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Legender om guden Krishna
As a world religion, Hinduism remains one of the most elusive for many. Its teachings, beliefs, practices, and history are reviewed here by an expert hoping to introduce readers to the world of Hinduism. While there are many forms of Hinduism, and offshoots as well, the complex nature of this faith makes it elusive to many. This straightforward overview, focusing on Vaishnavism-the most common form of Hinduism—is ideal for those who wish to learn more about this ancient tradition.. Beginning with chapters about the foundations of Hinduism, Rosen clearly lays out what is otherwise a complicated history. Providing Hindu terms alongside English translations, he is able to bring the faith alive for readers unacquainted with its varieties and its tenets. Moving on to chapters about practices, including festivals, teachings, chanting, eating habits and more, Rosen brings Hinduism to life in vivid detail.
This is a study of three Sanskrit texts, the Harivamsa, the Visnupurana, and the Bhagavatabelonging to the puranic genre, the chief source of knowledge of the origins of popular Hinduism. It treats them as integrated compositions and displays the theological motives and creative skill which have gone into the making of them. It shows how all three texts contain narratives which present Krishna as one of several subordinate manifestations (avataras) of Vishnu. All three use much the same traditional material, yet each, by arranging this material in its own way, presents a distinctive view of Krishna, and the most influential of them, the Bhagavata , builds up a world view in which Krishna, not Vishnu, is supreme.
In the West, Krishna is primarily known as the speaker of the Bhagavad Gita. But it is the stories of Krishna's childhood and his later exploits that have provided some of the most important and widespread sources of religious narrative in the Hindu religious landscape. This volume brings together new translations of representative samples of Krishna religious literature from a variety of genres - classical, popular, sectarian, poetic, literary, and philosophical.
Theatre and Religion on Krishna s Stage examines the history and form of India's râs lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that râs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensity of audiences to play out roles of their own through which they share a performance's reality.
Krishna—widely venerated and adored in the Hindu tradition—is a deity of many aspects. An ancient manifestation of the Supreme God Vishnu, or the Godhead itself, Krishna is the bringer of Yoga philosophy and the creator of the universe, the destroyer of evil tyrants, and the hero of the epic Mahabharata. He is also described in classical Sanskrit texts as having human characteristics and enjoying very human pursuits: Krishna is the butter thief, cowherd, philanderer, and flute player. Yet even these playful depictions are based upon descriptions found in the Sanskrit canon, and mostly reflect familiar, classical Pan-Indian images. In this book, contributors examine the alternative, or unconventional, Krishnas, offering examples from more localized Krishna traditions found in different regions among various ethnic groups, vernacular language traditions, and remote branches of Indian religions. These wide-ranging, alternative visions of Krishna include the Tantric Krishna of Bengal, Krishna in urban women's rituals, Krishna as monogamous husband and younger brother in Braj, Krishna in Jainism, Krishna in Marathi tradition, Krishna in South India, and the Krishna of nineteenth-century reformed Hinduism.
This Book Deals At Length With The Myths And Legends Pertaining To Various Kinds Of Celestial, Aerial And Terrestrial Demonical Beings And Demon Lore Found In The Vedas, Buddhist, Jain, Epic And Puranic Sources. It Demonstrates How They Have Been Subjected Under Diverse Historical Conditions To The Processes Of Social, Religious And Cultural Transformations.