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A biography of the illustrator Ralph Barton who at the height of his career was perhaps the highest paid artist in New York City. Barton left no written memoirs but this reconstruction has been made from his scattered correspondence and from the reminiscences of his daughters and friends.
This book charts the Hollywood studio system's genesis, international dominance, and self-understood demise by way of its influences on modernist literature in the United States. It shows how the American film industry's business practices and social conditions inflected the form of some of the greatest works of prose fiction and non-fiction.
A biography of Folk (1869-1923), who gained national acclaim for investigating corruption in local government while a district attorney. Along with muckraking journalist Lincoln Steffens, he revealed the extent of wrongdoing and helped establish the idea that public office was a trust rather than an opportunity for personal gain. He was elected governor of Missouri in 1904 and left a legacy of reform. Annotation copyrighted by Book News, Inc., Portland, OR
Eugene O’Neill wrote his most enduring and important plays after he won international acclaim as the first and only American playwright to receive the Nobel Prize in Literature in 1936. In the midst of the Great Depression, with his health failing and spirits sunk, he and his third wife, former actress Carlotta Monterey, moved to California to escape the materialism and commercialism of a declining “West,” and they built a new home called Tao House. A reasonably good translation of tao is “the way,” and in this house, which was largely the creation of Carlotta, he found the way to his most famous play, Long Day’s Journey Into Night. As an unusually explicit autobiographical drama, this play returns to 1912, the outset of O’Neill’s writing career, when he confronted tragedy in his family story and found a way to dramatize his mother, father, brother, and himself in a way that has resonated with audiences since its publication and production in 1956. But this book argues that the play originates as much in the moment of its creation, 1939–1941—in the family relationships, the historical circumstances, and the fact that this work would represent a moment of closure of his great career. Key to this heroic story of creation is the intervention of his wife, Carlotta, whose diaries enable a day-to-day observation of how the play was written. She was the driving force behind the design of Tao House, and she managed the rhythms and patterns of life within its architecture. It was her masterpiece, just as Long Day’s Journey was his. This book develops a close reading of their house and marriage and also uses many of O’Neill’s previous plays to illuminate the breakthrough of Long Day’s Journey. This book is the most granular and at the same time the most far-reaching inquiry into how this quintessential play was written (and almost not written) and how it came into the world.
Critical reading for parents, educators, and anyone wanting to understand the tragic epidemic of suicide—”a powerful book [that] will change people's lives—and, doubtless, save a few" (Newsday). The first major book in a quarter century on suicide—and its terrible pull on the young in particular—Night Falls Fast is tragically timely: suicide has become one of the most common killers of Americans between the ages of fifteen and forty-five. From the author of the best-selling memoir, An Unquiet Mind—and an internationally acknowledged authority on depression—Dr. Jamison has also known suicide firsthand: after years of struggling with manic-depression, she tried at age twenty-eight to kill herself. Weaving together a historical and scientific exploration of the subject with personal essays on individual suicides, she brings not only her remarkable compassion and literary skill but also all of her knowledge and research to bear on this devastating problem. This is a book that helps us to understand the suicidal mind, to recognize and come to the aid of those at risk, and to comprehend the profound effects on those left behind.
