial account of the origins and rise of a divided nation. Widely hailed for its “sweeping, sobering account of the American past” (New York Times Book Review), Jill Lepore’s one-volume history of America places truth itself—a devotion to facts, proof, and evidence—at the center of the nation’s history. The American experiment rests on three ideas—“these truths,” Jefferson called them—political equality, natural rights, and the sovereignty of the people. But has the nation, and democracy itself, delivered on that promise? These Truths tells this uniquely American story, beginning in 1492, asking whether the course of events over more than five centuries has proven the nation’s truths, or belied them. To answer that question, Lepore wrestles with the state of American politics, the legacy of slavery, the persistence of inequality, and the nature of technological change. “A nation born in contradiction… will fight, forever, over the meaning of its history,” Lepore writes, but engaging in that struggle by studying the past is part of the work of citizenship. With These Truths, Lepore has produced a book that will shape our view of American history for decades to come.
In this “gripping . . . spectacular piece of reporting” (Ken Burns), a Pulitzer Prize-winning journalist examines Senator Frank Church, the man at the center of numerous investigations into the abuses of power within the American government. ​ For decades now, America’s national security state has grown ever bigger, ever more secretive and powerful, and ever more abusive. Only once did someone manage to put a stop to any of it. Senator Frank Church of Idaho was an unlikely hero. He led congressional opposition to the Vietnam War and had become a scathing, radical critic of what he saw as American imperialism around the world. But he was still politically ambitious, privately yearning for acceptance from the foreign policy establishment that he hated and eager to run for president. Despite his flaws, Church would show historic strength in his greatest moment, when in the wake of Watergate he was suddenly tasked with investigating abuses of power in the intelligence community. The dark truths that Church exposed—from assassination plots by the CIA, to links between the Kennedy dynasty and the mafia, to the surveillance of civil rights activists by the NSA and FBI—would shake the nation to its core, and forever change the way that Americans thought about not only their government but also their ability to hold it accountable. Drawing upon hundreds of interviews, thousands of pages of recently declassified documents, and reams of unpublished letters, notes, and memoirs, some of which remain sensitive today, Pulitzer Prize–winning reporter James Risen tells the gripping, untold story of truth and integrity standing against unchecked power—and winning—in The Last Honest Man. An instant New York Times bestseller
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.
"It is fast-moving and often downright funny."—New York Times "He has recaptured childish innocence and presented it with adult enlightenment—plus a touch of cynicism—yet never with irreverence." —Book-of-the-Month Club News First confession and its terrors. Eighty-four first graders in a classroom ruled by just one nun. The agony and the ecstasy of Lent. The dubious honor of being declared the worst altar server ever. Dinah Shore and the Blessed Virgin haunting your dreams. This is Eddie Ryan's world as he grows up in the intensely Catholic world of South-Side Chicago's St. Bastion's parish in the 1950s. In this classic coming-of-age novel, John Powers draws readers into Eddie Ryan's world with deep affection and bittersweet humor.
Argues that President Barack Obama is a dangerous radical who wants not only big government, but the Europeanization of the United States, and explains how citizens can roll back the liberal establishment and return to fundamental American values.
One of The New York Times's 100 notable books of 2021 "[George Packer's] account of America’s decline into destructive tribalism is always illuminating and often dazzling." —William Galston, The Washington Post Acclaimed National Book Award-winning author George Packer diagnoses America’s descent into a failed state, and envisions a path toward overcoming our injustices, paralyses, and divides In the year 2020, Americans suffered one rude blow after another to their health, livelihoods, and collective self-esteem. A ruthless pandemic, an inept and malign government response, polarizing protests, and an election marred by conspiracy theories left many citizens in despair about their country and its democratic experiment. With pitiless precision, the year exposed the nation’s underlying conditions—discredited elites, weakened institutions, blatant inequalities—and how difficult they are to remedy. In Last Best Hope, George Packer traces the shocks back to their sources. He explores the four narratives that now dominate American life: Free America, which imagines a nation of separate individuals and serves the interests of corporations and the wealthy; Smart America, the world view of Silicon Valley and the professional elite; Real America, the white Christian nationalism of the heartland; and Just America, which sees citizens as members of identity groups that inflict or suffer oppression. In lively and biting prose, Packer shows that none of these narratives can sustain a democracy. To point a more hopeful way forward, he looks for a common American identity and finds it in the passion for equality—the “hidden code”—that Americans of diverse persuasions have held for centuries. Today, we are challenged again to fight for equality and renew what Alexis de Tocqueville called “the art” of self-government. In its strong voice and trenchant analysis, Last Best Hope is an essential contribution to the literature of national renewal.
Novelist, essayist, satirist, and iconoclast, Mordecai Richler made an international reputation with such contemporary fiction triumphs as Barney’s Version and The Apprenticeship of Duddy Kravitz. His death in July 2001 prompted heartfelt tributes from around the world that acknowledged his humour, intellect, soft heart, and irrepressible curmudgeonliness. The Last Honest Man documents the writer’s public and private lives through the words of his family and friends, colleagues and rivals, editors, writers, filmmakers, drinking pals, snooker buddies, and many others. To borrow a phrase from his long-time editor, Robert Gottlieb, this unusual biography captures the grumpy and the high-spirited man, the generous and the distanced, the enthusiastic and the sardonic, the hungry and the fastidious, the man who was awkward in crowded social situations but consummately at ease in Winston’s bar in Montreal. Michael Posner draws on dozens of interviews conducted in London, New York, Montreal, and Toronto to present an unusual and compelling portrait of this complex man and artist.
_____________ 'It is almost impossible not to fall under the spell of Eustace Conway ... his accomplishments, his joy and vigor, seem almost miraculous' - New York Times Review of Books 'Gilbert takes a bright-eyed bead on Eustace, hitting him square with a witty modernist appraisal of folkloric American masculinity' - The Times 'Conversational, enthusiastic, funny and sharp, the energy of The Last American Man never ebbs' - New Statesman _____________ A fascinating, intimate portrait of an endlessly complicated man: a visionary, a narcissist, a brilliant but flawed modern hero At the age of seventeen, Eustace Conway ditched the comforts of his suburban existence to escape to the wild. Away from the crushing disapproval of his father, he lived alone in a teepee in the mountains. Everything he needed he built, grew or killed. He made his clothes from deer he killed and skinned before using their sinew as sewing thread. But he didn't stop there. In the years that followed, he stopped at nothing in pursuit of bigger, bolder challenges. He travelled the Mississippi in a handmade wooden canoe; he walked the two-thousand-mile Appalachian Trail; he hiked across the German Alps in trainers; he scaled cliffs in New Zealand. One Christmas, he finished dinner with his family and promptly upped and left - to ride his horse across America. From South Carolina to the Pacific, with his little brother in tow, they dodged cars on the highways, ate road kill and slept on the hard ground. Now, more than twenty years on, Eustace is still in the mountains, residing in a thousand-acre forest where he teaches survival skills and attempts to instil in people a deeper appreciation of nature. But over time he has had to reconcile his ambitious dreams with the sobering realities of modernity. Told with Elizabeth Gilbert's trademark wit and spirit, The Last American Man is an unforgettable adventure story of an irrepressible life lived to the extreme. The Last American Man is a New York Times Notable Book and National Book Critics Circle Award Finalist.
The remarkable O'Hurley triplets and their older brother and their extraordinary lives.