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"'Give me Liberty, or give me Death'!" is a famous quotation attributed to Patrick Henry from a speech he made to the Virginia Convention. It was given March 23, 1775, at St. John's Church in Richmond, Virginia, ..
Sixteen-year-old Molly Fraser works as a nurse with Florence Nightingale during the Crimean War to earn a salary to help her family survive in nineteenth-century England.
Examines the historical justification for American independence in the writings of the seventeenth and eighteenth century philosophers and historians.
The World of The Prophets as You’ve Never Experienced It Before The Age of Prophecy series transports you back 3000 years, to the epic battle between the Israelite Kings and Prophets. Lev, an orphaned shepherd boy, begins a journey of discovery when he’s hired to play as a musician before the prophets. He soon learns that his father’s knife holds a deadly secret about his hidden past. As he is drawn deeper into the world of prophecy, Lev fights to unearth his true self while the clouds of war gather around him. Authors Dave Mason and Mike Feuer spent years researching the Oral and Kabbalistic traditions detailing the inner workings of prophecy and the world of Ancient Israel. The backdrop for The Age of Prophecy is the greatest of Biblical conflicts, the Battle between King Ahav and the Prophet Eliyahu (more commonly known as Ahab and Elijah in English). Learn the inner story of the battle, in a way that will reframe all you've ever heard about the Israelite< Kings and Prophets.
When Izzy and Olivia Bloom invite their neighbors over for Shabbat dinner, everyone is shocked to find out that the Blooms don't have Shabbat candles. Instead, they have something much more unusual: an antique Sabbath lamp that's been passed down from generation to generation. How did the Sabbath lamp get to America? That's a good story . . .
This book is an interdisciplinary synthesis and interpretation about the experience of light as revealed in a wide range of art and literature from Paleolithic to Roman times. Humanistic in spirit and in its handling of facts, it marshals a substantial body of scholarship to develop an explication of light as a central, even dramatic, reality of human existence and experience in diverse cultural settings. David S. Herrstrom underscores our intimacy with light—not only its constant presence in our life but its insinuating character. Focusing on our encounters with light and ways of making sense of these, this book is concerned with the personal and cultural impact of light, exploring our resistance to and acceptance of light. Its approach is unique. The book’s true subject is the individual’s relationship with light, rather than the investigation of light’s essential nature. Ittells the story of light seducing individuals down through the ages. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions to it as reflected in art (Paleolithic through Roman), architecture (Egyptian, Grecian, Roman), mythology and religion (Paleolithic, Egyptian), and literature (e.g., Akhenaten, Plato, Aeschylus, Lucretius, John the Evangelist, Plotinus, and Augustine). This book celebrates the complexity of our relation to light’s character. No individual experience of light is “truer” than any other; none improves on any previous experience of light’s “tidal pull” on us. And the wondrous variety of these encounters has yielded a richly layered tapestry of human experience. By its broad scope and interdisciplinary approach, this pioneering book is without precedent.
Influenza was the great killer of the nineteenth and twentieth centuries, and the so-called 'Russian flu' killed around 1 million people across Europe in 1889-93 - including the second-in-line to the British throne, the Duke of Clarence. The Spanish flu of 1918, meanwhile, would kill 50 million people - nearly 3% of the world's population. Here, Mark Honigsbaum outlines the history of influenza in the period, and describes how the fear of disease permeated Victorian culture. These fears were amplified by the invention of the telegraph and the ability of the new mass-market press to whip up public hysteria. The flu was therefore a barometer of wider fin de siecle social and cultural anxieties - playing on fears engendered by economic decline, technology, urbanisation and degeneration. A History of the Great Influenza Pandemics is a vital new contribution towards our understanding of European history and the history of the media.