A revealing biography of the influential and controversial cultural titan who embodied an era The Tastemaker explores the many lives of Carl Van Vechten, the most influential cultural impresario of the early twentieth century: a patron and dealmaker of the Harlem Renaissance, a photographer who captured the era's icons, and a novelist who created some of the Jazz Age's most salacious stories. A close confidant of Langston Hughes, Gertrude Stein, George Gershwin, F. Scott Fitzgerald, and the Knopfs, Van Vechten frolicked in the 1920s Manhattan demimonde, finding himself in Harlem's jazz clubs, Hell's Kitchen's speakeasies, and Greenwich Village's underground gay scene. New York City was a hotbed of vice as well as creativity, and Van Vechten was at the center of it all.Edward White's biography—the first comprehensive biography of Carl Van Vechten in nearly half a century, and the first to fully explore Van Vechten's tangled relationship to race and sexuality—depicts a controversial figure who defined an age. Embodying many of the contradictions of modern America, Van Vechten was a devoted husband with a coterie of boys by his side, a supporter of difficult art who also loved lowbrow entertainment, and a promoter of the Harlem Renaissance whose bestselling novel—and especially its title—infuriated many of the same African-American artists he championed. Van Vechten's defense of what many Americans considered bad taste—modernist literature, African-American culture, and sexual self-expression—created a popular appetite for these quintessential elements of American art. The Tastemaker encompasses its subject's private fears and longings, as well as Manhattan's raucous, taboo-busting social scene of which he was such a central part. It is a remarkable portrait of a man whose brave journeys across boundaries of race, sexuality, and taste helped make America fully modern.
In this thoroughly innovative work, Hans Ulrich Gumbrecht evokes the year 1926 through explorations of such things as bars, boxing, movie palaces, hunger artists, airplanes, hair gel, bullfighting, film stardom and dance crazes. From the vantage points of Berlin, Buenos Aires, and New York, the reader is allowed multiple itineraries, ultimately becoming immersed in the activities, entertainments, and thought patterns of the citizens of 1926.
Charlie Chaplin made an amazing seventy-one films by the time he was only thirty-three years old. He was known not only as the world’s first international movie star, but as a comedian, a film director, and a man ripe with scandal, accused of plagiarism, communism, pacifism, liberalism, and anti-Americanism. He seduced young women, marrying four different times, each time to a woman younger than the last. In this animated biography of Chaplin, Joyce Milton reveals to us a life riddled with gossip and a struggle to rise from an impoverished London childhood to the life of a successful American film star. Milton shows us how the creation of his famous character—the Tramp, the Little Fellow—was both rewarding and then devastating as he became obsolete with the changes of time. Tramp is a perceptive, clever, and captivating biography of a talented and complicated man whose life was filled with scandal, politics, and art.
The drip paintings of Jackson Pollock, trailblazing Abstract Expressionist, appear to be the polar opposite of Thomas Hart Benton's highly figurative Americana. Yet the two men had a close and highly charged relationship dating from Pollock's days as a student under Benton. Pollock's first and only formal training came from Benton, and the older man soon became a surrogate father to Pollock. In true Oedipal fashion, Pollock even fell in love with Benton's wife. Pollock later broke away from his mentor artistically, rocketing to superstardom with his stunning drip compositions. But he never lost touch with Benton or his ideas-in fact, his breakthrough abstractions reveal a strong debt to Benton's teachings. I n an epic story that ranges from the cafés and salons of Gertrude Stein's Paris to the highways of the American West, Henry Adams, acclaimed author of Eakins Revealed, unfolds a poignant personal drama that provides new insights into two of the greatest artists of the twentieth century.
When most of us hear the title Gentlemen Prefer Blondes, we think of Marilyn Monroe and Jane Russell’s iconic film performance. Few, however, are aware that the movie was based on Anita Loos’s 1925 comic novel by the same name. What does it mean, Women Adapting asks, to translate a Jazz Age blockbuster from book to film or stage? What adjustments are necessary and what, if anything, is lost? Bethany Wood examines three well-known stories that debuted as women’s magazine serials—Gentlemen Prefer Blondes, Edith Wharton’s The Age of Innocence, and Edna Ferber’s Show Boat—and traces how each of these beloved narratives traveled across publishing, theatre, and film through adaptation. She documents the formation of adaptation systems and how they involved women’s voices and labor in modern entertainment in ways that have been previously underappreciated. What emerges is a picture of a unique window of time in the early decades of the twentieth century, when women in entertainment held influential positions in production and management. These days, when filmic adaptations seem endless and perhaps even unoriginal, Women Adapting challenges us to rethink the popular platitude, “The book is always better than the movie.”