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Nearly 400 traditional and domestic designs of popular stained glass windows, Victorian era to 1940s. A rich source book for graphic artists and designers and stained-glass craftspeople. Introduction.
First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.
An insightful corrective demonstrating the Arts and Crafts Movement's indelible impact on British and American stained glass Beautifully illustrated and based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. A progressive school of artists, committed to direct involvement both in making and designing windows, emerged in the 1880s and 1890s, reinventing stained glass as a modern, expressive art form. Using innovative materials and techniques, they rejected formulaic Gothic Revivalism while seeking authentic, creative inspiration in medieval traditions. This new approach was pioneered by Christopher Whall (1849-1924), whose charismatic teaching educated a generation of talented pupils--both men and women--who produced intensely colorful and inventive stained glass, using dramatic, lyrical, and often powerfully moving design and symbolism. Peter Cormack demonstrates how women made critical contributions to the renewal of stained glass as artists and entrepreneurs, gaining meaningful equality with their male colleagues, more fully than in any other applied art. Cormack restores stained glass to its proper status as an important field of Arts and Crafts activity, with a prominent role in the movement's polemical campaigning, its public exhibitions, and its educational program. Published for the Paul Mellon Centre for Studies in British Art
Combining the delicate and tranquil beauty of Oriental design with the luminous appeal of stained glass artistry, this unique pattern book presents 47 exquisite designs. Traditional Asian motifs include cranes, peony blossoms, geishas, and other images, all specially designed to meet the demands of stained glass craft projects from lightcatchers to lampshades.
International stained glass expert Virginia Raguin traces the emergence of stained glass as a unique art form through an examination of its techniques and symbolism, and the political and historical contexts - both ecclesiastical and secular - in which it has been displayed. From Romanesque to Gothic Revival, Renaissance to Opalesque,Virginia Raguin reveals her profound knowledge of the naunces of style and the aesthetics of light in this compelling field.
Stained glass crafters won't ever run out of projects with this amazing collection of patterns to choose from!
Stained glass can be thought of as a decorative adjunct to architecture or as fine art productive of a wide variety of rich and deep experiences in the beholder. Although both aspects are covered in this book, it is glass as fine art that concerns the author - from the unique wondrous beauty of the windows of Europe's great cathedrals to the much later masterpieces of Tiffany, LaFarge and today's artists. Treating the subject chronologically, he explores the chronological background to each period in order to establish the motivation of the society and the intentions of the artists who caused a particular kind of stained glass to come into being. There are enquiries into the changing meaning of colour, the influence of other contemporary arts (architecture, painting, tapestry, ceramics, illuminated manuscripts), the origin of glass and the manner in which, in early times, ideas travelled from one region to another. There are also accounts of how stained glass windows are made and descriptive analyses of the beauty of individual works. Patrick Reyntiens considers late developments in the 20th century. Among these is the rise of the studio panel of stained glass or glass emancipated from the constraints of modern architecture, of which he himself is a practitioner.
This series of beautifully produced small books is intended to be an introduction to the often hidden worlds that lie within the great churches and cathedrals of the British Isles, Ireland, and Europe. Mike Harding presents a selection of the most fascinating manifestations of green men, gargoyles, misericords, and stained glass, explaining the background and meaning behind each subject in text and illustrations.