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The Labyrinth is a unique vision of a dystopian future from one of the most sought-after visual storytellers in the world. A world covered by ruins and ash, the remnants of an otherworldly phenomenon that has ravaged the earth’s atmosphere and forced the few survivors deep underground. Matt, Sigrid and Charlie leave the safe harbour of the enclave for an expedition onto the wastelands of the surface world. During their journey they are forced to confront dark secrets from the time before civilization’s fall. Simon Stålenhagis the internationally acclaimed author and artist behind Tales From the Loop, Things From the Flood and The Electric State. He is world-renowned for his highly imaginative images and stories depicting illusive sci-fi phenomena in mundane, hyper-realistic Scandinavian landscapes. Perfect for fans of everything from Stranger Things to Jurassic Park to Westworld. PRAISE for SIMON STALENHAG 'Tales has the magic. It's got the robots, the weirdness, the dinosaurs. But most of all, it has the wonder. No one who picks this book up will be the same person when they put it down again' NPR on Tales from the Loop 'No words to describe this novel in pictures. Stahlenhag defined a whole new aesthetic for scifi in the 21st century' Damien Walter on The Electric State 'A chilling, unforgettable visual and narrative experience' Locus on The Electric State Stalenhag's 'stories crawl into my brain and mess with my memory of history, time and place' NPR on The Electric State
Return to the Kingdom of Whence in this sprawling prequel to Jim Henson's classic film Labyrinth. Finally back in print and for the first time in hardcover is the novelization of LABYRINTH written by A.C.H. Smith and personally overseen by Jim Henson. This beautiful hardcover features unpublished illustrations by legendary illustrator and concept artist Brian Froud and an exclusive peek into Jim Henson's creative process with over 40 never-before-seen pages from his personal journal, detailing the initial conception of his ideas for LABYRINTH.
The long-awaited new novel from the author of the global bestseller and modern classic, The Shadow of the Wind. As a child, Daniel Sempere discovered among the passageways of the Cemetery of Forgotten Books an extraordinary novel that would change the course of his life. Now a young man in the Barcelona of the late 1950s, Daniel runs the Sempere & Sons bookshop and enjoys a seemingly fulfilling life with his loving wife and son. Yet the mystery surrounding the death of his mother continues to plague his soul despite the moving efforts of his wife Bea and his faithful friend Fermín to save him. Just when Daniel believes he is close to solving this enigma, a conspiracy more sinister than he could have imagined spreads its tentacles from the hellish regime. That is when Alicia Gris appears, a soul born out of the nightmare of the war. She is the one who will lead Daniel to the edge of the abyss and reveal the secret history of his family, although at a terrifying price. The Labyrinth of the Spirits is an electrifying tale of passion, intrigue and adventure. Within its haunting pages Carlos Ruiz Zafón masterfully weaves together plots and subplots in an intricate and intensely imagined homage to books, the art of storytelling and that magical bridge between literature and our lives. 'For the first time in 20 years or so as a book reviewer, I am tempted to dust off the old superlatives and event to employ some particularly vulgar clichés from the repertoire of publishers' blurbs. My colleagues may be shocked, but I don't care, I can't help myself, here goes. The Shadow of the Wind is a triumph of the storyteller's art. I couldn't put it down. Enchanting, hilarious and heartbreaking, this book will change your life. Carlos Ruiz Zafón has done that exceedingly rare thing - he has produced, in his first novel, a popular masterpiece, an instant classic' Daily Telegraph
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
In a secret war waged in worlds both virtual and real, the fates of nations depend on the definitive weapon. And that weapon is knowledge—knowledge to die for. . . . The race is heating up between the U.S. and China to develop a quantum computer with infinite capabilities to crack any enemy’s codes, yet keep secure its own secrets. The government that achieves this goal will win a crucial prize. No other computer system will be safe from the reach of this master machine. Dr. Jaron Kwok was working for the U.S. government to build such a computer. But in a posh hotel in Hong Kong, a Chinese policewoman sifts through the bizarre, ashlike remains of what’s left of the doctor. With the clock ticking, alliances will be forged—and there are those who will stop at nothing to discover what the doctor knew. As the search for answers intensifies, it becomes chillingly clear that the quantum computer both sides so desperately want will be more powerful, more dangerous than anyone could have ever imagined. For in the twenty-first century, machines become gods, gods become machines, and the once-impossible now lies within reach. The key to unlimited knowledge will create the ultimate weapon of mass destruction—or humanity’s last chance to save itself. . . .
Around the world a growing number of people are working with the labyrinth, an ancient artefact which is fulfilling a renewed role in today's world. This book offers ideas and examples of labyrinths in use in various situations: arts, community and social settings; schools, colleges and universities; a hospice, and a secure hospital; counselling, psychotherapy and well-being; churches, retreats and interfaith contexts.
A maze book that features path-finding puzzles that have rules to follow - for example, you're not only allowed, you're actually encouraged to retrace your route.
A lady once casually remarked on British public broadcasting that a third of society is depressed but no one ever speaks about it. Perhaps, in all seriousness, it is to this third of the population that this book is addressed. However you don't have to be depressed to read it. Potentially it is both amusing and instructive, light and deep. Shocked by the approach of his fiftieth year, an English bachelor makes a desperate attempt to become inwardly aware of his given circumstances. The attempt is sustained as a trial over a complete seven-year cycle in his life, leading virtually to the constitution of a new self. Occasionally enlivened by humour, what is particularly valuable in this account of Hero's manoeuvrings in time is its honesty and sustained sense of hope.