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“A delicate, layered exploration of family, trauma, and memory . . . An intriguing introduction to a significant voice in contemporary Japanese fiction.” —Kirkus Reviews Two tales about memory, loss and love, both told with stylistic inventiveness and breath-taking sensitivity. Taichi was forced to stop working almost a decade ago and since then he and his wife Natsuko have been getting by on her wages. But Natsuko is a woman accustomed to hardship. When her own family’s fortune dried up years during her childhood, she lived a surreal hand-to-mouth existence shaped by her mother’s refusal to accept her family’s new station in life. When Natsuko sees an ad for a spa and recognizes the place as the former luxury hotel where she spent time as a child, she decides to take her sick husband, despite the cost. But the overnight visit triggers hard but ultimately redemptive memories relating to the complicated history of her family. Modelled on a classic story by Junichiro Tanizaki, Ninety-Nine Kisses is the second story in this book and it portrays in touching and lyrical fashion the lives of the four unmarried sisters in a historical, close-knit neighbourhood of contemporary Tokyo. “Magical.” —The Guardian, Most Anticipated Fiction of 2021 “An ethereal novel combining two tales exploring memory, love, and loss.” —Vogue (UK) “Kashimada’s writing is exceptional.” —The Spectator “While Kashimada’s stories, like Murakami’s, resist easy interpretation, the former revel in the beauty of experience, whether sorrowful or joyous, affirming life in all its strangeness, horror and mystery.” —The Times Literary Supplement (UK) “Only Kashimada can create this kind of world.” —Yoko Ogawa, author of The Memory Police
SHE WOULD DARE ANYTHING TO SAVE THE WORLD FROM HIS RULE. EVEN HIS BED. He ascended from the darkness years ago-Azrael the Eternal, Azrael the Undying, Azrael Who Is Death-bringing with him the black rains, the fires, the souring of the sky, and the Eaters. Now he rules in the walled city of Haven with his favored Children and his dead court, while all that is left of the living struggles to survive in the ruins of a world that used to be their own. But even as extinction looms, humanity will never surrender to their monstrous conqueror. For Lan, this brutal life has been the only one she's ever known, but she still believes it can change. If the war can never truly end until the Eaters are ended, she will go to Haven, to Azrael himself, and demand he end them. To her surprise, she does not immediately die the hero's death she expected. Instead, Azrael offers her a chance to convince him, and all she has to do is submit herself to the chill embrace of the lord of the Land of the Beautiful Dead. From the author of The Scholomance and The Last Hour of Gann comes a new vision of erotic horror! This book contains explicit sex and gore and is intended for mature readers only.
With the Indian Removal Act of 1830, the Choctaw people began their journey over the Trail of Tears from their homelands in Mississippi to the new lands of the Choctaw Nation. Suffering a death rate of nearly 20 percent due to exposure, disease, mismanagement, and fraud, they limped into Indian Territory, or, as they knew it, the Land of the Dead (the route taken by the souls of Choctaw people after death on their way to the Choctaw afterlife). Their first few years in the new nation affirmed their name for the land, as hundreds more died from whooping cough, floods, starvation, cholera, and smallpox. Living in the Land of the Dead depicts the story of Choctaw survival, and the evolution of the Choctaw people in their new environment. Culturally, over time, their adaptation was one of homesteads and agriculture, eventually making them self-sufficient in the rich new lands of Indian Territory. Along the Red River and other major waterways several Choctaw families of mixed heritage built plantations, and imported large crews of slave labor to work cotton fields. They developed a sub-economy based on interaction with the world market. However, the vast majority of Choctaws continued with their traditional subsistence economy that was easily adapted to their new environment. The immigrant Choctaws did not, however, move into land that was vacant. The U.S. government, through many questionable and some outright corrupt extralegal maneuvers, chose to believe it had gained title through negotiations with some of the peoples whose homelands and hunting grounds formed Indian Territory. Many of these indigenous peoples reacted furiously to the incursion of the Choctaws onto their rightful lands. They threatened and attacked the Choctaws and other immigrant Indian Nations for years. Intruding on others’ rightful homelands, the farming-based Choctaws, through occupation and economics, disrupted the traditional hunting economy practiced by the Southern Plains Indians, and contributed to the demise of the Plains ways of life.
