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The Lady Doctor is the follow-up companion graphic novel to Ian Williams's critically acclaimed debut, The Bad Doctor (Myriad, 2014). Dr Lois Pritchard is a salaried partner at Llangandida Health Centre with Drs Iwan James (subject of The Bad Doctor) and Robert Smith. She also works two days a week in the local Genitourinary Medicine (GUM) clinic. She is 40, currently single, despite the attentions of her many admirers, and is, by her own admission, 'not very good with relationships'. When her estranged mother makes a dramatic appearance on the scene, demanding a liver transplant, Lois has to confront her loyalties and make some hard decisions. From the moment we see Dr Lois nipping out behind the surgery for a fag, we know we are in for a behind-the-scenes warts-and-all comedy drama. We meet a patient who regrets the Pinocchio face he had tattooed on his genitals; a man who resorts to desperate measures after being driven mad by his neighbours' cats, and a prescription drug addict who plans to sue his previous doctors for failing to refuse him the drugs he demanded. Drugs – prescription, recreational, legal (coffee, alcohol, tobacco) – and behaviours and attitudes surrounding them – are a hot topic at Llangandida Health Centre. Hardening government attitudes towards drugs and addiction, and patients' demands to benefit from the re emergence of psychedelic therapeutic research, don't make a doctor's life any easier, but Williams explores current medical issues and ethics with his trademark lightness of touch and wonderfully sly sense of humour, using his own experience as a practising GP to recreate the lives of both patients and health service practitioners.
The irony of women's acceptance into the medical world, and the unfortunate decline in their status at the beginning of the twentieth-century, is illustrated in this volume through words and pictures. By focusing on the class of 1879 at the Woman's Medical College of Pennsylvania, the authors of the various essays depict individual trials, frustrations, and victories of nineteenth-century women physicians; and we come to understand a vital aspect of our history and how it affects us all today.
Two people determined to give their hearts to God alone find love on their journey west to serve as missionaries in 1830's America.
Cartoonist and doctor Ian Williams introduces us to the troubled life of Dr Iwan James, as all humanity, it seems, passes through his surgery door. Incontinent old ladies, men with eagle tattoos, traumatised widowers - Iwan's patients cause him both empathy and dismay, as he tries to do his best in a world of limited time and budgetary constraints, and in which there are no easy answers. His feelings for his partners also cause him grief: something more than friendship for the sympathetic Dr Lois Pritchard, and not a little frustration at the prankish and obstructive Dr Robert Smith. Iwan's cycling trips with his friend Arthur provide some welcome relief, but even the landscape is imbued with his patients' distress. As we explore the phantoms from Iwan's past, we too begin to feel compassion for The Bad Doctor, and ask what is the dividing line between patient and provider? Wry, comic, graphic, from the humdrum to the tragic, his patients' stories are the spokes that make Iwan's wheels go round in this humane and eloquently drawn account of a doctor's life.
In the 1830s, when a brave and curious girl named Elizabeth Blackwell was growing up, women were supposed to be wives and mothers. Some women could be teachers or seamstresses, but career options were few. Certainly no women were doctors. But Elizabeth refused to accept the common beliefs that women weren't smart enough to be doctors, or that they were too weak for such hard work. And she would not take no for an answer. Although she faced much opposition, she worked hard and finally—when she graduated from medical school and went on to have a brilliant career—proved her detractors wrong. This inspiring story of the first female doctor shows how one strong-willed woman opened the doors for all the female doctors to come. Who Says Women Can't Be Doctors? by Tanya Lee Stone is an NPR Best Book of 2013 This title has common core connections.
Miriam Bryant has always dreamed of leaving the never-ending work of her family's remote mountain ranch to travel abroad as a genteel lady. She's thrilled when the opportunity finally arises, but a gruesome hunting accident crushes her plans, leaving her stranded for weeks in a mining town. The single bright spot in her disappointment comes in the form of this mountain town's newest doctor... Fresh out of medical school, Alex O'Nelly is excited to join his brother's practice and prove himself in the mining town of Butte, in Montana Territory. But the tough conditions in the mines and the brutal winter are worse than he expected. Now a mysterious lung disease is killing patients he fought so hard to cure. The single bright spot in this dreary place comes in the form of their newest patient... But when Miriam's life is threatened by the effects of a medical tragedy, will Alex have what it takes to save the woman he's come to love? Will Miriam ever find the place God created her for, or is it too late?
In this true story—a haunting saga of medical murder set in an era of steamships and gaslights—Gregg Olsen reveals one of the most unusual and disturbing criminal cases in American history. In 1911 two wealthy British heiresses, Claire and Dora Williamson, arrived at a sanitorium in the forests of the Pacific Northwest to undergo the revolutionary “fasting treatment” of Dr. Linda Burfield Hazzard. It was supposed to be a holiday for the two sisters, but within a month of arriving at what the locals called Starvation Heights, the women underwent brutal treatments and were emaciated shadows of their former selves. Claire and Dora were not the first victims of Linda Hazzard, a quack doctor of extraordinary evil and greed. But as their jewelry disappeared and forged bank drafts began transferring their wealth to Hazzard’s accounts, the sisters came to learn that Hazzard would stop at nothing short of murder to achieve her ambitions.
New York Times Bestseller Finalist for the 2022 Pulitzer Prize in Biography "Janice P. Nimura has resurrected Elizabeth and Emily Blackwell in all their feisty, thrilling, trailblazing splendor." —Stacy Schiff Elizabeth Blackwell believed from an early age that she was destined for a mission beyond the scope of "ordinary" womanhood. Though the world at first recoiled at the notion of a woman studying medicine, her intelligence and intensity ultimately won her the acceptance of the male medical establishment. In 1849, she became the first woman in America to receive an M.D. She was soon joined in her iconic achievement by her younger sister, Emily, who was actually the more brilliant physician. Exploring the sisters’ allies, enemies, and enduring partnership, Janice P. Nimura presents a story of trial and triumph. Together, the Blackwells founded the New York Infirmary for Indigent Women and Children, the first hospital staffed entirely by women. Both sisters were tenacious and visionary, but their convictions did not always align with the emergence of women’s rights—or with each other. From Bristol, Paris, and Edinburgh to the rising cities of antebellum America, this richly researched new biography celebrates two complicated pioneers who exploded the limits of possibility for women in medicine. As Elizabeth herself predicted, "a hundred years hence, women will not be what they are now."
Duden asserts that the most basic biological and medical terms that we use to describe our own bodies--male and female, healthy or sick--are cultural constructions. To illustrate this, she delves into records of an 18th-century German physician who documented the medical histories of 1,800 women of all ages and backgrounds, often in their own words.
The "absorbing and powerful" (Wall Street Journal) story of two pioneering suffragette doctors who shattered social expectations and transformed modern medicine during World War I. A month after war broke out in 1914, doctors Flora Murray and Louisa Garrett Anderson set out for Paris, where they opened a hospital in a luxury hotel and treated hundreds of casualties plucked from France's battlefields. Although, prior to the war and the Spanish flu, female doctors were restricted to treating women and children, Flora and Louisa's work was so successful that the British Army asked them to set up a hospital in the heart of London. Nicknamed the Suffragettes' Hospital, Endell Street soon became known for its lifesaving treatments. In No Man's Land, Wendy Moore illuminates this turbulent moment of global war and pandemic when women were, for the first time, allowed to operate on men. Their fortitude and brilliance serve as powerful reminders of what women can achieve against all odds.