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The last King of the Great Blasket Island was Pádraig Ó Catháin, known as Peats Mhicí, who served for quarter of a century until his death in 1929. The King helped the islanders navigate through life and through national as well as international events, such as the 1916 Rising and the Great War. This book tells how he came to be King of the Great Blasket Island and how his personality and integrity shaped the role. This is the first account of the King's extraordinary life, written in collaboration with his descendants in the USA and Ireland. It tells the story of this unique man, his many contributions to the island and his extended legacy. • Also available: From the Great Blasket to America by Michael Carney and The Loneliest Boy in the World by Gearóid Cheaist Ó Catháin
Tomás Ó Criomhthain (1856–1937) is one of the giants of Irish-language literature. His best-known books, Allagar na hInise and An tOileánach, are acknowledged classics. But he was a highly unlikely author. He lived his entire life on the isolated and now-abandoned Great Blasket, in a house he built with his own hands using stones he found on the island. Likewise, he crafted a valuable literary heritage out of island life. With indefatigable persistence, he steadily built on his modest formal education, learning to read and write in Irish during middle age while simultaneously expanding his knowledge of literature and history. Scholarly visitors were impressed with Tomás's observations of his tiny community. They encouraged him to commit his stories and memories to paper. He wrote three first-person accounts of his experiences, bequeathing to us a captivating saga of a folk culture doomed by difficult circumstances. His works are among the first examples of Ireland's transition from oral to written folk storytelling. The Blasket Islandman tells, for the first time, the full story of Tomás's life, with its many triumphs and travails. This absorbing account also describes the forces that influenced his work and details his impressive legacy. Tomás was determined that his community be remembered. In the process, he achieved a level of immortality for himself. More than eighty years after his passing, he remains the famed 'Blasket Islandman' and, to paraphrase the man himself, the like of him will never be again.
Exploring An t-Oileánach (anglicised as The Islandman), an indigenous Irish-language memoir written by Tomás Ó Criomhthain (Tomás O'Crohan), Máiréad Nic Craith charts the development of Ó Criomhthain as an author; the writing, illustration, and publication of the memoir in Irish; and the reaction to its portrayal of an authentic, Gaelic lifestyle in Ireland. As she probes the appeal of an island fisherman’s century-old life-story to readers in several languages—considering the memoir’s global reception in human, literary and artistic terms—Nic Craith uncovers the indelible marks of Ó Criomhthain’s writing closer to home: the Blasket Island Interpretive Centre, which seeks to institutionalize the experience evoked by the memoir, and a widespread writerly habit amongst the diasporic population of the Island. Through the overlapping frames of literary analysis, archival work, interviews, and ethnographic examination, nostalgia emerges and re-emerges as a central theme, expressed in different ways by the young Irish state, by Irish-American descendants of Blasket Islanders in the US today, by anthropologists, and beyond.
The tip of the Dingle Peninsula, at the westernmost edge of Europe, is one of Ireland's most isolated regions. For millennia, it has also been a hub for foreign visitors: its position made it a medieval centre for traders, and the wildness of its remote landscape has been the setting for spiritual pilgrimage. This seeming paradox is what makes Dingle and its western hinterland unique: the ancient, native culture has been preserved, while also being influenced by the world at large. This rich heritage is best understood by chatting with the people who live and work here. But how many visitors get that opportunity? Starting with Dingle town, Felicity Hayes-McCoy takes us on an insiders' tour of the region, interviewing locals along the way, ranging from farmers, postmasters and boatmen to museum curators, radio presenters and sean-nos singers. A resident for the last twenty years, Felicity offers practical information and advice as well as cultural insights that will give any visitor a deeper understanding of this special place.
