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In a tale of ancient evil, Bram Stoker creates a world of lurking horrors and bizarre denizens: a demented mesmerist, hellbent on mentally crushing the girl he loves; a gigantic kite raised to rid the land of an unnatural infestation of birds, and which receives strange commands along its string; and all the while, the great white worm slithers below, seeking its next victim...
Here are two great, neglected horror novels by Bram Stoker, author of "Dracula," together in one volume for the first time
This volume highlights humour’s crucial role in shaping historical re-visions of the long nineteenth century, through modes ranging from subtle irony, camp excess, ribald farce, and aesthetic parody to blackly comic narrative games. It analyses neo-Victorian humour’s politicisation, its ideological functions and ethical implications across varied media, including fiction, drama, film, webcomics, and fashion. Contemporary humour maps the assumed distance between postmodernity and its targeted nineteenth-century referents only to repeatedly collapse the same in a seemingly self-defeating nihilistic project. This collection explores how neo-Victorian humour generates empathy and effective socio-political critique, dispensing symbolic justice, but also risks recycling the past’s invidious ideologies under the politically correct guise of comic debunking, even to the point of negating laughter itself. "This rich and innovative collection invites us to reflect on the complex and various deployments of humour in neo-Victorian texts, where its consumers may wish at times that they could swallow back the laughter a scene or event provokes. It covers a range of approaches to humour utilised by neo-Victorian writers, dramatists, graphic novelists and filmmakers – including the deliberately and pompously unfunny, the traumatic, the absurd, the ribald, and the frankly distasteful – producing a richly satisfying anthology of innovative readings of ‘canonical’ neo-Victorian texts as well as those which are potential generic outliers. The collection explores what is funny in the neo-Victorian and who we are laughing at – the Victorians, as we like to imagine them, or ourselves, in ways we rarely acknowledge? This is a celebration of the parodic playfulness of a wide range of texts, from fiction to fashion, whilst offering a trenchant critique of the politics of postmodern laughter that will appeal to those working in adaptation studies, gender and queer studies, as well as literary and cultural studies more generally." - Prof. Imelda Whelehan, University of Tasmania, Australia
Sherlock Holmes and his cousin, Dr Henry Vernier, travel to Whitby, to investigate a curious case on behalf of a client. He has fallen in love, but a mysterious letter has warned him of the dangers of such a romance. The woman is said to be under a druidic curse, doomed to take the form of a gigantic snake. Locals speak of a green glow in the woods at night, and a white apparition amongst the trees. Is there sorcery at work, or is a human hand behind the terrors of Diana’s Grove?
Complete and unabridged edition of these classic horror stories.
Legends of vampires, werewolves, and unruly spirits have been a feature of European folklore for centuries. The authors whose work is collected together in this volume range from early Gothic writers to modern pulp enthusiasts. English writers like John William Polidori (1795-1821), the physician who wrote The Vampyre, and William H. G. Kingston (1814-1880), were pioneers of supernatural fiction, while others chose to master the ghost story. E. F. Benson was a part time archaeologist and M. R. James, a medieval historian at King's College, Cambridge. James would read his ghost stories aloud to his friends and students at Christmas-time. With good reason, he has been described as 'the best ghost-story writer England has ever produced.' Classic literary writers such as Ambrose Bierce and Guy de Maupassant found an outlet for their imagination in their terrifying tales, and later writers like Clifford Ball and M. P. Shiel established supernatural fiction in the pulp magazines of the early 20th century. Together, these stories demonstrate a stunning mastery of atmosphere and show an unmatched ability to terrify readers to this day. This collection features several of the leading purveyors of supernatural horror. Authors include: Clifford Ball E. F. Benson Ambrose Bierce Francis Marion Crawford Charlotte Perkins Gilman M. R. James William H. G. Kingston Arthur Machen Guy de Maupassant John William Polidori M. P. Shiel Bram Stoker
Uses work from African-American studies to rethink the status of race in Victorian England.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Although Bram Stoker is best known for his world-famous novel Dracula, he also wrote many shorter works on the strange and the macabre. This collection, comprising Dracula's Guest and Other Weird Stories, a volume of spine-chilling short stories collected and published by Stoker's widow after his death, and The Lair of the White Worm, an intensely intriguing novel of myths, legends and unspeakable evil, demonstrate the full range of his horror writing. From the petrifying open tomb in 'Dracula's Guest' to the mental breakdown depicted in 'The Judge's House' and 'Crooken Sands', these terrifying tales of the uncanny explore the boundaries between life and death, known and unknown, animal and human, dream and reality.
An unstoppable anthology of crime stories culled from Black Mask magazine the legendary publication that turned a pulp phenomenon into literary mainstream. Black Mask was the apotheosis of noir. It was the magazine where the first hardboiled detective story, which was written by Carroll John Daly appeared. It was the slum in which such American literary titans like Dashiell Hammett and Raymond Chandler got their start, and it was the home of stories with titles like “Murder Is Bad Luck,” “Ten Carets of Lead,” and “Drop Dead Twice.” Collected here is best of the best, the hardest of the hardboiled, and the darkest of the dark of America’s finest crime fiction. This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this. Featuring • Deadly Diamonds • Dancing Rats • A Prize Fighter Fighting for His Life • A Parrot that Wouldn’t Talk Including • Dashiell Hammett’s The Maltese Falcon as it was originally published • Lester Dent's Luck in print for the first time