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"His work contributes to the ongoing interest in the history of women and in the history of resistance."--Jacket.
Considers how the languages of dress in the region connect with other social practices, and with political and religious conformity in particular. Treating cases as diverse as practices of veiling in Oman and dress reform laws in Turkey, these ethnographic studies extend from Malta to the ME and Caucasus.
Stephanie Davis has combined her painting and art teaching with research into costumes as depicted through the centuries. Dozens of carefully drawn and detailed illustrations embellish the text and give a visual dimension. She includes lists of couturiers and designers, costume collections and exhibitions of ancient civilisations.--[book cover].
Fashion is ever-changing, and while some styles mark a dramatic departure from the past, many exhibit subtle differences from year to year that are not always easily identifiable. With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is an authoritative visual guide to women's fashion across five centuries. Each entry includes annotated color images of historical garments, outlining important features and highlighting how styles have developed over time, whether in shape, fabric choice, trimming, or undergarments. Readers will learn how garments were constructed and where their inspiration stemmed from at key points in history – as well as how dresses have varied in type, cut, detailing and popularity according to the occasion and the class, age and social status of the wearer. This lavishly illustrated book is the ideal tool for anyone who has ever wanted to know their cartridge pleats from their Récamier ruffles. Equipping the reader with all the information they need to 'read' a dress, this is the ultimate guide for students, researchers, and anyone interested in historical fashion.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.
Open up a fresh and stylish story about growing up and keeping hold of your favorite memories. As the year passes, the narrator’s favorite dress goes through a series of creative changes, from dress to shirt to tank top to scarf and so on, until all that’s left of it is a good memory. Assisted by her patient and crafty mama, the narrator finds that when disaster strikes her favorite things, she doesn’t need to make mountains out of molehills—she “makes molehills out of mountains” instead! Structured around the days of the week, the story is also illustrated to show the passing of the seasons, a perfect complement to the themes of growing older and keeping hold (and letting go) of special mementos. Praise for I Had a Favorite Dress "A spunky story about adjusting to change with creativity and style. Tailor-made, so to speak, for the Etsy generation of DIY enthusiasts.” –Publishers Weekly “Everyone is smiling in the buoyant confections created by illustrator Julia Denos—including, it’s fair to say, young readers looking at them. Endearing picture book.” –Wall Street Journal “What could have been yet another example of kindergarten consumerism instead becomes one of resourcefulness and resilience.” –New York Times “Denos’s multimedia illustrations reinforce the narrator’s vibrant personality and the amazing transformations of the dress while capturing the action and emotion of the story. This book is sure to capture the imaginations of would-be seamstresses; children who can’t bear to part with a favorite item; and those who want to reduce, reuse, recycle.” –School Library Journal “Breezy in style, they smartly stitch each scene of alteration as the not-so-little girl sashays through the days of the week and the seasons. A charming interpretation of an old story that will speak to young fashionistas.” –Kirkus Reviews
This unique book, by a man who has chosen to "dress plain," describes the history and use of hats, bonnets, dresses, overcoats, and other articles of clothing used by the various religious groups who wear plain garb. This is the first comprehensive book about why more than 150,000 persons in North America wear plain clothes for religious reasons. Who are the various people who dress plain? Where do they live? Why do they do it? Where did the plain pattern come from? Don't they ever change? Answers to some common objects to plain dress! Will plain dress survive? Authoritative, yet gentle in tone, this book will be of interest to many readers.
One of 10 Best Indie Picture Books of 2014, ForeWord Reviews Runner-Up, 2014 New England Book Festival: Children's Books 2014 Distinguished List of the Association of Children's Librarians of Northern California CCBC Choices 2015 An affirming story about gender nonconformity. Jacob loves playing dress-up, when he can be anything he wants to be. Some kids at school say he can't wear "girl" clothes, but Jacob wants to wear a dress to school. Can he convince his parents to let him wear what he wants? This heartwarming story speaks to the unique challenges faced by children who don't identify with traditional gender roles.
'Glamorous, gripping and moving. I just loved it' MARIAN KEYES. Joy is beautiful, but she has a secret fear. Although she is the toast of 1950s New York Society, with everything money can buy, she is afraid that one day her beauty will fade and she will lose the love of her glamorous husband. Honor is a young seamstress, who has been working her fingers to the bone with little reward, but her luck is about to change. For her 30th birthday, Joy commissions Honor to create the the most dazzling dress ever seen. Lily has always loved vintage clothes. Thousands follow her fashion blog. One day she stumbles upon an article about a legendary evening dress, created in the 1950s, but now lost to history. She knows that she must find out more. What Lily uncovers is a story of glamour, friendship and love betrayed. The story of two women, one ruthless man – and a dress so sublime, nothing in couture would ever match it again.
A law professor and cultural critic offers an eye-opening exploration of the laws of fashion throughout history, from the middle ages to the present day, examining the canons, mores and customs of clothing rules that we often take for granted