A tale as heartwarming and bright as the Emerald Isle itself. When a stranger from Dublin comes to his coastal village looking for a boat ride to the Great Blasket Island, Tom McBride isn’t anxious for the job. He has enough to handle, working the farm that will one day be his inheritance, and dealing with a contentious father who’s threatening to withhold it. The stranger is hard to refuse, though; he’s on a mission from the prime minister. Tom agrees to the trip, curious about the government’s interest in such a desolate spot. Rising from the sea like a mountain, the Great Blasket is a place of legends, its people mysterious and strange. Steering his uncle’s fishing boat towards it, Tom thinks he’s prepared for whatever it has to offer, but nothing could prepare him for Brigid O’Sullivan. Dark-eyed and raven-haired, Brigid is the only young woman left among the aging inhabitants of her tiny Blasket village. With most of its population lost to emigration or the unforgiving sea, the island has grown more isolated and its way of life ever more dangerous. The Irish government plans to evacuate everyone to the mainland, but Brigid refuses to give up on her home. For her, the Blasket is a place of magic and power. She thinks its wild isolation fits with her own strange spirit and that she is better off where she is, but from the minute he lays eyes on her, Tom is determined to convince her otherwise. Irresistibly drawn to him, Brigid soon finds herself torn between the solitary life she thought she wanted and the one offered by the man she loves. Both choices come with loss and grief attached, but when tragedy strikes, changing everything in an instant, she discovers the greatest heartbreak could be never getting to choose at all.
Island Cross-Talk, first published in 1928, was the first book to come out of the Blasket Islands, that remote, tiny community off the West Kerry coast speaking a dying language. In these pages from his diary, Ó'Crohan jotted down snatches of conversation, anecdotes, descriptions of the landscape and the sea.
This is the story of a boy's growing up on the Great Blasket, a sparsely inhabited, Gaelic-speaking island off the coast of Ireland. It tells of the simple life of a society that no longer exists, with a humor and poetry refreshingly remote from the modern world that replaced it.
Now in paperback, this innovative sci-fi novel explores the potential impact of alien infection on humankind as they traverse the stars and find themselves stranded on new and strange planets. Amid the Crowd of Stars is a grand scale science fiction novel examining the ethical implications of interstellar travel, a topic rarely addressed in science fiction novels. What responsibilities do we have to isolate ourselves from the bacteria, viruses, and other life of another world, and to prevent any of that alien biome from being brought back to Earth? What happens when a group of humans are stranded for centuries on another world with no choice but to expose themselves to that world? After such long exposure, are they still Homo sapiens or have they become another species entirely? These questions are at the heart of this intriguing novel, explored through the complicated lives and the viewpoints of the people who have come to rescue the stranded colony, the members of that colony, and the sentient alien life that dwells on the planet. Difficult life and death choices will be made by all involved.
Known affectionately as "the Queen of Gaelic Storytellers," Peig Sayers here offers reminiscences of the daily events that made up her life (such as seal catching, collecting turf for roofs, preparing for a funeral wake) alongside the tragedies of drownings at sea, pilgrimages, and the news of the 1916 revolution in Dublin City. It is a unique record of an essential part of the oral Gaelic tradition.
An honest, radical and moving account of life off the grid. It was 11pm when I checked my email for the last time and turned off my phone for what I hoped would be forever. No running water, no car, no electricity or any of the things it powers: the internet, phone, washing machine, radio or light bulb. Just a wooden cabin, on a smallholding, by the edge of a stand of spruce. In this upfront and lyrical account of a remarkable life without modern technology, Mark Boyle explores the hard won joys of building a home with his bare hands, learning to make fire, collecting water from the spring, foraging and fishing. What he finds is an elemental life, one governed by the rhythms of the sun and seasons, where life and death dance in a primal landscape of blood, wood, muck, water, and fire – much the same life we have lived for most of our time on earth. Revisiting it brings a deep insight into what it means to be human at a time when the boundaries between man and machine are blurring. *** ‘Boyle's memoir of his first year off-grid is fascinating… A poetic meditation on the almost-mystical benefits of falling in sync with nature.’ —New Statesman ‘A warts-and-all look at an extreme way of life, but one that, by the end of this engrossing book, makes the world around it seem dysfunctional.’ —Irish Independent, BOOK OF THE YEAR 2019 ‘A beautiful and thought-provoking story that will inspire you to live differently. Mark asks the most fundamental questions then sets out to live the answers.’ Lily Cole, model and activist