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This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
This elegant new volume combines Edith Wharton's sensual prose tour of Italy's most gorgeous gardens with stunning photographs that capture these lush spaces in all their past, present, and enduringly haunting beauty. Wharton devotees, gardeners, and Italophiles alike will delight in following in the writer's turn-of-the-century footsteps. 30 historical bandw photos. 180 modern color photos.
Despite their conceptual allergy to vegetal life, philosophers have used germination, growth, blossoming, fruition, reproduction, and decay as illustrations of abstract concepts; mentioned plants in passing as the natural backdrops for dialogues, letters, and other compositions; spun elaborate allegories out of flowers, trees, and even grass; and recommended appropriate medicinal, dietary, and aesthetic approaches to select species of plants. In this book, Michael Marder illuminates the elaborate vegetal centerpieces and hidden kernels that have powered theoretical discourse for centuries. Choosing twelve botanical specimens that correspond to twelve significant philosophers, he recasts the development of philosophy through the evolution of human and plant relations. A philosophical history for the postmetaphysical age, The PhilosopherÕs Plant reclaims the organic heritage of human thought. With the help of vegetal images, examples, and metaphors, the book clears a path through philosophyÕs tangled roots and dense undergrowth, opening up the discipline to all readers.
Tracing the logic of media history, from the baroque tothe neo-baroque, from magic lanterns and automata to film andcomputer games.
The A272 is the epitome of England, crossing the heartland of the southern Home Counties from Poundford in East Sussex to Winchester. It runs through some of the most beautiful and historical landscapes in the country. Pieter Boogaart travels the length of the A272 exploring, probing, commenting, meeting extraordinary buildings, people, history, and follies.