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This video depicts traditional Ju/'hoan life by using vignettes from longer films in the !Kung San series. Footage selected shows tool-making technology, hunting and gathering, social life and children at play, and gives the viewer a feel for the vastness and beauty of the Nyae Nyae region of the Kalahari Desert.
In comparison to !Kung San: Traditional Life, this video shows some of the dramatic changes in life-style that Ju/'hoansi had experienced by 1986. No longer able to rely on hunting and gathering for subsistence, Ju/'hoansi collect mealie meal welfare, spend money earned from army jobs on alcohol and consumer goods, and live in a crowded area with increased fighting and illness.
For most of human history hunting and gathering was a universal way of life. Richard Borshay Lee spent over three years conducting fieldwork among the !Kung San, an isolated population of 1,000 in northern Botswana. When Lee began his work in 19863, the !Kung San were one of the last of the world's people to live this life. By 1973, when Lee last lived with the group, it appeared that they !Kung were a society on the threshold of a transformation that signalled the end of foraging as an independent way of life, at least in Africa. The !Kung San: Men, Women and Work in a Foraging Society, an ecological and historical study, is Professor Lee's major statement on his research. By maintaining simultaneous historical and synchronic perspectives, Lee is able to extend his analysis of core features from the contemporary !Kung to prehistoric societies. These basic principles become the means to understanding the form of human life that has been obscured by the developments and complications of societies during the last few thousand years.
1. The !Kung 2. The People of the Dobe Area 3. Environment and Settlement 4. Subsistence: Foraging for a living 5. Kinship and Social organization 6. Marriage and sexuality 7. Conflicts, politics and exchange 8. Coping with Life: Religion, World View, and Healing 9. The !Kung and Their Neighbors 10. Perceptions and Directions of Social Change.
Married at twelve, then separated, divorced and widowed, Nisa is the mother of four children, none of whom survived. She is strong, capable of foraging on her own in one of the world's most hostile environments, not dependent on any man for her daily sustenance and ready to talk to anyone as her equal. Wise, full of humour at the absurdities of life and courageous in the face of its defeats, she is bawdy, practical and incurably romantic. She is a woman of the !Khung people who live by means of humanity's oldest survival strategy - gathering and hunting. This book is the remarkable story of Nisa's life, told in her own words to Marjorie Shostak. It is a story full of echoes from a female past that we can never know directly. But it is also Nisa's unique story, her own voice, her own dignity. In anyone's culture, she is a remarkable woman.
"A clearly presented and terrifically detailed work from the perspective of human evolutionary life histories. Dr. Howell has written a text that manages to raise as many intriguing questions as it provides to answer."_Eric A. Roth, author of Culture, Biology, and Anthropological Demography "Nancy Howell's book on the Demography of the Dobe !Kung became an anthropological classic, the first in-depth analysis of the population structures and life histories of a foraging society. Three decades later, Howell returns to her initial data set to ask new questions inspired by Life History Theory. In the process she examines how variations in group composition impact the well-being of !Kung children, revealing that sharing is not just with one's closest relatives."_Sarah Blaffer Hrdy, author of Mothers and Others: The Evolutionary Origins of Mutual Understanding "This is a unique, scholarly book that reads like a detective novel. Howell uses demographic, anthropometric, and foraging data on the !Kung hunter-gatherers of Southern Africa to investigate what explains variation in the nutritional well-being of their children. Each chapter builds on the previous one, and through a process of elimination brings us closer to the answers, which are often surprising. Along the way, we see how food sharing is necessary to explain the peculiar elements of human life history."_Frank Marlowe, author of The Hadza: Hunter-Gatherers of Tanzania
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
This vitally important volume places the problem of wife beating in a broad cultural context in a search for strategies to reform societies, including our own, that are prone to this pernicious form of violence. Based on first hand ethnographic data on more than a dozen societies, including a number in Oceania, this collection explores the social and cultural factors that work either to inhibit or to promote domestic violence against women. The volume also includes a study of abuse among nonhuman primates and a cross-cultural analysis of the legal aspects of wife beating. By presenting counterexamples from other cultures, contributors challenge Western assumptions about the factors leading to wife beating. Through a close examination of societies where wife beating is infrequent or absent, To Have and To Hit identifies the factors--economic, social, political, and cultural--that must be explored and transformed in order to combat this violence and eventually eliminate it.
American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.
The 1990s have seen a growing interest in the role of local ecological knowledge in the context of sustainable development, and particularly in providing a set of responses to which populations may resort in times of political, economic and environmental instability. The period 1996-2003 in island southeast Asia represents a critical test case for understanding how this might work. The key issues explored in this book are the creation, erosion and transmission of ecological knowledge, and hybridization between traditional and scientifically-based knowledge, amongst populations facing environmental stress (e.g. 1997 El Niño), political conflict and economic hazards. The book will also evaluate positive examples of how traditional knowledge has enabled local populations to cope with these kinds of insecurity.