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For the past 16 years, Cadillac Man (so named because he was once hit by an El Dorado and thereafter bore an imprint of its hood ornament) has lived on the streets of New York City. Over those years, he has recorded the facts of his daily life - the harsh realities of surviving on the street, the often tragic encounters with the non-homeless world, the deep bonds with his fellow homeless, and the surprisingly varied realities of life on the outside - writing hundreds of thousands of words in a series of spiral bound notebooks. "My Life in the Streets" distills those journals into a memoir of homeless life that is peopled with indelible characters and packed with gripping stories. In a gritty, poignant, and funny voice, Cadillac narrates his descent into homelessness, the travails and unexpected freedoms of his life, and the story of his love affair with a young runaway, whom he eventually (and tragically) reunites with her family. The United States has 700,000 homeless people; ultimately, Cadillac's story is their story.
"A vivid historical account…Thompson shines in giving a sense of what it means to love a place that's been designated a 'sacrifice zone.'" ​ —PUBLISHERS WEEKLY Award–winning investigative environmental journalist Jonathan P. Thompson digs into the science, politics, and greed behind the 2015 Gold King Mine disaster, and unearths a litany of impacts wrought by a century and a half of mining, energy development, and fracking in southwestern Colorado. Amid these harsh realities, Thompson explores how a new generation is setting out to make amends. JONATHAN THOMPSON is a native Westerner with deep roots in southwestern Colorado. He has been an environmental journalist focusing on the American West since he signed on as reporter and photographer at the Silverton Standard & the Miner newspaper in 1996. He has worked and written for High Country News for over a decade, serving as editor–in–chief from 2007 to 2010. He was a Ted Scripps fellow in environmental journalism at the University of Colorado in Boulder, and in 2016 he was awarded the Society of Environmental Journalists' Outstanding Beat Reporting, Small Market. He currently lives in Bulgaria with his wife Wendy and daughters Lydia and Elena.
From one of Granta's Best of Young British Novelists comes The Orchard of Lost Souls, a stunning novel illuminating Somalia's tragic civil war. It is 1987 and Hargeisa waits. Whispers of revolution travel on the dry winds, but still the dictatorship remains secure. Soon, through the eyes of three women, we will see Somalia fall. Nine-year-old Deqo has left the vast refugee camp where she was born, lured to the city by the promise of her first pair of shoes. Kawsar, a solitary widow, is trapped in her little house with its garden clawed from the desert, confined to her bed after a savage beating in the local police station. Filsan, a young female soldier, has moved from Mogadishu to suppress the rebellion growing in the north. As the country is unraveled by a civil war that will shock the world, the fates of these three women are twisted irrevocably together. Nadifa Mohamed was born in Hargeisa and was exiled before the outbreak of war. In The Orchard of Lost Souls, she returns to Hargeisa in her imagination. Intimate, frank, brimming with beauty and fierce love, this novel is an unforgettable account of ordinary lives lived in extraordinary times.
When Jonathon took a suicide plunge off the London Bridge more than a century ago, the last place he expected to land was on his feet, in the present, standing at the entrance to a tunnel into a world of mysteries beyond his wildest imagination. A world of powers and principalities and, above all, rules that he'd best learn quickly. Or he'll have to deal with the Dark Man. And what the Dark Man can't turn, he devours. Collects Book of Lost Souls #1-6.
Emily Windsnap finds herself caught between worlds in a dramatic new episode of the New York Times best-selling series. A field trip to a mysterious island quickly turns into an adventure when Emily Windsnap and Aaron discover a secret lookout point from which they spot a ghostly ship that no one else seems to be able to see. The ship appears and disappears only at certain times of day—growing fainter each time. Searching for answers only leads to more questions until Emily and her friends confront the island’s keeper, uncovering the incredible story of a ship caught between land and sea, day and night . . . life and death. Only Emily, with her ability to transform from mermaid to human, can enter Atlantis to try to bring the ship’s passengers back before the portal is closed forever. Emily knows that if she fails, not only will the passengers never see their loved ones again, but Emily won’t be able to return either. Will she be able to resist the allure of Atlantis and return home before it’s too late?
