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When Charlotte Treadwell's father "loses" her in a game of hazard, she finds herself in the arms of handsome rake Hugh Brooks, Earl of Rayfield, and soon loses her heart in a dangerous game of love. Original.
Identical twins, sensible Delia and mischievous Cassandra Effington were the most delicious debutantes to ever waltz across a London ballroom. They looked alike in every way . . . but no one ever expected Delia to be the one to get into trouble . . . How did this young lady's reputation become so questionable? Once she was lovely, respectable Miss Delia Effington, but an impulsive decision—and subsequent disaster—forces Delia to retire from society. Until one night, desperate for diversion, she attends a ball as her twin sister and finds herself dancing in the strong arms of the dashing Viscount St. Stephens. Delia believes she has never met this man who arouses her passions, yet he seems somehow familiar. For Delia doesn't know that St. Stephens, an agent for the Crown, has been in her home, protecting her under the disguise of her butler. What will happen when this lady discovers the truth about the man she has come to love?
A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist
Musaicum Books presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Mary Shelley: Frankenstein The Mortal Immortal… John William Polidori: The Vampyre Bram Stoker: Dracula The Jewel of Seven Stars… Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Washington Irving: The Legend of Sleepy Hollow Charles Dickens: The Mystery of Edwin Drood Oscar Wilde: The Picture of Dorian Gray Edgar Allan Poe: The Tell-Tale Heart The Murders in the Rue Morgue The Black Cat… Henry James: The Turn of the Screw The Ghostly Rental… H. P. Lovecraft: The Dunwich Horror The Shunned House… Algernon Blackwood: The Willows A Haunted Island Ancient Sorceries… Théophile Gautier: Clarimonde The Mummy's Foot Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet… Joseph Sheridan Le Fanu: Carmilla Uncle Silas… Ann Radcliffe: The Mysteries of Udolpho The Italian M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Wilkie Collins: The Haunted Hotel The Devil's Spectacles Émile Erckmann & Alexandre Chatrian: The Man-Wolf The Waters of Death… Amelia B. Edwards: Monsieur Maurice The Phantom Coach… Mary E. Wilkins Freeman: The Wind in the Rose-bush The Shadows on the Wall Arthur Machen: The Great God Pan The Terror… William Hope Hodgson: The House on the Borderland The Night Land M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Wilhelm Hauff: The Severed Hand Adelbert von Chamisso: Shadowless Man Edward Bulwer-Lytton: The Haunted and the Haunters… Robert E. Howard: Beyond the Black River Devil in Iron People of the Dark David Lindsay: The Haunted Woman Marie Belloc Lowndes: From Out the Vast Deep Edward Bellamy: Dr. Heidenhoff's Process