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Traces the development of secrecy as a government policy over the twentieth century and its adverse effects on Cold War policy making
For the first time available in English, a selection of some of Inger Christensen's most insightful essays and poetic prose pieces
An ambitious young woman who dreams of leaving her small town to follow her dreams learns the heartbreak of reckless love. As a young woman trapped in the confines of her small Newfoundland fishing village, sixteen-year-old Julie dreams of someday making her way out into the world and becoming a journalist. The daughter she gave up at birth must learn the same lesson, but will she follow in her mother's footsteps and give up her dreams? What happens when a daughter, given up at birth, makes the same tragic mistake as the mother she never knew? In 1950 Julie was deceived in love and had to give up not only the child of that union, but her dreams of escaping her small fishing village to become a journalist. Twenty years later, Marina, too, is deceived in love and has to forfeit her child, but dreams are not to be thwarted the second time around. The only refuge for young teen girls at that time was an old plantation pavilion called The Fold located in Nova Scotia. Hidden away on acres of lush green grass and surrounded by the wonder of the sea, The Fold holds the mystery and secrets of those who suffered emotions of forfeiting their infant and the suffering that remains within their veil of secrecy.
First came the sin. Then the lies. He was handsome, charming, irresistable, and an eighteen-year-old lady-killer, her uncle Cliff's stepson, Ted. But in one terrible night he would shatter the life of fourteen-year-old Charlotte Dawes and nearly destroy her family. Years afterward, Charlotte would remember that night with fear and loathing, with pain that could be banished only by her work as a gifted architect, building a new world for others as she conceals her own. For Charlotte's family, prime employers in New England mill town, what happened to Charlotte was the beginning of the end. Her father is left shattered by his daughter's pain. Her troubled mother is unable to cope. And her distinguished family has fallen from grace, plunged into debt. The only rock that sustains them in their darkest hours is a woman whose own guilty secret has given her the power to ruin—or resurrect—the family to whom she owes her life. Belva Plain's searing novel cuts to the heart of a family ravaged by secrecy. But it is ultimately a story of redemption, the kind that grows when one person dares to tell the truth.
This book revises assumptions about satire as a public, masculine discourse derived from classical precedents, in order to develop theoretical and critical paradigms that accommodate women, popular culture, and postmodern theories of language as a potentially aggressive, injurious act. Although Habermas places satirists like Swift and Pope in the public sphere, this book investigates their participation in clandestine strategies of attack in a world understood to be harboring dangerous secrets. Authors of anonymous pamphlets as well as major figures including Behn, Dryden, Manley, Swift, and Pope, share at times what Swift called the writer's "life by stealth."
"As gripping as a good thriller." --The Washington Post Unpack the science of secrecy and discover the methods behind cryptography--the encoding and decoding of information--in this clear and easy-to-understand young adult adaptation of the national bestseller that's perfect for this age of WikiLeaks, the Sony hack, and other events that reveal the extent to which our technology is never quite as secure as we want to believe. Coders and codebreakers alike will be fascinated by history's most mesmerizing stories of intrigue and cunning--from Julius Caesar and his Caeser cipher to the Allies' use of the Enigma machine to decode German messages during World War II. Accessible, compelling, and timely, The Code Book is sure to make readers see the past--and the future--in a whole new way. "Singh's power of explaining complex ideas is as dazzling as ever." --The Guardian
The fifteenth through the eighteenth centuries were truly an Age of Secrecy in Europe, when arcane knowledge was widely believed to be positive knowledge which extended into all areas of daily life. So asserts Daniel Jütte in this engrossing, vivid, and award-winning work. He maintains that the widespread acceptance and even reverence for this “economy of secrets” in premodern Europe created a highly complex and sometimes perilous space for mutual contact between Jews and Christians. Surveying the interactions between the two religious groups in a wide array of secret sciences and practices, the author relates true stories of colorful “professors of secrets” and clandestine encounters. In the process Jütte examines how our current notion of secrecy is radically different in this era of WikiLeaks, Snowden, etc., as opposed to centuries earlier when the truest, most important knowledge was generally considered to be secret by definition.
Secret police agencies such as the East German Ministry for State Security kept enormous quantities of secrets about their own citizens, relying heavily on human modes of data collection in the form of informants. To date little is known about the complicated and conflicted lives of informers, who often lived in a perpetual state of secrecy. This is the first study of its kind to explore this secret surveillance society, its arcane rituals, and the secret lives it fostered. Through a series of interlocking, in-depth case studies of informers in literature and the arts, A State of Secrecy seeks answers to the question of how the collusion of the East German intelligentsia with the Stasi was possible and sustainable. It draws on extensive original archive research conducted in the BStU (Stasi Records Agency), as well as eyewitness testimony, literature, and film, and uses a broad array of methods from biography, sociology, cultural studies, and literary history to political science and surveillance and intelligence studies. In teasing out the various kinds of entanglements of intellectuals with power during the Cold War, Lewis presents a microhistory of the covert activities of those writers who colluded with the secret police.
William Mawolo arrives in a small Liberian town with a secret mission: to investigate the mysterious disappearance of the police chief. The locals, however - police force and citizens alike - are far from happy about his presence, and their hostility is increasing daily, threatening to boil over. At the same time, Mawolo is drawn to the departed chief's daughter, Makemeh, who for some reason doesn't seem to be too concerned about her missing father.Intrigued, Mawolo decides to stay longer than required - and even attempts to take charge of the town. Little by little, he starts to behave like the despotic man whose disappearance he came to investigate. His desire to uncover the town’s dark secrets puts him in danger . . . but will his heart rule his head?Bound To Secrecyis an exploration of power and the fear it generates; and of love in all its magical, addictive forms. A rich mix of African tradition, classic crime fiction and the supernatural, Bound to Secrecy is a captivating account of the complexities of Liberian society and the inevitable clash between modern life and ancient cultures.‘Written in a clear and direct style, this is an intelligent and mature African-set crime narrative that communicates its effects with maximum efficiency. William Mawolo is sent to a small Liberian town with a clandestine agenda: he is to investigate the disappearance of the local police chief. But (as so often in similar scenarios) he encounters a wall of indifference and noncommunication from the townspeople, and matters are further complicated by his attachment to the missing police chief’s daughter; she seems curiously unconcerned about the disappearance of her father. While Bound to Secrecy functions as an efficient crime drama, it also (in the interstices) examines aspects of African traditions and even attitudes to the supernatural which still trouble the continent. Vamba Sherif, born in Liberia, whets the appetite for his other work with this impressive novel.’ Barry Forshaw, (Crime Time) 'Sherif is a master storyteller whose multi-linguality is definitely evident in the lyricism of his writing; the translation to English doesn’t lose that quality. He tells stories of Liberia for the Liberian reader, without pandering to or losing his Western readers’ ability to get the culturally specific references in his writing. Sherif’s honesty in framing this contemporary Liberian town, still deeply rooted in the superstitions and sexism of traditional, insular inland communities, is refreshing, its impression lasting, haunting. As with all detective stories - and with life - the answer to the riddle is under William Mawolo’s nose the entire time.(Wayétu Moore, One More Books)