A Tracker for the dead, named Gatchett, steps into the Graveyard where all souls arrive after their untimely deaths. In this case, a ghost sends Gatchett to avenge not only her own murder, but her child’s, as well. The problem is the fact that the murderer is Eero—Gatchett’s vampire brother. In this adventure, our hero must locate his brother, sifting through a mist of terror.
From USA Today bestselling author Robert Swartwood comes a post-apocalyptic thriller like you've never seen before.In a dystopian future where the animated dead reign, the few remaining living are feared and pursued. Conrad is a Hunter. He's one of the best. But when he hesitates one night in killing a living child, he soon finds himself in a desperate fight to save his son - and the entire world.
A graphic novel adaptation of George A. Romero's motion picture screenplay for "Land of the Dead," in which zombies take over the world and mercenaries are called in to defend the last remaining humans, who now reside in walled skyscrapers, from the walking dead.
Winner of the 2015 Edgar Award for Best Critical/Biographical! Follow the footsteps of the father of American horror fiction. Edgar Allan Poe was an oddity: his life, literature, and legacy are all, well, odd. In Poe-Land, J. W. Ocker explores the physical aspects of Poe’s legacy across the East Coast and beyond, touring Poe’s homes, examining artifacts from his life—locks of his hair, pieces of his coffin, original manuscripts, his boyhood bed—and visiting the many memorials dedicated to him. Along the way, Ocker meets people from a range of backgrounds and professions—actors, museum managers, collectors, historians—who have dedicated some part of their lives to Poe and his legacy. Poe-Land is a unique travelogue of the afterlife of the poet who invented detective fiction, advanced the emerging genre of science fiction, and elevated the horror genre with a mastery over the macabre that is arguably still unrivaled today.
A retelling of part of the Odyssey in which Odysseus and his fleet continue their journey and encounter giant cannibals, a beautiful witch, and the Land of the Dead.
NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST “A proper hero for these times . . . To us, V.I. is perfect.” — THE NEW YORK TIMES BOOK REVIEW "Sara Paretsky’s gloriously kick-ass private eye, V.I. “Vic” Warshawski, is back . . . in a political-rot thriller that’s the definition of perfection in the genre." — THE WASHINGTON POST Chicago’s legendary detective, V.I. Warshawski, knows her city’s rotten underbelly better than most, but she’s unable to avoid it when her goddaughter drags her into a fight over lakefront land use, in this propulsive novel from New York Times bestseller Sara Paretsky. Chicago may be the city of broad shoulders, but its political law is “Pay to Play.” Money changes hands in the middle of the night, and by morning, buildings and parks are replaced by billion-dollar projects. Chicago PI V.I. Warshawski gets pulled into one of these clandestine deals through her impetuous goddaughter, Bernie Fouchard. Bernie tries to rescue Lydia Zamir, a famed singer-songwriter now living on the streets; Zamir’s life fell apart when her lover was murdered next to her in a mass shooting at an outdoor concert. Not only does Bernie plunge her and V.I. headlong into the path of some ruthless developers, they lead to the murder of the young man Bernie is dating. He’s a computer geek working for a community group called SLICK. V.I. is desperate to find a mysterious man named Coop, who roams the lakefront in the middle of the night with his dog. She’s sure he holds the key to the mounting body count within SLICK. Coop may even know why an international law firm is representing the mass murderer responsible for Lydia’s lover’s death. Instead, the detective finds a terrifying conspiracy stretching from Chicago’s parks to a cover-up of the dark chapters in America’s meddling in South American politics. Before she finds answers, this electrifying novel pushes V.I. close to the breaking point: People who pay to play take no prisoners.