Problems arise and Terra is commissioned by the Tribunal to return to her realm. Their mission is for her to find five commoner candidates from her realm, The Land of Lost Souls, that will be a good fit for the Tribunal. Without hesitation, Terra is more than willing to return home but less than willing to do what the Tribunal asks. She has her own agenda. What she finds as she learns to navigate her magic skills is more than she can explain. She and her friends easily put together the lies the Tribunal has been feeding them all their lives and the mission becomes one of mystery as they maneuver their way through half-truths. Worse than the lies, Clyde is kidnapped by a vampire stalker and used as bait to lure her to Drakonia where she faces the vampire Minister M’ra who has special plans for her. Forced to go along with it as Clyde’s life hangs in the balance, more secrets come to light. Secrets that are far more dangerous and enigmatic than being a hybrid.
Vampires . . . they ache, they love, they thirst for the forbidden. They are your friends and lovers, and your worst fears. “A major new voice in horror fiction . . . an electric style and no shortage of nerve.”—Booklist At a club in Missing Mile, N.C., the children of the night gather, dressed in black, look for acceptance. Among them are Ghost, who sees what others do not; Ann, longing for love; and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself. Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds—Molochai, Twig, and the seductive Zillah, whose eyes are as green as limes—are on their own lost journey, slaking their ancient thirst for blood, looking for supple young flesh. They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself. . . . “An important and original work . . . a gritty, highly literate blend of brutality and sentiment, hope and despair.”—Science Fiction Chronicle
These days it is no longer just adolescents who feel that the universe is falling apart. In Lost Souls, Niles Goldstein writes of the chaos and fear so many of us experience in our public and private lives and makes it clear that we are not--nor have we ever been--alone in our angst. To illustrate the different stages we often encounter when we feel lost--whether the trigger for our disorientation and despair is the loss of a loved one or a job, or the result of an injury or depression--Goldstein interweaves contemporary stories of men and women he has met through his work as a rabbi and a law enforcement chaplain with those of biblical figures such as Cain, David and Bathsheba, Samson, Tamar, and several of the prophets. As in his last book, God at the Edge, Goldstein explores the "shadow" side of the human condition. His accounts are often disturbing, but his insights are always inspiring. What he brings us is a message of particular relevance today, namely, that a journey through the wilderness--be it emotional, existential, or geographical--is a transformative and strengthening process, even though it may not seem so at the time. In chronicling the stories of survivors who have traveled through perilous and at times unexplored territory, Goldstein not only shows us how to face the challenges of being human, he also delivers a promise of meaning, direction, and hope in our lives.
From one of Canada's finest historical novelists, an intricately woven story of revenge, deception, love and redemption set against the turbulent social upheavals of 1860s Russia. For Antonina, the wife of a wealthy Russian landowner, the world falls apart one cold spring afternoon when her husband takes her little boy, Misha, out riding. Set upon by kidnappers on horseback, the boy is stolen and the count wounded. Beautiful, musical and sheltered, Antonina is at first stunned and grief-stricken, then helpless as the count sickens and dies. Desperate, and surrounded by serfs and servants unsettled by the collapse of the old order, Antonina turns to Grisha, the estate steward, for help in getting her son back. He is a man of relentless competence and ambition, and she is drawn to his strength, unaware that he is both driven and crippled by secrets he hoped he'd left behind him in the land of his birth, Siberia. In her search for her lost boy, Antonina faces betrayals that are literally murderous, and finds strengths she had no idea she possessed as she wanders the crumbling halls of Angelkov, pitting her wits against people turned erratic and cruel. In the end, her fate, and the fate of her son, hangs on the way love can sometimes transform even the deepest of hatreds.
These captivating short stories portray three major periods in modern Korean history: the forces of colonial modernity during the late 1930s; the postcolonial struggle to rebuild society after four decades of oppression, emasculation, and cultural exile (1945 to 1950); and the attempt to reconstruct a shattered land and a traumatized nation after the Korean War. Lost Souls echoes the exceptional work of China's Shen Congwen and Japan's Kawabata Yasunari. Modernist narratives set in the metropolises of Tokyo and Pyongyang alternate with starkly realistic portraits of rural life. Surrealist tales suggest the unsettling sensation of colonial domination, while stories of the outcast embody the thrill and terror of independence and survival in a land dominated by tradition and devastated by war. Written during the chaos of 1945, "Booze" recounts a fight between Koreans for control of a former Japanese-owned distillery. "Toad" relates the suffering created by hundreds of thousands of returning refugees, and stories from the 1950s confront the catastrophes of the Korean War and the problematic desire for autonomy. Visceral and versatile, Lost Souls is a classic work on the possibilities of transition that showcases the innovation and craftsmanship of a consummate--and widely celebrated--storyteller.