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One crocodile with many sharp teeth, two snake-necked turtles swimming in a billabong, three water goannas soaking up the sun...
Featuring 12 beautiful artworks by acclaimed artist Gabriel Maralngurra, this book serves as a small window into the ecology of West Arnhem Land and the holistic nature of Kunwinjku Aboriginal culture.
One crocodile with many sharp teeth, two snake-necked turtles swimming in a billabong, three water goannas soaking up the sun... Learn to count with the animals of Australia's West Arnhem Land and the traditional art of indigenous Kunwinjku culture.
Everyone knows how "Little Red Riding Hood" goes. But Grandpa keeps getting the story all wrong, with hilarious results! "Once upon a time, there was a little girl called Little Yellow Riding Hood--" "Not yellow! It's Red Riding Hood!" So begins the story of a grandpa playfully recounting the well-known fairytale--or his version, at least--to his granddaughter. Try as she might to get him back on track, Grandpa keeps on adding things to the mix, both outlandish and mundane! The end result is an unpredictable tale that comes alive as it's being told, born out of imaginative play and familial affection. This spirited picture book will surprise and delight from start to finish, while reminding readers that storytelling is not only a creative act of improvisation and interaction, but also a powerful pathway for connection and love. Telling Stories Wrong was written by Gianni Rodari, widely regarded as the father of modern Italian children's literature. It exemplifies his great respect for the intelligence of children and the kind of work he did as an educator, developing numerous games and exercises for children to engage and think beyond the status quo, imagining what happens after the end of a familiar story, or what possibilities open up when a new ingredient is introduced. This book is illustrated with great affection by the illustrious artist Beatrice Alemagna (Child of Glass), who counts Gianni Rodari as one of her "spiritual fathers."
The Gathang people of the New South Wales mid-north coast are reviving their language and culture and passing it on to their children. Gathang (or Kattang) is a general name for the language also known as Birrbay (Biripi), Guringay (Gringai) and Warrimay (Worimi), technically these are dialects of the same language.
Stretch like a giraffe and snuggle like a meerkat with Bo and Mommy as they get ready for bed It's time for bed, but little Bo isn't ready to stop playing quite yet! As his mother gamely guides him through his nighttime routine, he imitates various animals--a hibernating bear after eating a snack, a snuggling sea otter when taking a bath, a coiled python while curling up under the covers... Mommy joins in on the fun and keeps one step ahead of Bo until he falls asleep, soaring like a bird into the world of dreams. A lively and imaginative take on getting ready for bed that celebrates creative family play and the joyous love between mother and son.
The current educational landscape demands more than traditional literacy skills to equip learners with the necessary tools to thrive in the modern world. The traditional focus on reading and writing print text may not be sufficient to comprehend the diverse forms of meaning-making necessary for effective communication and understanding in diverse communities. This poses a crucial challenge for educators who aspire to foster engaged and critically aware learners who can navigate the complexities of contemporary society. Arts-Based Multiliteracies for Teaching and Learning offers a transformative solution by advocating for a pedagogy of multiliteracies centered on arts-based approaches. By redefining literacy to encompass diverse modalities such as dance, drama, music, visual arts, and multi-media, this book challenges educators to expand their understanding of literacy beyond traditional boundaries. The book provides a compelling rationale for integrating arts-based multiliteracies across all levels and curricular areas.
'G is for Gugunyal: A Dhurga alphabet book' helps new speakers pronounce the 24 sounds used in Dhurga language. It complements the 'Dhurga Dictionary and Learner's Grammar: A south-east coast NSW Aboriginal language'. Dhurga is one of four traditional languages of the south coast of New South Wales. It was spoken by Yuin (Yuwinj) people between Nowra and Narooma, and as far inland as Braidwood and Araluen. Our language connects us to our people and our physical world. Traditional languages are being reclaimed and spoken across Australia. Fragments of Dhurga were kept by Elders and in books. Dhurga was sleeping; but is now being taught, learned and spoken by Yuin people. The beautiful illustrations help readers learn the 24 Dhurga sounds. They also introduce important land and marine animals, and other creatures of the south coast that are part of local creation and dreaming stories, and Lore. A QR code allows readers to hear the book's Dhurga sounds and words spoken by a Yuin Elder.
In this story without words, an overalls-clad young boy plays with a carpenter's measuring tape, while his similarly dressed father has plans to build a boat.
An argument for, and account of linguistic universals in the morphology of comparison, combining empirical breadth and theoretical rigor. This groundbreaking study of the morphology of comparison yields a surprising result: that even in suppletion (the wholesale replacement of one stem by a phonologically unrelated stem, as in good-better-best) there emerge strikingly robust patterns, virtually exceptionless generalizations across languages. Jonathan David Bobaljik describes the systematicity in suppletion, and argues that at least five generalizations are solid contenders for the status of linguistic universals. The major topics discussed include suppletion, comparative and superlative formation, deadjectival verbs, and lexical decomposition. Bobaljik's primary focus is on morphological theory, but his argument also aims to integrate evidence from a variety of subfields into a coherent whole. In the course of his analysis, Bobaljik argues that the assumptions needed bear on choices among theoretical frameworks and that the framework of Distributed Morphology has the right architecture to support the account. In addition to the theoretical implications of the generalizations, Bobaljik suggests that the striking patterns of regularity in what otherwise appears to be the most irregular of linguistic domains provide compelling evidence for Universal Grammar. The book strikes a unique balance between empirical breadth and theoretical detail. The phenomenon that is the main focus of the argument, suppletion in adjectival gradation, is rare enough that Bobaljik is able to present an essentially comprehensive description of the facts; at the same time, it is common enough to offer sufficient variation to explore the question of universals over a significant dataset of more than three hundred languages.