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Through close readings of individual serials and books and archival work on the publication history of the Gardener’s Magazine (1826-44) Sarah Dewis examines the significant contributions John and Jane Webb Loudon made to the gardening press and democratic discourse. Vilified during their lifetimes by some sections of the press, the Loudons were key players in the democratization of print media and the development of the printed image. Both offered women readers a cultural alternative to the predominantly literary and classical culture of the educated English elite. In addition, they were innovatory in emphasizing the value of scientific knowledge and the acquisition of taste as a means of eroding class difference. As well as the Gardener’s Magazine, Dewis focuses on the lavish eight-volume Arboretum et Fruticetum Britannicum (1838), an encyclopaedia of trees and shrubs, and On the Laying Out, Planting, and Managing of Cemeteries (1843), arguing that John Loudon was a radical activist who reconfigured gardens in the public sphere as a landscape of enlightenment and as a means of social cohesion. Her book is important in placing the Loudons’ publications in the context of the history of the book, media history, garden history, urban social history, history of education, nineteenth-century radicalism and women’s journalism.
Written by literary scholars, historians of science, and cultural historians, the twenty-two original essays in this collection explore the intriguing and multifaceted interrelationships between science and culture through the periodical press in nineteenth-century Britain. Ranging across the spectrum of periodical titles, the six sections comprise: 'Women, Children, and Gender', 'Religious Audiences', 'Naturalizing the Supernatural', 'Contesting New Technologies', 'Professionalization and Journalism', and 'Evolution, Psychology, and Culture'. The essays offer some of the first 'samplings and soundings' from the emergent and richly interdisciplinary field of scholarship on the relations between science and the nineteenth-century media.
This book was first published in 1929. The working woman was not, a Victorian institution. The word spinster disproves any upstart origin for the sisterhood of toil. Nor was she as a literary figure the discovery of Victorian witers in search of fresh material. Chaucer included unmemorable working women and Charlotte Bronte in 'Shirley' had Caroline Helstone a reflection that spinning 'kept her servants up very late'. It seems that the Victorians see the women worker as an object of oity, portrated in early nineteenth century as a victim of long hours, injustice and unfavourable conditions. This volume looks at the working woman in British industries and professions from 1832 to1850.